Rizzo, Betty. “Molly Leapor: An Anxiety for Influence”. The Age of Johnson, edited by Paul J. Korshin, Vol.
4
, pp. 313-43. 327-8
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Literary responses | Mary Robinson | The same year Broadview Press
issued her Selected Poems, with four portraits and the illustrations by Maria Cosway
, engraved by Caroline Watson
, to her poem A Wintry Day. These were followed... |
Literary responses | Mary Leapor | This volume attracted attention from Samuel Richardson
, Christopher Smart
, and the young William Cowper
, as well as from its chief promoters, John Duncombe
and Susanna Highmore
. Rizzo, Betty. “Molly Leapor: An Anxiety for Influence”. The Age of Johnson, edited by Paul J. Korshin, Vol. 4 , pp. 313-43. 327-8 |
Literary responses | Catherine Fanshawe | CF
's immediately posthumous reputation rested, like her writings themselves, on oral tradition. She had the admiration of William Cowper
and Walter Scott
, as well as Joanna Baillie
, Anne Grant
, and Mary Berry |
Literary responses | Mary Leapor | ML
was by no means forgotten after her first discovery. She was praised in John Duncombe
's Feminiadand accorded the largest share of space in Poems by Eminent Ladies.William Cowper
, who... |
Leisure and Society | Hannah More | Once an omnivorous reader, HM
restricted her choice of books in later life, in line with her religious convictions. She delighted in William Cowper
as a poet whom I can read on Sunday. Jones, Mary Gwladys. Hannah More. Cambridge University Press. 90 |
Intertextuality and Influence | Christian Gray | CG
says of Bessy Bell and Mary Gray that she was instructed by the lowliest of the muses to sing of ladies. Gray, Christian. Tales, Letters, and other Pieces in Verse. Printed for the author by Oliver and Boyd. |
Intertextuality and Influence | Dora Greenwell | She opens the essay with a sharp and witty caricature of others' representations of unmarried women: they have, it is true, gained much both socially and æsthetically in passing from the traditionary type—the withered prude... |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Frances Jacson | |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Ada Cambridge | The Author's Introduction is followed by one hundred short poems divided into two sections, which variously treat the central themes of mortality, impermanence, or the saving grace of Christianity. The poems are predominantly but not... |
Intertextuality and Influence | Mary Ann Parker | After this the tide of MAP
's description begins to turn. Notwithstanding the general appearance of the natives, I never felt the least fear when in their company, being always with a party more than... |
Intertextuality and Influence | Tabitha Tenney | Neither the Cumberland episode, nor her father's death, nor her own serious illness brought on by grief, can change Dorcasina. She next fancies that a new servant, John Brown, is a lover in disguise. (The... |
Intertextuality and Influence | Mary Ann Kelty | The book bears in various details the influence of Jane Austen
, though its overall project of pious didacticism is at odds with Austen's approach. The title-page quotes Rousseau
on the topic of the sensitive... |
Intertextuality and Influence | Mary Robinson | It is set in France, and voices anti-Catholic sentiments. The poetry quoted in it (by poets of the Graveyard School like Edward Young
, Thomas Gray
, and Edward Young
, as well as... |
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