Jonathan Swift
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Standard Name: Swift, Jonathan
Connections
Connections Sort descending | Author name | Excerpt |
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Intertextuality and Influence | Emma Robinson | In print ER's play was accompanied by a preface written in the voice of a young-Turk satirist. It is a piece that could hardly have appeared at this date under a woman's name, and... |
Intertextuality and Influence | Elizabeth Elstob | Elstob probably succeeded in modifying Swift's views: he later adopted some of hers. Elstob, Elizabeth. “Introduction”. An Apology for the Study of Northern Antiquities, edited by Charles Peake, William Andrews Clark Memorial Library, University of California, 1956, p. i - v. iv-v Hughes, Shaun F. D. “The Anglo-Saxon Grammars of George Hickes and Elizabeth Elstob”. Anglo-Saxon Scholarship, the First Three Centuries, edited by Carl T. Berkhout and Milton McC. Gatch, G. K. Hall, 1982, pp. 119-47. 119-20 and n2 |
Intertextuality and Influence | Henrietta Battier | Battier wrote most of this poem in stanzas composed of six iambic pentameters: an unusual metre for her, and one she does not stay in without lapses which may be intentional. Before the last passage... |
Intertextuality and Influence | Constantia Grierson | Grierson wrote this for print, to celebrate her friendship with Barber, and to predict the latter's success. The version printed in the volume shows very careful revision since Grierson's draft copy, with a new, dignified... |
Intertextuality and Influence | Ruth Fainlight | These are serious poems which engage unblinkingly with the perplexities of the human condition. The intricate, highly visual title-poem juxtaposes two views of human lives: one of people as distant and tiny, one as close... |
Intertextuality and Influence | Lady Mary Wortley Montagu | Her own title makes her own poem an answer to one of Swift's most notorious productions. In a brilliant pastiche of his own stylistic habits and his scatological gusto, Montagu represents him as an... |
Intertextuality and Influence | Simone de Beauvoir | |
Intertextuality and Influence | Judith Sargent Murray | In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence, Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books, 1998. 137 |
Intertextuality and Influence | Fidelia | Fidelia's response is flippant, racy, and Swift ian in style. Her first joke is to adopt a professional or hard-headed tone, entirely at odds with the invitation to write solemn devotional verse. She complains that... |
Leisure and Society | Sydney Owenson Lady Morgan | She did not forget her literary plans and ambitions. She had already, in her teens, subscribed to the new and influential magazine Anthologia Hibernica. Now, helping to clear out a house in Dublin which... |
Literary responses | Edith Sitwell | |
Literary responses | Sarah Fielding | The book's admirers included (perhaps embarrassingly) the courtesan Teresia Constantia Phillips, who praised it in her Memoirs. Catto, Susan J. Modest Ambition: The Influence of Henry Fielding, Samuel Richardson, and the Ideal of Female Diffidence on Sarah Fielding, Charlotte Lennox, and Frances Brooke. University of Oxford, 1998. 72 |
Literary responses | Evelyn Sharp | Henry Nevinson, however, judged this to be Sharp's greatest book, worthy of comparison with Swift's Gulliver's Travels or Samuel Butler's Erewhon. Harold Laski, too, admired it. John, Angela V. Evelyn Sharp: Rebel Woman, 18691955. Manchester University Press, 2009. 122, 126 |
Literary responses | Mary Caesar | She was just as insecure about her style and presentation in letters as in her journal, and elicited reassuring praise from Pope, Prior, Swift, Lord Orrery, and Lord Lansdowne. Rumbold, Valerie. “The Jacobite vision of Mary Caesar”. Women, Writing, History, 1640-1740, edited by Isobel Grundy and Susan Wiseman, Batsford, 1992, pp. 178-98. 181-2 |
Literary responses | Anne Finch | Richard Steele in the Tatler (number 10) praised Tonson's miscellany for collecting the best pastorals of the day. McGovern, Barbara. Anne Finch and Her Poetry: A Critical Biography. University of Georgia Press, 1992. 93 |
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