Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Janet Schaw | Schaw's narrative falls into four parts, corresponding to different stages in her travels. In the first she crosses the Atlantic to the Caribbean. The others cover Antigua and St Kitts, North Carolina, and... |
Intertextuality and Influence | Leonora Carrington | The Debutante is set in an unnamed city on 1 May 1934. Its title character is an unnamed young woman who narrates in the first person and begins her narrative by announcing: When I was... |
Intertextuality and Influence | Molly Keane | This, like Good Behaviour, is a black comedy set in a crumbling Anglo-Irishbig house, Durraghglass. Unlike Good Behaviour it sets its protagonist family (of the same generation as Aroon St Charles) in... |
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Intertextuality and Influence | Angela Carter | Lorna Sage
noted that South America is an apt setting for this novel, since the essays and stories of Argentinian writer Jorge Luis Borges
show a similar blending of the fantastical and the documentary (... |
Intertextuality and Influence | Catherine Gore | The title-page quotes the passage in Swift
's Gulliver's Travels where the King of Brobdingnag hears from Gulliver about English politics and marvels that human grandeur can be mimicked by such contemptible insects. qtd. in Gore, Catherine. The Hamiltons; or, Official Life in 1830. R. Bentley, 1850. title-page |
Intertextuality and Influence | Catherine Gore | Any relation to Jonathan Swift
's A Tale of a Tub is indirect and inexplicit. The tub in this case is the working tool of Jeannette, stocking-mender, launderer, and cousin of du Barry
(who herself... |
Intertextuality and Influence | Elizabeth Elstob | Begun in order to help the work of a female student, this work reiterates more strongly EE
's plea for opening the arena of scholarship to women. For examples of poetic practice she turns to... |
Intertextuality and Influence | Lady Caroline Lamb | The title-page of volume one of Graham Hamilton quotes Burns
; the second quotes Swift
denouncing scandal. Though quieter, this novel again displays splendid satirical energy. It contains only one lyric (written by Nathan for... |
Leisure and Society | Sydney Owenson Lady Morgan | She did not forget her literary plans and ambitions. She had already, in her teens, subscribed to the new and influential magazine Anthologia Hibernica. Now, helping to clear out a house in Dublin which... |
Literary responses | Marghanita Laski | US reviews were good. C. J. Rolo
in the Atlantic Monthly called the book a scorching indictment of a hierarchical society, predicting that the blandly devastating satire will especially regale those well versed in the... |
Literary responses | Lady Mary Wortley Montagu | According to a delighted Hervey, Pope was infuriated. Swift
thought the Verses were badly written. Montagu's granddaughter Lady Louisa Stuart
thought that for high-born writers to jeer at Pope's family was shameful. On the whole... |
Literary responses | Mary Latter | Reviewers in general were impressed. The Gentleman's Magazine (which printed an excerpt in February) noted that this work was Swiftian
in style, although by a lady. Gentleman’s Magazine. Various publishers. 34 (1764): 91 |
Literary responses | Hannah More | |
Literary responses | Jane Collier | The Monthly Review was moderately laudatory about the Art of Tormenting; it picked up on the relationship to Swift
. Griffiths, Ralph, 1720 - 1803, and George Edward Griffiths, editors. Monthly Review. R. Griffiths. 8 (1753): 274 |
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