Gentleman’s Magazine. Various publishers.
4 (1734): 619
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Fidelia | Two months after her first Gentleman's Magazine verse, Fidelia
proposed a more unusual prize for the poety contest: not money at all, but the hand of Swift
in marriage. Gentleman’s Magazine. Various publishers. 4 (1734): 619 |
Publishing | Fidelia | |
Publishing | Mary Robinson | The Morning Post published MR
's London's Summer Morning, a word-painting of city life in the tradition of Swift
's Description poems. Curran, Stuart. “Mary Robinson and the New Lyric”. Women’s Writing, Vol. 9 , No. 1, pp. 9-22. 14-15 |
Reception | Delarivier Manley | Today DM
's stock is high, but she is less studied than many of her contemporaries. Her choice of genres and her close involvement with the political and other affairs of her time make her... |
Reception | Laetitia Pilkington | LP
's work was included in Poems by Eminent Ladies, 1755. But it was also traduced in catchpenny publications like The Celebrated Mrs. Pilkington's Jests; or, The Cabinet of Wit and Humour, 1759... |
Reception | Caroline Clive | This poem was considered one of CC
's best works. It was praised by Mary Russell Mitford
, and George Saintsbury
noted its originality Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press. 123 |
Reception | Eliza Haywood | Love in Excess, with its arguably six editions by 1725, has repeatedly been likened to Daniel DefoeRobinson Crusoe and Jonathan SwiftGulliver's Travels as bestselling English fictions before Pamela. It has never shared their status, partly... |
Textual Features | Dorothy Osborne | She trod a fine line as to the expression of her own feelings, for if the courtship should not end in marriage, she would have compromised her reputation. She converts this restriction into a rhetorical... |
Textual Features | Delarivier Manley | One common element shared by DM
's writing in different genres (plays, fiction, non-fiction) is its targeted sensationalim and deliberate artistic excess. Another is its partisan political content. Swift
, who approved her very generous... |
Textual Features | Catherine Sinclair | She had rich material to draw from because her father, John Sinclair (1754-1835), was an unusually accomplished man who was very active in public life. Most notably, he conceived and undertook the publication of The... |
Textual Features | Maria Callcott | Her editor Elizabeth Mavor
, however, prints a late poem (which MC
herself called jingling doggerel), written for a family magazine produced by some young nephews and nieces, which is anything but sapless in... |
Textual Features | Marghanita Laski | Each apology begins with a cliché like To tell you the truth—, or Don't mind me, dear—. One point of the joke (as in Swift
's Polite Conversation, 1738) is the flatness and inadequacy... |
Textual Features | Jane Cave | One interesting feature is the inclusion of nine poems by other authors: the canonical Prior
, Swift
, and Pope
, the lesser-known men John Scott
, William Broome
, and Nathaniel Cotton
, and... |
Textual Features | Maria Edgeworth | This essay includes elements of fiction and reportage. It both exemplifies and defends the colourful and linguistically distinct qualities of Irish lower-class speech, pointing out that for these speakers English is their second language. (This... |
Textual Features | Robert Southey | Against the trend of the times, RS
aimed for historical interest rather than literary canonicity, compiling in his Specimens of the Later English Poets a collection of representative voices rather than a garland: The taste... |
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