Jonathan Swift
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Standard Name: Swift, Jonathan
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Publishing | Elizabeth Thomas | A second edition followed in November and further editions in 1731 (London), 1732 (Dublin ), and 1743-4. Foxon, David F. English Verse 1701-1750. Cambridge University Press, 1975, 2 vols. |
| Publishing | Fidelia | |
| Publishing | Mary Barber | MB
's campaign to raise subscribers for her Poems on Several Occasions was well under way: Swift
wrote to her about its progress on 23 February 1731. Stewart, Wendy. “The Poetical Trade of Favours: Swift, Mary Barber, and the Counterfeit Letters”. Lumen, Vol. xviii , 1999, pp. 155-74. 170 |
| Reception | Delarivier Manley | Today DM
's stock is high, but she is less studied than many of her contemporaries. Her choice of genres and her close involvement with the political and other affairs of her time make her... |
| Reception | Caroline Clive | This poem was considered one of CC
's best works. It was praised by Mary Russell Mitford
, and George Saintsbury
noted its originality Partridge, Eric Honeywood. “Mrs. Archer Clive”. Literary Sessions, Scholartis Press, 1932. 123 |
| Reception | Eliza Haywood | Love in Excess, with its arguably six editions by 1725, has repeatedly been likened to Daniel DefoeRobinson Crusoe and Jonathan SwiftGulliver's Travels as bestselling English fictions before Pamela. It has never shared their status, partly... |
| Reception | Laetitia Pilkington | LP
's work was included in Poems by Eminent Ladies, 1755. But it was also traduced in catchpenny publications like The Celebrated Mrs. Pilkington's Jests; or, The Cabinet of Wit and Humour, 1759... |
| Textual Features | Maria Callcott | Her editor Elizabeth Mavor
, however, prints a late poem (which MC
herself called jingling doggerel), written for a family magazine produced by some young nephews and nieces, which is anything but sapless in... |
| Textual Features | Dorothy Osborne | She trod a fine line as to the expression of her own feelings, for if the courtship should not end in marriage, she would have compromised her reputation. She converts this restriction into a rhetorical... |
| Textual Features | Delarivier Manley | One common element shared by DM
's writing in different genres (plays, fiction, non-fiction) is its targeted sensationalim and deliberate artistic excess. Another is its partisan political content. Swift
, who approved her very generous... |
| Textual Features | Mary Savage | It is a poem highly characteristic of her manner: a moral tale featuring a personified quality, humorous, ironic, and written in octosyllabic couplets reminiscent of Swift
or Prior
. Prudence and Oeconomy are the daughters... |
| Textual Features | Jane Cave | One interesting feature is the inclusion of nine poems by other authors: the canonical Prior
, Swift
, and Pope
, the lesser-known men John Scott
, William Broome
, and Nathaniel Cotton
, and... |
| Textual Features | Maria Edgeworth | This essay includes elements of fiction and reportage. It both exemplifies and defends the colourful and linguistically distinct qualities of Irish lower-class speech, pointing out that for these speakers English is their second language. (This... |
| Textual Features | Mary Savage | The opening poem, Nothing New, situates the anxieties of authors in regard to critics in the tradition of anxieties of lovers: both are right to be anxious. The contents include an English translation of... |
| Textual Features | Mary Barber | Her poem to Lord Carteret concerns a work probably by Swift
. The publication addressed to Lady Carteret (actually consisting of one poem to her and one to her daughter) shows a strong sense of... |
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