Jonathan Swift

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Standard Name: Swift, Jonathan

Connections

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Intertextuality and Influence Angela Carter
Lorna Sage noted that South America is an apt setting for this novel, since the essays and stories of Argentinian writer Jorge Luis Borges show a similar blending of the fantastical and the documentary (...
Intertextuality and Influence Constantia Grierson
Grierson wrote this for print, to celebrate her friendship with Barber, and to predict the latter's success. The version printed in the volume shows very careful revision since Grierson's draft copy, with a new, dignified...
Intertextuality and Influence Elizabeth Elstob
Begun in order to help the work of a female student, this work reiterates more strongly EE 's plea for opening the arena of scholarship to women. For examples of poetic practice she turns to...
Intertextuality and Influence Lady Mary Wortley Montagu
Her own title makes her own poem an answer to one of Swift 's most notorious productions. In a brilliant pastiche of his own stylistic habits and his scatological gusto, Montagu represents him as an...
Intertextuality and Influence Elizabeth Elstob
Elstob probably succeeded in modifying Swift 's views: he later adopted some of hers.
Elstob, Elizabeth. “Introduction”. An Apology for the Study of Northern Antiquities, edited by Charles Peake, William Andrews Clark Memorial Library, University of California, p. i - v.
iv-v
Thomas Jefferson owned a copy of this publication.
Hughes, Shaun F. D. “The Anglo-Saxon Grammars of George Hickes and Elizabeth Elstob”. Anglo-Saxon Scholarship, the First Three Centuries, edited by Carl T. Berkhout and Milton McC. Gatch, G. K. Hall, pp. 119-47.
119-20 and n2
Intertextuality and Influence Ruth Fainlight
These are serious poems which engage unblinkingly with the perplexities of the human condition. The intricate, highly visual title-poem juxtaposes two views of human lives: one of people as distant and tiny, one as close...
Intertextuality and Influence Henrietta Battier
Battier wrote most of this poem in stanzas composed of six iambic pentameters: an unusual metre for her, and one she does not stay in without lapses which may be intentional. Before the last passage...
Intertextuality and Influence Simone de Beauvoir
SB 's next novel, Tous les hommes sont mortels, 1946 (translated into English as All Men Are Mortal, 1954), features, like Woolf 's Orlando, a protagonist who is immortal, living on from...
Intertextuality and Influence Judith Sargent Murray
In her usual formal style, which she does not adapt to the more usual conventions of epistolarity, she says it would be useless for her to give Winthrop the current domestic, and commercial intelligence,
Skemp, Sheila L. Judith Sargent Murray. A Brief Biography with Documents. Bedford Books.
137
Intertextuality and Influence Emma Robinson
In print ER 's play was accompanied by a preface written in the voice of a young-Turk satirist. It is a piece that could hardly have appeared at this date under a woman's name, and...
Intertextuality and Influence Frances O'Neill
The volume includes poems of natural description, of meditation, and of political comment. FON expresses delight at the election victory on 9 August 1802 (in John Wilkes's old constituency of Middlesex) of Sir Francis Burdett
Intertextuality and Influence Fidelia
Fidelia's response is flippant, racy, and Swift ian in style. Her first joke is to adopt a professional or hard-headed tone, entirely at odds with the invitation to write solemn devotional verse. She complains that...
Intertextuality and Influence Elizabeth Pipe Wolferstan
A few statements are footnoted to their originators, whom EPW has either paraphrased or versified: Sherlock and Lavater are her favourites, but she also draws on lighter writers like Horace , Swift , and Coleridge
Intertextuality and Influence Mary Davys
MD dedicated this work to Swift's friend Esther Johnson , or Stella, who later owned a copy.
Bowden, Martha F., and Mary Davys. “Introduction”. The Reform’d Coquet; or, Memoirs of Amoranda; Familiar Letters Betwixt a Gentleman and a Lady; and, The Accomplish’d Rake; or, Modern Fine Gentleman, University Press of Kentucky, p. ix - xlix.
xiv
Real, Hermann J. “Stella’s Books”. Swift Studies, Vol.
11
, pp. 70-83.
As The Merry Wanderer it opens with a compliment to Ireland as the birthplace of Swift
Intertextuality and Influence Mary Jones
As a late Augustan, Jones is skilled in the styles of more than one distinguished male predecessor, and confidently invites comparison with them. Her most famous poem today is the first in the volume, An...

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