Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, 21 Aug. 2003, pp. 24-5.
24
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Susanna Watts | The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear... |
Intertextuality and Influence | Jo Shapcott | The prefatory poem To Her Book translates the traditional farewell from creator to creation (as written by Ovid
and imitated by Chaucer
, Robert Louis Stevenson
, and others, and popularly called Go, little book... |
Intertextuality and Influence | Elizabeth Boyd | EB
shares the Scriblerian enthusiasm for mixing genres. She presents To Proteus, The Indisputable God of Change as A Dedication of the foregoing Poem, as a revolutionary Epistle, that shall still more accomplish'dly beautify never-indolent... |
Intertextuality and Influence | Marina Warner | MW
published a study entitled Fantastic Metamorphoses, Other Worlds, a work which, like her preceding novel and short-story collection, reflects her interest in the Metamorphoses of Ovid
. Lasdun, James. “Hatching, Splitting, Doubling”. London Review of Books, 21 Aug. 2003, pp. 24-5. 24 Jays, David. “Forever changes”. The Observer, 3 Nov. 2002. |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Literary Setting | Delarivier Manley | The New Atalantis is crammed with offensive personal attacks on individuals (women as well as men); most though not all of them pertain to the misuse of political or sexual power. Particularly notorious is the... |
Occupation | Lady Anne Clifford | |
Occupation | Christopher Marlowe | It may have been as an undergraduate that CM
began writing work that was later published. His several translations from Latin included love-poetry by Ovid
. He soon moved on from poetry to drama, and... |
Occupation | Elizabeth Isham | Her needlework included doing Irish stitch, tent stitch, and purse-work, making bone lace and bodices, and knitting stockings, and she often gathered flowers in order to copy them in stitching. Isham, Elizabeth. “Diary”. Constructing Elizabeth Isham, 5 Apr. 2011. 1636 Isham, Elizabeth. “Booke of Rememberances”. Constructing Elizabeth Isham, edited by Elizabeth Clarke. 26r |
Author summary | Judith Cowper Madan | JCM
(formerly Judith Cowper), like almost all of her relations, was a frequent writer of occasional poetry. Most of her surviving poems, and all the major ones, date from about 1720-8, that is from either... |
Publishing | Marina Warner | The book, edited by Philip Terry
and published in London by Chatto and Windus
, brought together nineteen distinguished contributors from around the world, whose approaches to Ovid
vary considerably. Warner, Marina. “Leto’s Flight”. Ovid Metamorphosed, edited by Philip Terry, Chatto and Windus, 2000, pp. 160-82. 160-82 |
Publishing | Elizabeth Tollet | ET
's poems were circulating at least by 1714, in manuscript, or in the opportunistic publications of others, or both. After her death William Duncombe
printed one of her imitations of odes by Horace
which... |
Textual Features | Carol Rumens | Its tributes to earlier women poets are grounded in Portrait of the Poet as a Little Girl (a belated, oblique answer to James Joyce
), which concludes on the patrilineal prize / which she, disarmed... |
Textual Features | Delarivier Manley | DM
writes of herself as an expert in love, despite what she describes as her unalluring appearance. She presents herself, however, through men's eyes and as a topic of male gossip (in contrast with the... |
Textual Features | Marie-Catherine de Villedieu |
No timeline events available.
No bibliographical results available.