Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ezra Pound | Pound weaves classical mythology and legend into the first set of cantos, with allusions to Odysseus, Dionysus, and Ovid
. Nadel, Ira Bruce, editor. “Chronology; Introduction”. The Cambridge Companion to Ezra Pound, Cambridge University Press, pp. xvii - xxxi; 1. 6 |
Intertextuality and Influence | Aphra Behn | This hilarious comedy is set in Rome, with a conspicuously stupid, lustful, and venial puritan
clergyman guyed as Tickletext, in transparent allusion to Titus Oates
and the Popish Plot. The three heroines all... |
Intertextuality and Influence | Ann Hatton | The title-page quotes Ovid
and the first chapter is headed by Byron
. The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young... |
Intertextuality and Influence | Sally Purcell | Again this book inhabits the borders between living and dead, dream and waking; many short poems create self-contained moments in the progress of some quest or pilgrimage. The rather longer Tomis, December, speaks... |
Intertextuality and Influence | Marina Warner | Here MW
enlarges on Ovid
's tale through her heroine Leto, a woman who travels through time, metamorphosing from a pre-Christian-era mother to a present-day refugee. Thus, Warner brings the Ovidian notion of metamorphosis to... |
Intertextuality and Influence | Eliza Haywood | |
Intertextuality and Influence | Mary Robinson | MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 45 |
Intertextuality and Influence | Frances Seymour, Countess of Hertford | Hertford's Story of Inkle and Yarrico delivers the bare bones of the story. Thomas Inkle, an ambitious young English tradesman sailing to the Caribbean to seek his fortune, is shipwrecked en route. As a lone... |
Intertextuality and Influence | Marina Warner | The editor notes that Warner's contribution follows a stratedy also used by Ovid
himself in deliberately confusing the story of Leto and her babies with other stories. Through the metamorphic nature of the narrative, she... |
Intertextuality and Influence | Susanna Watts | The first number, dated 1 December 1824, opens with The Editors to the Reader, in which Watts's three personae introduce themselves as sisters. They are very literary personifications, who possess, respectively, the actual spear... |
Intertextuality and Influence | Gladys Henrietta Schütze | The title phrase opens one of the best-known poems by scholar and poet Francis William Bourdillon
. GHS
quotes a stanza from it, along with other, more canonical poets from Ovid
through Milton
and Wordsworth |
Intertextuality and Influence | Elizabeth Boyd | EB
shares the Scriblerian enthusiasm for mixing genres. She presents To Proteus, The Indisputable God of Change as A Dedication of the foregoing Poem, as a revolutionary Epistle, that shall still more accomplish'dly beautify never-indolent... |
Intertextuality and Influence | Jo Shapcott | The prefatory poem To Her Book translates the traditional farewell from creator to creation (as written by Ovid
and imitated by Chaucer
, Robert Louis Stevenson
, and others, and popularly called Go, little book... |
Intertextuality and Influence | Phillis Wheatley | PW
's poetry is technically adept; collected, it adapts the standard language of sentimentality and protest into a dignified and individual voice. She celebrates liberty of various kinds, praises the work of a black artist... |
Intertextuality and Influence | A. S. Byatt | One reviewer noted ASB
's fascination with the symbolic world of the fairy tale, the dream and the artist's vision shape both the style and the content. Rankin, Bill. “Byatt’s Stories Live Up to her High Standards”. Edmonton Journal, p. F7. F7 |
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