Watts, Susanna. The Humming Bird. I. Cockshaw.
4
Connections | Author name Sort descending | Excerpt |
---|---|---|
Reception | Elizabeth Tollet | Sir Isaac Newton
admired ET
's earliest essays (that is, attempts at writing). Thomas Parnell
praised her Apollo and Daphne in a poem which he contributed to Steele
's Poetical Miscellanies, 1714 (which actually... |
Intertextuality and Influence | Melesina Trench | A note in Campaspe confesses that the subject of the title-poem is over-ambitious. It is an allegory in which Alexander the Great
(representing Glory) resigns Campaspe (representing Beauty) to Apelles
the sculptor (Genius). This piece... |
Intertextuality and Influence | Catharine Trotter | The negative influence of CT
's marriage on her career was very considerable. Years later, in a letter significantly addressed to the greatest writer of the age (that is Alexander Pope
), which it seems... |
Dedications | Catharine Trotter | She had begun work on these remarks during the winter of 1739. They appeared anonymously, dedicated to Pope
, in tribute to his argument about the congruence of self-love and benevolence. According to Thomas Birch |
Theme or Topic Treated in Text | Catharine Trotter | The letters published by Birch reflect an intellect dealing in literary as well as moral debate. To Thomas Burnet of KemnayCT
wrote of religious and philosophical matters; he was her link to currents of... |
Intertextuality and Influence | Anna Jane Vardill | Her Attic Chest poems have an erudite flavour. She replies to Anacreon
, writes A New Epistle from Sappho
to Phaon, and signs other poems Aulus Gellius
(author of the Latin Attic Nights)... |
Intertextuality and Influence | Ann Wall | This extraordinary narrative of abuse by her father sounds almost incredible, yet its subject-matter is not parallelled by that of any work of contemporary fiction. AW
proves her literary entitlement by quoting Pope
and the... |
Textual Production | Doreen Wallace | |
Textual Features | Mercy Otis Warren | An Advertisement pretends to complain that the important business of entertainment is currently being inconveniently interrupted by politics. Its irony, however, is contradicted by a prologue quoting Pope
on the use of satire as an... |
Textual Production | Mercy Otis Warren | Now back in Plymouth, she visited Boston to see the book through the press. Her title-page quotation from Pope
ironically places herself, by implication, among the dunces. She dedicated the collection to George Washington
. |
Intertextuality and Influence | Susanna Watts | The title-page quotes Pope
, who also (with his Messiah) stands first among the contents. Some pieces are unascribed; others are by Byron
(The Isles of Greece), Jane Taylor
(The Squire's... |
Intertextuality and Influence | Susanna Watts | At the outset the sisters are faced with the big question about slavery: What can I do for the cause? Watts, Susanna. The Humming Bird. I. Cockshaw. 4 |
Textual Production | Evelyn Waugh | Approaching the end of his life, EW
published an autobiography, A Little Learning (whose title comes from Alexander Pope
, recommending either substantial learning or none at all). TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. (10 September 1964): 836 Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
death | Joan Whitrow | She was buried, according to her own instructions in the garden of Mathias Perkins
, her executor, “People. Joan Whitrow”. The Twickenham Museum. |
Reception | Joan Whitrow | The poet Pope
was later intrigued by this epitaph, but neither he nor Horace Walpole's friend William Cole
could find anything out about her, though Cole was sufficiently intrigued to transcribe her entire epitaph for... |
No timeline events available.
No bibliographical results available.