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To log in to this site, your browser must accept cookies from the domain orlando.cambridge.org.Jane Austen
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Standard Name: Austen, Jane
Birth Name: Jane Austen
Pseudonym: A Lady
Styled: Mrs Ashton Dennis
JA
's unequalled reputation has led academic canon-makers to set her on a pedestal and scholars of early women's writing to use her as an epoch. For generations she was the first—or the only—woman to be adjudged major. Recent attention has shifted: her balance, good sense, and humour are more taken for granted, and critics have been scanning her six mature novels for traces of the boldness and irreverence which mark her juvenilia. Her two unfinished novels, her letters (which some consider an important literary text in themselves), and her poems and prayers have also received some attention.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Margaret Kennedy | Kennedy took the material for this biography from a series of lectures on Jane Austen
she had given at the Liverpool Branch of the British Federation of University Women
and the English Association
of Bath... |
Textual Production | Penelope Fitzgerald | PF
's publications in the scholarly field include an edition of The Novel on Blue Paper, an unfinished, unpublished work by William Morris
, 1982, and the introduction to a new issue of Oxford University Press |
Textual Production | Q. D. Leavis | QDL
delivered the Jane Austen
Bicentenary Lecture at the University of Newcastle
. It was published posthumously as an essay. Kinch, M. B. et al. F.R. Leavis and Q.D. Leavis: An Annotated Bibliography. Garland, 1989. 126-7 |
Textual Production | P. D. James | PDJ
gave the annual lecture to the Jane Austen Society
at Chawton House in Hampshire (where Austen
was a regular visitor); it was entitled Emma Considered as a Detective Story. James, P. D. Time to Be in Earnest. Faber and Faber, 1999. 224, 250 |
Textual Production | Joan Aiken | JA
published a pendant to yet another Austen
novel: Lady Catherine's Necklace, which foregrounds minor characters from Pride and Prejudice and adds a number of new ones. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Melesina Trench | Because a grand-daughter (Mary-Melusina, daughter of Richard Chenevix Trench) married a son of James Edward Austen-Leigh
(first biographer of his aunt Jane Austen
), MT
's papers are now housed with the Austen-Leigh papers at... |
Textual Production | Michèle Roberts | In November 2011 MR
edited Wooing Mr Wickham, a collection of stories inspired by Jane Austen
or by Chawton House. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Sarah Waters | SW
wrote her foreword to Dancing with Mr Darcy. Stories Inspired by Jane Austen
and Chawton House Library, selected in a competition which she had also judged, and published this year. Waters, Sarah. “Foreword”. Dancing with Mr Darcy, Honno, 2009, pp. 1-4. 4 |
Textual Production | Rose Tremain | RT
published a novel entitled Music and Silence, which she dedicated to her daughter, Eleanor. Scholar John Mullan
has related the title to others employing two abstract nouns, like Elizabeth Inchbald
's Nature and... |
Textual Production | Anne Thackeray Ritchie | ATR
's A Book of Sibyls considered the lives and works of Anna Letitia Barbauld
, Maria Edgeworth
, Amelia Opie
, and Jane Austen
. Callow, Steven D. “A Biographical Sketch of Lady Anne Thackeray Ritchie”. Virginia Woolf Quarterly, Vol. 2 , 1980, pp. 285-7. 289 |
Textual Production | Margaret Kennedy | During the early 1960s MK
read her paper Harriett Mozley
: A Forerunner of Charlotte Yonge, at the Charlotte M. Yonge Society
, of which, along with many of her writing friends, she had... |
Textual Production | Willa Cather | In the 1920s WC
was working for a maximum of three hours a day, banishing her work from her mind during the rest of day, but keeping herself fresh for it. She said her only... |
Textual Production | Sheenagh Pugh | This subject provides her with an unusual angle on intertextuality: SP
investigates not only the proliferation of sequels to Jane Austen
novels (by Joan Aiken
, Emma Tennant
, and many others) but also the... |
Textual Production | Q. D. Leavis | Here QDL
highlights Oliphant's anti-sentimental, critical view of Victorian county town insitutions and relations, and the comparatively independent, ironic attitude of the unstereotypical heroine, Lucilla Marjoribanks (large, strong, unsentimental, insubordinate to men and with... |
Textual Production | Joan Aiken | Next year came The Smile of the Stranger, a historicalromance whose English heroine experiences not only the French Revolution (since she has been living with her father in France) but other markers of... |
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