Edith Sitwell
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Standard Name: Sitwell, Edith
Birth Name: Edith Louisa Sitwell
ES
was an important member of the modernist movement in England. She was primarily a poet and secondarily a literary critic, though her personal polemics, biographies, anthologies, letters, and autobiography all reflect her unique personality and power as a literary stylist.
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Rose Macaulay | In 1921 RM
was spending several nights a week in a room she rented in the large house of writer Naomi Royde-Smith
at 44 Prince's Gardens, Kensington. Emery, Jane. Rose Macaulay: A Writer’s Life. John Murray. 191 Babington Smith, Constance. Rose Macaulay. Collins. 100 |
Friends, Associates | Elizabeth Jenkins | Pernel Strachey
was then Principal of Newnham. EJ
, as secretary of the college literary society, was privileged to invite Edith Sitwell
to address the society, and to meet and entertain the great poet. Jenkins, Elizabeth. The View from Downshire Hill. Michael Johnson. 21 |
Friends, Associates | Carson McCullers | Other friends who not of this group but who were important to CMC
included several distinguished writers: Eudora Welty
, Katherine Anne Porter
, Tennessee Williams
, Elizabeth Ames
(director of the writers' community at... |
Intertextuality and Influence | Elizabeth Taylor | Several shorter stories are gems. Two of them explore respectively the experiences of birth and of death, from the viewpoint of those on the fringes of the central event. Many stories are hard on women... |
Intertextuality and Influence | Christina Rossetti | CR
was mourned in a sonnet by Michael Field
shortly after her death. Her influence extended to many other poets of her own time or close to it, including Gerard Manley Hopkins
, Rosamund Marriott Watson |
Intertextuality and Influence | Elizabeth Bowen | The authors whom EB
wrote of for the British Council in English Novelists are (as the commission required) canonical and mostly male. She was deeply influenced by Virginia Woolf
, and wrote after Woolf's death... |
Intertextuality and Influence | Winifred Peck | Her chapter-headings quote from Agnes Strickland
and Edith Sitwell
as well as an eclectic range of male authors from Homer
onwards. Quotations abound in the text as well as the epigraphs, and not all of... |
Intertextuality and Influence | Emily Dickinson | Among our contemporary poets, Adrienne Rich
has offered this reading of ED
's life and works: Emily Dickinson—viewed by her bemused contemporary Thomas Higginson as partially cracked, by the twentieth century as fey or... |
Leisure and Society | Rumer Godden | |
Leisure and Society | Amabel Williams-Ellis | AWE
made her formal entry into society as a debutante, a change of status . . . important then for the young females of our sub-tribe. Williams-Ellis, Amabel. All Stracheys Are Cousins. Weidenfeld and Nicolson. 34 |
Leisure and Society | Rumer Godden | Her literary standards of judgement were high. Among women poets she accorded major status only to Sappho
, Christina Rossetti
, Emily Dickinson
—not Elizabeth Barrett Browning
—and to the more recent Edith Sitwell
and Marianne Moore
. Godden, Rumer. A Time to Dance, No Time to Weep. Macmillan. 218 and n |
Literary responses | Dorothy Wellesley | Yeats
admired this volume for its explorations of the picturesque, for its love . . . for undisturbed Nature, a hatred for the abstract, the mechanical, the invented, and for an intensity which he saw... |
Literary responses | Carson McCullers | In England, Edith Sitwell
called CMCa transcendental writer, and V. S. Pritchettthe most remarkable novelist to come out of America for a generation. Dews, Carlos L., and Carson McCullers. “Chronology and Notes”. Complete Novels, Library of America, Literary Classics of the United States, pp. 807-27. 815 |
Literary responses | Christina Rossetti | As Rebecca W. Crump
's guide to publications on CR
to 1973 reveals, her high reputation persisted after her death—she stood, according to Katharine Tynan
' article Santa Christina in 1912, head and shoulders above... |
Literary responses | Dylan Thomas | Thomas's first slim volume virtually made his reputation, which its successor consolidated. Phillips, Adam. “A Terrible Thing, Thank God”. London Review of Books, pp. 22-4. 22 |
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