Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Features | Joanna Baillie | The poems present human shifts of mood and quirks of feeling. They are sensitively observed and charmingly written. The only modern poets she yet knew of to admire, JB
said later, were William Hayley
and... |
Textual Features | Edith Sitwell | The English edition appeared the following year. Her choice for inclusion is, as usual, idiosyncratic. She begins well before Chaucer
, with anonymous early religious poems in which may be heard, she writes, the creaking... |
Textual Features | Mary Robinson | As well as MR
's account of her life, designed to mark her out as a romantic heroine and victim (and not immune from exaggeration and unreliability), this publication includes much of her other literary... |
Textual Features | Emma Caroline Wood | The volume included selections from Byron
, George Eliot
, Samuel Taylor Coleridge
, Christina Rossetti
, Sir Walter Scott
, Alfred Lord Tennyson
, Elizabeth Barrett Browning
and William Wordsworth
. |
Textual Features | Sappho | They treat a range of topics, from mythical and religious subjects, through satiric commentary and praise of beauty, to expressions of erotic desire. The cult of Aphrodite allowed poems to be simultaneously religious and erotic... |
Textual Features | Anne Ridler | Her introduction to the first selection, she said later, was more influenced by Coleridge
than by Charles Williams
. Ridler, Anne. Memoirs. The Perpetua Press, 2004, p. 240 pp. 96 |
Textual Features | Sara Coleridge | SC
's editorial apparatus includes a full response to accusations that much of Samuel Taylor Coleridge
's work was plagiarised. Mudge, Bradford Keyes, and Sara Coleridge. Sara Coleridge, a Victorian Daughter: Her Life and Essays. Yale University Press, 1989. 111-12 |
Textual Features | Constance Naden | After an epigraph from Coleridge
's Dejection: An Ode (1802), this volume reprints the contents of CW's two former poetry volumes, adding a total of four unpublished poems. |
Textual Production | Mary Lamb | Sarah Burton observes that Charles Lamb
's poem Written a twelvemonth after the Events (of 27 May 1796), which he thought (and expected Coleridge
to think) the best piece of writing he had yet produced... |
Textual Production | Sara Coleridge | Between 1849 and 1852, SC
published several more texts by her father
, including Notes and Lectures upon Shakespeare and Essays on His Own Times: Forming a Second Series of The Friend (1850). The Poems... |
Textual Production | Sara Coleridge | In 1956 a reprint of the third edition of Samuel Taylor Coleridge
's Confessions of an Inquiring Spirit appeared, with an introduction by Joseph Henry Green
and a note by SC
. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Julia Wedgwood | For the next thirty-five years she published steadily on religious, scientific, and moral concerns. She also produced profiles of other authors such as George Eliot
and Samuel Taylor Coleridge
. A collection of this work... |
Textual Production | Sara Coleridge | Following the correspondence of SC
's mother with Thomas Poole
(Minnow among Tritons. Mrs. S.T. Coleridge
's letters to Thomas Poole, 1799-1834, British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Mary Robinson | According to her daughter she had developed an intense interest in an elderly, dignified male lunatic who became the subject of this poem. She then woke from sleep after consuming (on doctor's orders) an unusually... |
Textual Production | Elizabeth Bishop |
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