Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen.
151
Connections Sort descending | Author name | Excerpt |
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Literary responses | Mary Robinson | On her deathbed MR
regretted that most of her works had been composed in too much haste, Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen. 151 |
Literary responses | Harriet Martineau | The Illustrations catapulted HM
into fame: she was lionized by London society. She received flattering responses from Coleridge
and from her precursor as a political economist, Jane Marcet
. Chapman, Maria Weston, and Harriet Martineau. “Memorials of Harriet Martineau”. Harriet Martineau’s Autobiography, James R. Osgood, pp. 2: 131 - 596. 212, 214 |
Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
Literary responses | Mary Collyer | This was not to the Critical's taste. It had already this year declared its dislike of German poetry, and slammed Mary Scott
's Messiah. Critical Review. W. Simpkin and R. Marshall. 16 (1763): 393-4 |
Literary responses | Dora Sigerson | The reviewer drew parallels between DS
's naïveté and that of Coleridge
. Sigerson, Dora, and Katharine Tynan. The Sad Years. Constable. end-pages |
Literary responses | Harriet Hamilton King | The reviewer for the Academy compared the Ballad of the Midnight Sun to Samuel Taylor Coleridge
's Christabel and spoke highly of many of the other poems. Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research. 199: 201 |
Literary responses | Mary Hays | This time most reviews were respectful: the Analytical of course, the Monthly (in which William Taylor
noted that the novel was a cut above the common run, with serious and unusual moral teaching to impart)... |
Literary responses | Anne Bannerman | The notice in the Critical Review was uncomplimentary, dismissing her as an imitator of Scott
, John Leyden
, and William Wordsworth
. Critical Review. W. Simpkin and R. Marshall. 38 (1803): 110ff Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 143 |
Literary responses | Georgiana Cavendish, Duchess of Devonshire | Bound in with the Bodleian
's copy of ?1795 is a fair scribal copy of Verses addressed to the Duchess of Devonshire upon reading her poem written in Switzerland, in 23 stanzas by W. Drummond |
Literary responses | Mary Russell Mitford | She submitted Blanche to Coleridge
for his opinion before its first appearance. On the strength of this poem he encouraged her to write for the stage. Her mother, when the still unfinished Blanche was read... |
Literary responses | Felicia Hemans | Wordsworth
in 1837 revised his existing Extempore Effusion upon the Death of James Hogg to include a stanza describing FH
as that holy Spirit / Sweet as the spring, as ocean deep. Wordsworth, William. The Complete Poetical Works of Wordsworth. Editor George, Andrew J., Houghton Mifflin. 737 |
Literary responses | Charlotte Smith | Coleridge
(though he was later respectful of CS
's sonnets) was surely aiming at her in his Nehemiah Higginbottom sonnet parodies in the Monthly Magazine. Raycroft, Brent. “From Charlotte Smith to Nehemiah Higginbottom: Revising the Genealogy of the Early Romantic Sonnet”. European Romantic Review, Vol. 9 , No. 3, pp. 363-92. 363, 381 |
Literary responses | Charlotte Smith | Coleridge
, in the preface to the second edition of his Poems, named CS
and William Lisle Bowles
as having served the cause of poetry by reviving the sonnet. Fletcher, Loraine. Charlotte Smith: A Critical Biography. Macmillan. 266 |
Literary responses | Frances Arabella Rowden | Rowden's poem was reviewed by the Critical (3rd series 20 (May 1810): 112). Mary Russell Mitford
read the first canto with high appreciation and admiration that increase[d] with every perusal. She expected it to rank... |
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