Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Intertextuality and Influence | Mary Elizabeth Coleridge | MEC
's poems have been likened, for their mysterious tone, to those of William Blake
. Among the eerie poems included in Fancy's Following is The Witch. Here the speaker, Geraldine (a sorceress), is... |
Intertextuality and Influence | U. A. Fanthorpe | Poems about university experience confront the anxious recent schoolgirl, trying to feel like the undergraduate she now is, with the cleaning woman who in her turn is anxious to share the superior practical wisdom of... |
Intertextuality and Influence | Oscar Wilde | The poem deals with an actual event that occurred at Reading Gaol
: the execution of a soldier, Charles Thomas Woolridge
, for wife murder. The narrator presents himself as one of the band of... |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Intertextuality and Influence | Q. D. Leavis | QDL
's thesis was influenced by various sources as well as her husband's dissertation. As Ian MacKillop
notes, her work recalls Wordsworth
's campaign against the gross and violent stimulants qtd. in MacKillop, Ian. F.R. Leavis: A Life in Criticism. Allen Lane, 1995. 140 |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Mary Webb | The title recalls Coleridge
's ancient mariner, and the moment at which, unaware, he blesses the water snakes and finds himself once more able to pray: as if the transcendental, natural world has forgiven him... |
Intertextuality and Influence | Edna Lyall | In the middle or fourth stage, headed with Robert Browning
's Oh, the little more, and how much it is! qtd. in Lyall, Edna. The Autobiography of a Slander. New Edition, Longmans, Green and Co., 1888. 13 |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company, 1891. 13 |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Intertextuality and Influence | Sara Coleridge | Father, no amaranths e'er shall wreathe my brow.— Enough that round thy grave they flourish now:— . . . . Ne'er was it mine t'unlock rich founts of song, As thine it was ere Time... |
Intertextuality and Influence | Mary Robinson | Her postscript to the volume invokes Wordsworth
as model (as, indeed, her title invokes the joint work of Wordsworth and Coleridge
). Her titles (like The Shepherd's Dog and The Poor, Singing Dame) copy... |
Intertextuality and Influence | A. S. Byatt | Charlotte Brontë
's poem We wove a web in childhood appears as epigraph, along with a sentence from Coleridge
about the serpent as emblem of the imagination. Byatt, A. S. The Game. Chatto and Windus, 1967. 4 |
Intertextuality and Influence | Margaret Kennedy | Of MK
's sixteen novels, Together and Apart is the one most firmly set in the novelist's own time period. The female protagonist, Betsy Canning, like Agatha of The Ladies of Lyndon, feels her... |
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