Lyall, Edna. The Autobiography of a Slander. Longmans, Green and Co.
13
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Pipe Wolferstan | |
Intertextuality and Influence | U. A. Fanthorpe | Poems about university experience confront the anxious recent schoolgirl, trying to feel like the undergraduate she now is, with the cleaning woman who in her turn is anxious to share the superior practical wisdom of... |
Intertextuality and Influence | Mary Robinson | Her postscript to the volume invokes Wordsworth
as model (as, indeed, her title invokes the joint work of Wordsworth and Coleridge
). Her titles (like The Shepherd's Dog and The Poor, Singing Dame) copy... |
Intertextuality and Influence | Mary Elizabeth Coleridge | MEC
's poems have been likened, for their mysterious tone, to those of William Blake
. Among the eerie poems included in Fancy's Following is The Witch. Here the speaker, Geraldine (a sorceress), is... |
Intertextuality and Influence | Edna Lyall | In the middle or fourth stage, headed with Robert Browning
's Oh, the little more, and how much it is! Lyall, Edna. The Autobiography of a Slander. Longmans, Green and Co. 13 |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 221-2 |
Intertextuality and Influence | Mary Wollstonecraft | The Critical Review noticed this as the interesting, well realised work of an author already known to the public as an ingenious writer, though not always correct either in her sentiments or her style. Critical Review. W. Simpkin and R. Marshall. 2nd ser. 16 (1796): 209 |
Intertextuality and Influence | Elizabeth Strutt | Women, says ES
, must be essentially equal with men since both are made in God's image. But women's existing social position Strutt, Elizabeth. The Feminine Soul. J. S. Hodson. 1 |
Intertextuality and Influence | Kathleen Raine | For KR
, poetic tradition was that of the major romantic poets, headed by Blake
and followed by Coleridge
, Yeats
, and Edwin Muir
. She was at Girton
when a generation of Cambridge... |
Literary responses | Mary Robinson | On her deathbed MR
regretted that most of her works had been composed in too much haste, Robinson, Mary. Perdita: The Memoirs of Mary Robinson. Editor Levy, Moses Joseph, Peter Owen. 151 |
Literary responses | Harriet Martineau | The Illustrations catapulted HM
into fame: she was lionized by London society. She received flattering responses from Coleridge
and from her precursor as a political economist, Jane Marcet
. Chapman, Maria Weston, and Harriet Martineau. “Memorials of Harriet Martineau”. Harriet Martineau’s Autobiography, James R. Osgood, pp. 2: 131 - 596. 212, 214 |
Literary responses | Susanna Blamire | In 1886 the Dictionary of National Biography said SBdeserves more recognition than she has yet received. Stephen, Sir Leslie, and Sidney Lee, editors. The Dictionary of National Biography. Smith, Elder. |
Literary responses | Emily Brontë | Since the early criticism which took its lead from Charlotte's biographical portrait, a biographical and hagiographic industry has arisen around all three Brontë sisters and their home in Haworth. A. Mary F. Robinson
published... |
Literary responses | Mary Collyer | This was not to the Critical's taste. It had already this year declared its dislike of German poetry, and slammed Mary Scott
's Messiah. Critical Review. W. Simpkin and R. Marshall. 16 (1763): 393-4 |
Literary responses | Dora Sigerson | The reviewer drew parallels between DS
's naïveté and that of Coleridge
. Sigerson, Dora, and Katharine Tynan. The Sad Years. Constable. end-pages |
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