Gooch, Elizabeth Sarah. Fancied Events. George Cawthorn, 1799, 2 vols.
1: iv
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Christina Rossetti | Her early work and the passages she copied into her mother's commonplace-book show the influence of Tennyson
and Wordsworth
; she also acknowledged the impact of Gray
and Crabbe
, and wrote several poems inspired... |
Intertextuality and Influence | Christina Rossetti | The most highly-regarded piece in this collection is Monna Innominata: A Sonnet of Sonnets (whose title means that it has as many poems as a sonnet has of lines). CR
's preface to this sequence... |
Intertextuality and Influence | Georgiana Chatterton | She headed her chapters with quotations which draw on European as well as English literature: Petrarch
, Byron
, Germaine de Staël
.In its early stages the book may read like a courtship novel (full... |
Intertextuality and Influence | Elizabeth Sarah Gooch | |
Intertextuality and Influence | Anne Bannerman | Her model for the sonnet, as well as for the use of male erotic voices from Petrarch
and Goethe
, was Charlotte Smith
, though AB
's tone is more unrestrained and impassioned than Smith's. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press, 1999. 135-6 |
Intertextuality and Influence | Anne Bannerman | The contents included odes, sonnets (including one sequence from Petrarch
and another based on Goethe
's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to... |
Intertextuality and Influence | Christopher St John | This thinly disguised autobiographical fiction (both roman à clef and bildungsroman) depicts a lesbian or invert relationship at a time when public attention to unorthodox sexual relationships (following such attention by sexologists), was on the... |
Literary responses | Anne Locke | Charles A. Huttar
has praised AL
's sermon translation as readable, clear, and energetic—qualities in her original which it would have been easy to lose in translating. Editor Kel Morin-Parsons
calls the sonnets her most... |
Literary responses | Ann Yearsley | Elizabeth Isabella Spence
, reporting on a visit to Bristol, mentions AY
as an example of an obscure woman writer of genius. Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme, 1809, 2 vols. 71 |
Literary responses | Catherine Carswell | Some reviewers accused her of disparaging Petrarch
. The book did not sell well (which she blamed in part on her chosen publishers having a reputation for left-wing politics), but it was chosen Book of... |
Literary responses | Lady Mary Wroth | Barbara Kiefer Lewalski
has summarised LMW
's achievement (her historical importance and the quality of her art) like this: Wroth reinvented the Petrarch
an lyric sequence, the romance, and the pastoral drama, claiming those genres... |
Literary responses | Mary Tighe | Their editor Harriet Kramer Linkin
calls these poems often unsettling and unsettled,pulsating with the frustrated energies of unfulfilled Petrarchan
desire voiced from a complex feminine position. Tighe, Mary. “Introduction”. Verses Transcribed for H. T., edited by Harriet Kramer Linkin, 2015. |
Literary Setting | Lady Charlotte Bury | Opening in Lyons, the story moves through a whole list of places personally known to LCB
: England (where Bertha goes to be a governess after her husband deserts her), Scotland, Switzerland... |
Author summary | Barbarina Brand Baroness Dacre | BBBD
wrote as an amateur in the Romantic period. She wrote dramatic works, mostly tragedies, often adapted from texts by other authors, and poems, mostly occasional verse and often translated from poems by others. Her... |
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