Petrarch

In 1856, CR published an historical short story, The Lost Titian, in The Crayon, a small magazine published in New York.. She also wrote some non-fiction on Italian writers (including...

In another collaborative venture, ENC joined with her brother Cormac Ó Cuilleanáin and with David Parris in editing Translation and Censorship: Patterns of Communication and Interference, 2009. (She had collaborated with Deirdre Serjeantson and...

BBBD 's almost-final publication (again privately printed, in a limited edition of a hundred and fifty copies by C. Whittingham ) had two title-pages: Traduzioni dall'italiano and Translations from the Italian. This too was...

Mary Sidney Herbert, Countess of Pembroke , completed a poem translated from Petrarch : The Triumph of Death.

The two first translations that she made, when young, from Petrarch , were of canzoni: Di pensier in pensier, di monte in monte (which she rendered as From hill to hill I roam, and thought...

The modesty in these prefatory remarks seems to relate only or chiefly to her plays, but the first poems in the collection (versions of Petrarch ) are preceded by a sonnet to Thomas James Mathias

Apart from his plays and his folklore work, JMS wrote and published, early in his short career, a handful of poems, essays, and book reviews. He left translations from Villon and Petrarch , and an...

GG has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings , Jeslyn Medoff and Melinda Sansone ), Kissing the Rod, has played an...

Translations from Petrarch 's sonnets by BBBD , collected in Dramas, Translations and Occasional Poems, 1821, also appeared in a different form the same year: Ugo Foscolo reprinted them at the end of his...

The poems were Exile, Sonnet: at the Sepulchre of Petrarch (translated from Italian), The Fall of Switzerland, The Nereid, and the sonnets Good Friday, and Easter Day. All appeared in...

As well as songs published and unpublished, sonnets, and ballads exposing the harsh underside to eighteenth-century life, these sixty items include interesting poems. The three opening pieces, as Isobel Armstrong has pointed out, stake...

However, LEL's version of the narratives of her female precursors presents a complex layering of voices framed by that of her Florentine improvisatrice. Even though the speaker has poured [her] full and burning heart /...

AS declares at the outset her belief in the progressive development of the human race, and in the contribution that poetry makes to pushing on that development as well as to witnessing and recording it...

Taking advantage of the new freedom of English people to visit post-Revolutionary France, she joined forces with John and Amelia Opie to travel first to Paris. She stayed there for eight months (not enough...