Samuel Johnson

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Standard Name: Johnson, Samuel
Used Form: Dr Johnson
Arriving in eighteenth-century London as one more young literary hopeful from the provinces, SJ achieved such a name for himself as an arbiter of poetry, of morality (through his Rambler and other periodical essays and his prose fiction Rasselas), of the language (the Dictionary), and of the literary canon (his edition of Shakespeare and the Lives of the English Poets) that literary history has often typecast him as hidebound and authoritarian. This idea has been facilitated by his ill-mannered conversational dominance in his late years and by the portrait of him drawn by the hero-worshipping Boswell . In fact he was remarkable for his era in seeing literature as a career open to the talented without regard to gender. From his early-established friendships with Elizabeth Carter and Charlotte Lennox to his mentorship of Hester Thrale , Frances Burney , and (albeit less concentratedly) of Mary Wollstonecraft and Henrietta Battier , it was seldom that he crossed the path of a woman writer without friendly and relatively egalitarian encouragement.

Connections

Connections Sort ascending Author name Excerpt
Textual Production Elizabeth (Cavendish) Egerton, Countess of Bridgewater
The present BL Egerton MS 607 was at one time owned by the author's descendant Samuel Egerton Brydges . Two contemporary copies of this manuscript, one of them with extensive and important annotation by the...
Textual Production Frances Reynolds
A manuscript of this in the Hyde Collection (now at the Houghton Library , Harvard ) bears revisions by Samuel Johnson , in red ink which he told FR she could easily remove with water...
Textual Production Susanna Haswell Rowson
The following year came A Spelling Dictionary, Divided into Short Lessons, for the Easier Committing to Memory. This was, as the title-page acknowledged, selected from Johnson 's Dictionary. It presented words in groups...
Textual Production Mary Ann Kelty
According to a reminiscence from the early half of 1868 by a reader who had been a Cambridge undergraduate when the book appeared, MAK first thought of titling her novel after its heroine, but was...
Textual Production Hannah More
Johnson suggested some little alterations in Sir Eldred, though none in The Bleeding Rock.
Jones, Mary Gwladys. Hannah More. Cambridge University Press.
45
Textual Production Angela Thirkell
Her title comes from an anecdote in Boswell 's The Life of Samuel Johnson, about a man who tried to be a philosopher, but could not manage it because cheerfulness kept breaking in.
Textual Production Alice Meynell
As a reviewer, AM dealt with writing by Samuel Johnson , Christina Rossetti , George Eliot , Emily Brontë , Dickens , Robert Browning and Elizabeth Barrett Browning , Jean Ingelow , Charles Williams ,...
Textual Production Frances Reynolds
Johnson found at this stage a good deal to criticize but also much to praise. The work possessed, he said, such force of comprehension, and such nicety of observation as Locke or Pascal might be...
Textual Production Alice Meynell
In 1911 she edited a selection of writings by Samuel Johnson .
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Textual Production Charlotte Lennox
CL 's friends Samuel Johnson and Samuel Richardson both saw her as a professional writer with a career to fashion: a career which needed her presence in London, heart of the publishing industry. Richardson...
Textual Production Sarah Trimmer
Her spur to beginning it was reading the published personal writings of Samuel Johnson , which moved her deeply. She wrote it in the most secret hours retreat, and without the least intention ....
Textual Production Ellis Cornelia Knight
ECK published her first work, Dinarbas, a novel which acts as a continuation of Samuel Johnson 's Rasselas.
OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999.
Kolb, Gwin J. “Forward”. Dinarbas, Colleagues Press.
vii
“Review of Dinarbas by Ellis Cornelia Knight”. The Analytical Review, Vol.
7
, J. Johnson, pp. 189-91.
189
Textual Production Margaret Atwood
Payback opened a new seam in Atwood's continuing output of journalism. Her essay Our faith is fraying in the god of money, in the Financial Times of 13 April 2012, tellingly applies a passage...
Textual Production Jane Marcet
The full title is Conversations on the Evidences of Christianity, in which the Leading Arguments of the Best Author are Arranged, Developed, and Connected with Each Other. For the Use of Young Persons and Theological...
Textual Production Jan Morris
More than a decade later, in 1978, JM followed her own portrait of Oxford by editing The Oxford Book of Oxford, a quirky anthology of often very short anecdotes and other excerpts, aimed less...

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