Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press.
93
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Radcliffe | AR
's rival M. G. Lewis
finished reading Udolpho within ten days of its publication, though he had during the same time travelled from England to the Hague. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 93 |
Intertextuality and Influence | Dinah Mulock Craik | Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley
and Byron
. But she foregoes... |
Intertextuality and Influence | Elizabeth Barrett Browning | Byron
and Wordsworth
were important poetic influences. Books that Elizabeth Barrett owned and kept until her death included Philip James Bailey
's Festus, A Poem, a major text of the spasmodic school, L. E. L. |
Intertextuality and Influence | Lady Caroline Lamb | The printed selection begins with girlhood letters to Georgiana, Duchess of Devonshire
's elder daughter. It goes on to include correspondence with friends and publishers, analyses of feelings and comments on the experience of pregnancy... |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 221-2 |
Intertextuality and Influence | Ann Hatton | The title-page quotes Milton
and an unidentified French writer. Each of the unusually long chapters (four to a volume) is headed by a summary and a quotation, often from Shakespeare
or Byron
or attributed only... |
Intertextuality and Influence | Amy Levy | The plot concerns an English governess to an Italian family in Rome, who opposes the love which develops between her and the grown-up son. AL
plants allusions to Jane Eyre and to famous English... |
Intertextuality and Influence | B. M. Croker | The title-page quotes Byron
on the power of Fate. The heroine is not always pretty, nor is she always Miss Neville. The book opens in the voice of eleven-year-old Nora O'Neill, known as Miggs, generally... |
Intertextuality and Influence | Ann Hatton | The title-page quotes Ovid
and the first chapter is headed by Byron
. The convoluted Italian plot of action and mystery opens with a vivid, modern-seeming summer scene suddenly intruded on by horror. The young... |
Intertextuality and Influence | Liz Lochhead | In considering the question of why Mary Shelley
created monsters, LL
says she was haunted by that phrase from Goya
: The sleep of reason produces monsters. If you try to force things to be... |
Intertextuality and Influence | Grace Aguilar | The central character is the undowered girl Florence Leslie—so called because of her birth in Italy—whose high-minded principles have been fuelled by indiscriminate Aguilar, Grace. Woman’s Friendship. D. Appleton and Company. 13 |
Intertextuality and Influence | L. M. Montgomery | Her writing, like Emily's, was profoundly influenced by nineteenth-century English writers and poets. LMM
named Hemans
and Byron
in personal letters; Emily cites Tennyson
and Wordsworth
. Gillen, Mollie. The Wheel of Things. Fitzhenry and Whiteside. 149, 161 |
Intertextuality and Influence | Maria Callcott | MC
's title-page quotes Byron
and her preface declares her subject to be the independence struggle of the patriots of the New World. Callcott, Maria. Journal of a Voyage to Brazil. Longman, Hurst, Rees, Orme, Brown, and Green. prelims |
Intertextuality and Influence | Liz Lochhead | The play was written for the Royal Lyceum Theatre Company
, who first performed it in Edinburgh on 24 January 1986. Lochhead surprised herself with her use of the Scots language: my grandmother's .... |
Intertextuality and Influence | Ella Wheeler Wilcox | Without ever owning the complete works of Théophile Gautier
, Alphonse Daudet
, Shakespeare
, Byron
, or Swinburne
, she read bits and pieces of them all, and they helped to shape her style... |
No timeline events available.
No bibliographical results available.