Dixie, Florence. Waifs and Strays. Griffith, Farran, Okeden and Welsh.
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Connections | Author name Sort ascending | Excerpt |
---|---|---|
Textual Production | George Eliot | Many early extant letters of GE
's date from her unhappy, adolescent, Evangelical period, and have a tone of self-righteousness and censoriousness of others and of herself which is not pleasant to modern readers. In... |
Textual Features | Harriet Downing | In the title poem a recluse offers shelter in his cave to a lady who gives birth and then dies, leaving her child to be educated only by nature. The protagonist of The Dying Maniac... |
Education | Florence Dixie | Lady Florence was at first educated at home in Scotland. After a first, unsuccessful attempt to place her in a convent she had, in France, an Irish Catholic governess whom she calls Miss O'Leary... |
Literary responses | Florence Dixie | This book was widely reviewed in provincial and even American as well as London papers. The Leamington Spa Courier and Warwickshire Standard called it a real, living, human production, and one which must ever be... |
Intertextuality and Influence | Florence Dixie | The poem describes the pilgrimage abroad in which the child-author had followed in the footsteps of her dead mountaineer brother. Dixie, Florence. Waifs and Strays. Griffith, Farran, Okeden and Welsh. 9 |
Intertextuality and Influence | Anita Desai | Influenced by Eliot
's Four Quartets, Clear Light of Day deals with time as destroyer and preserver, and with what the bondage of time does to people. Gopal, N. Raj. A Critical Study of the Novels of Anita Desai. Atlantic Publishers and Distributors. 90 |
Intertextuality and Influence | Selina Davenport | It opens with England, with all thy faults I love thee still!—a quotation not from Byron
's Beppo, which lay still two years in the future, but from Cowper
's The Task (whence... |
Health | Charlotte Dacre | Since CD
was said to have been ill for a long time before she died, some particular illness may have caused Byron
to suppose her dead in 1816. |
Literary responses | Charlotte Dacre | Byron
disparaged what he judged to be Rosa's absurd and incomprehensible prose in masquerade Dacre, Charlotte. “Introduction”. Zofloya; or, The Moor, edited by Kim Ian Michasiw, Oxford University Press, p. vii - xxx. xii |
Literary responses | Charlotte Dacre | Zofloya was widely reviewed and its language widely condemned as bombastical—probably reflecting unease at its rampant female sexuality. Shocked reviews included those in the Literary Journal and Monthly Literary Recreations, though the Morning... |
Theme or Topic Treated in Text | Camilla Crosland | Critic Kathleen McCormack
suggests that CC
's poems were often influenced by her early years of hardship. For example, she argues that Spring is Coming aptly points out how winter exacerbates hunger and other suffering... |
Intertextuality and Influence | B. M. Croker | The title-page quotes Byron
on the power of Fate. The heroine is not always pretty, nor is she always Miss Neville. The book opens in the voice of eleven-year-old Nora O'Neill, known as Miggs, generally... |
Textual Production | Margaret Croker | MC
published, with her name and a quotation from Byron
, A Tribute to the Memory of Sir Samuel Romilly. Romilly, a reforming lawyer, killed himself after his wife's death. Croker, Margaret. A Tribute to the Memory of Sir Samuel Romilly. John Souter. title-page |
Family and Intimate relationships | Dinah Mulock Craik | Thomas Mulock was a poet, essayist, and pamphleteer who published throughout his life. As a young man he wrote articles for the Sun which impressed William Jerdan
, and he soon also began producing pamphlets... |
Intertextuality and Influence | Dinah Mulock Craik | Freed as a disabled woman from the expectations of conventional femininity, Olive leads an independent life and struggles to become a successful painter, strengthened by her reading of Shelley
and Byron
. But she foregoes... |
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