Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan.
300
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Theme or Topic Treated in Text | Mary Augusta Ward | Lady Caroline's (here Kitty Ashe's) obsession, Byron
, is thinly disguised as the poet Geoffrey Cliffe. Despite it inspiration in this nearly one-hundred-old relationship, the novel's setting is contemporary and Kitty is a fast cigarette-smoking... |
Textual Production | Lady Caroline Lamb | LCL
published another satire on Byron
's writing: Gordon, A Tale, A Poetical Review of Don Juan, in two cantos. Douglass, Paul. Lady Caroline Lamb. Palgrave Macmillan. 300 |
Textual Production | George Paston | "To Lord Byron
": Feminine Profiles Based Upon Unpublished Letters, a volume of women's letters that GP
left unfinished, was posthumously issued, completed by a younger historian, Peter Quennell
. TLS Centenary Archive Centenary Archive [1902-2012]. http://www.gale.com/c/the-times-literary-supplement-historical-archive. 1948 (3 June 1939): 329 Miller, Anita, and George Paston. “Afterword”. A Writer of Books, Academy Chicago Publishers, pp. 261-5. 265 “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 149 OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Sarah Green | This too was in three volumes from A. K. Newman
of the former Minerva Press
. Its title-page quotes Byron
. |
Textual Production | Marghanita Laski | The programme considered contemporary political and social subjects through the lens of historical and classical literary texts by, for instance Shakespeare
, Byron
, Shaw
, and Wilde
. It was shown on Sunday evenings. Lewisohn, Mark. “Dig This Rhubarb”. The bbc.co.uk Guide to Comedy. |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | The manuscript of this play subsequently went missing. There were stories that Byron
had plagiarised his highly successful Kruitzner adaptation, Werner, from it. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 331n8 |
Textual Production | Catherine Fanshawe | Barbarina Brand, Lady Dacre
, later wrote that she owned a copy of the Riddle on the Letter H in Fanshawe's handwriting dating from around 1806, before anyone had heard of Byron
. Barbarina Charlotte, Lady Grey,. A Family Chronicle. Editor Lyster, Gertrude, John Murray. 21 |
Textual Production | Percy Bysshe Shelley | PBS
published his long poem Queen Mab, following quickly on Byron
's The Giaour. Granniss, Ruth S. A Descriptive Catalogue. The Grolier Club. 28-9 |
Textual Production | Elizabeth Thomas | With The Baron of Falconberg; or, Childe Harolde in Prose, Elizabeth Thomas
entered the controversy swirling around Byron
, again calling herself Mrs. Bridget Bluemantle and mentioning a long list of previous works. Garside, Peter et al., editors. The English Novel 1770-1829. Oxford University Press. 2: 421 |
Textual Production | George Paston | GP
had discovered these letters—written by, among others, Elizabeth Pigot
, Lady Caroline Lamb
, Augusta Leigh
, Lady Melbourne
, Annabella Milbanke
, Claire Clairmont
, and the actresses Susan Boyce
and Mrs Spencer... |
Textual Production | Dorothy Wellesley | DW
set up her own Penns in the Rocks Press
and in conjunction with publishers William Collins
produced volumes of Byron
and Shelley
each illustrated in black-and-white and colour. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Elizabeth Thomas | She wrote this novel, she said, because she admired Byron
's poem Childe Harold, but thought it wanted a finish. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford. |
Textual Production | Dorothy Whipple | The country house which is the centre and almost the leading character of this novel was called in DW
's earliest working drafts The Manor and later Saunby (still used in the novel as published)... |
Textual Production | Mary Shelley | MS
was the only one of the group to rise to Byron
's challenge by completing a ghost story, which she did almost a year later, on 14 May 1817. Shelley, Mary. “Introduction”. Frankenstein, edited by David Lorne Macdonald and Kathleen Scherf, Broadview, pp. 11-43. 33 |
Textual Production | Medora Gordon Byron | The first publication by Miss Byron appeared in five volumes from the |
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