Mary Elizabeth Braddon

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Standard Name: Braddon, Mary Elizabeth
Birth Name: Mary Elizabeth Braddon
Pseudonym: Mary Seyton
Pseudonym: Babington White
Pseudonym: Lady Caroline Lascelles
Pseudonym: Aunt Belinda
Pseudonym: The author of Lady Audley's Secret
Self-constructed Name: M. E. Braddon
Married Name: Mary Elizabeth Maxwell
Used Form: Miss M. E. Braddon
MEB made her name, scandalously, in the early 1860s as a founder of the intricately plotted sensation novel, and was particularly known for her transgressive heroines. Although still most strongly associated with this and the related genres of gothic, mystery and detective stories, she also contributed significantly during her 56-year career to the psychological and realist novels, in addition to writing several dramas (some of them produced) and publishing in her youth one long poem in a collection with shorter ones. Dedicated to writing for the new and expanding mass reading public (including fiction for the penny press), and associated from the outset with novel advertising and publishing practices, she issued her work serially, edited Belgravia magazine from 1866 to 1876 (as well as a Christmas annual), and survived the demise of the triple-decker novel.
Painting of Mary Elizabeth Braddon by William Powell Frith, exhibited 1865. She stands beside a desk with writing materials and stacks of books, looking at the viewer, in a long dark dress. The wall behind her and the desk chair are red. Her red-brown hair is coiled over her ears, and her clasped hands hold a handkerchief. National Portrait Gallery.

Connections

Connections Author name Excerpt
Textual Production Ellen Wood
The novel had been twice offered to the publishing house of Chapman and Hall , and was recommended by William Harrison Ainsworth . After their reader (novelist George Meredith ) twice rejected it, EW took...
Reception Ellen Wood
The stage versions of East Lynne have been analysed critically in recent works such as E. Ann Kaplan 's Motherhood and Representation. Like many of the popular novelists of the period, including Mary Elizabeth Braddon
Literary responses Ellen Wood
Early discussions of EW as a sensation writer often linked her writing to that of Mary Elizabeth Braddon , despite the two authors' vastly different styles and perspectives. In 1863 a review of Our Female...
Textual Features Ellen Wood
The plot and pacing of the novel differ markedly from East Lynne, and are more in the style of Charlotte Yonge than EW 's sensational contemporary Mary Elizabeth Braddon . While the theft of...
Literary responses Ellen Wood
Discussing the presentation of madness in The Woman in White, Lady Audley's Secret and this novel, Rebecca Stern suggests that St. Martin's Eve, unlike the earlier works, leaves no space for a subversive...
Friends, Associates Ellen Wood
Probably as early as 1862, the publisher Richard Bentley asked EW for her critical opinion of the work of Mary Elizabeth Braddon . She replied with a balanced, judicious, and respectful assessment.
Sussex, Lucy. “Mrs Henry Wood and her Memorials”. Women’s Writing, Vol.
15
, No. 2, pp. 157-68.
159
Reception Sarah Waters
SW calls this book on the one hand a homage to the sensation novels of Braddon and Wilkie Collins , on the other hand a reflection of 1990s excitement over the concept of queer. Writing...
Textual Production Lucy Walford
On 24 June this year Mudie's radically reduced the price it would pay publishers per volume (already well below the price charged to other buyers). This caused publishers (led by Simpkin, Marshall with their issue...
Leisure and Society Queen Victoria
Among her favourite writers were Alfred Tennyson , Sir Walter Scott , George Eliot (whose The Mill on the Floss made a deep impression
Victoria, Queen. Queen Victoria in Her Letters and Journals. Editor Hibbert, Christopher, Penguin.
116
on her), and Charles Kingsley , whose Two Years Ago...
Occupation Queen Victoria
Not all of QV 's subjects were pleased with the idea of the Jubilee, however. Some were sceptical of the uncritical commercialization which played such a large role in the festivities. In Mary Elizabeth Braddon
Textual Features Sophie Veitch
The interdependence of her passionate feelings, athleticism, and goodness is made evident in her foil, Edith Cranley (later Edith Mason). Edith is a perfect little lady,
Veitch, Sophie. The Dean’s Daughter. National Publishing Company.
8
but she is also weak and selfish, while...
Theme or Topic Treated in Text Sarah Tytler
Clearly delighted with the opportunity to mix in literary circles, ST recorded her personal observations of these authors in Men and Women Met by the Way, the final 100-page-long section of her family autobiography...
Education Katharine Tynan
Owing to what KT calls an extraordinary wave of Puritanism throughout the Irish Catholic Church,
Tynan, Katharine. Twenty-Five Years: Reminiscences. Smith, Elder.
45
her reading was censored: her mother forbade her to read Mary Elizabeth Braddon 's Aurora Floyd (1863). She thought...
Intertextuality and Influence Flora Thompson
From her account it is clear how she respects, even loves, the people she describes, but also how she is not one of them, but is marked off by tiny gradations of knowledge and privilege...
Intertextuality and Influence Elizabeth Taylor
Several shorter stories are gems. Two of them explore respectively the experiences of birth and of death, from the viewpoint of those on the fringes of the central event. Many stories are hard on women...

Timeline

1532-early 1552: These years saw the gradual appearance of...

Writing climate item

1532-early 1552

These years saw the gradual appearance of the work of scurrilous, obscene, and philosophicalsatire generally known in English as Gargantua and Pantagruel, by François Rabelais (1483?-?9 April 1553).

1826: American-born black actor Ira Aldridge debuted...

Building item

1826

American-born black actor Ira Aldridge debuted in London as Othello at the Royalty Theatre .

1842: A bill to legalize marriage between a man...

Building item

1842

A bill to legalize marriage between a man and his deceased wife's sister was introduced in the House of Commons . It did not pass.

1843: John Maxwell founded his own publishing house...

Writing climate item

1843

John Maxwell founded his own publishing house in London.

1 October-15 December 1856: Gustave Flaubert serially published his first...

Writing climate item

1 October-15 December 1856

Gustave Flaubert serially published his first novel, Madame Bovary, in the Revue de Paris.

1858: Brothers William and Edward Tinsley formed...

Writing climate item

1858

Brothers William and Edward Tinsley formed a partnership as the Tinsley Brothers , publishers, at 18 Catherine Street, Strand, London.

18 November 1861: The English production of Dion Boucicault's...

Writing climate item

18 November 1861

The English production of Dion Boucicault 's The Octoroon, or Life in Louisiana opened at the Adelphi Theatre , London.

April 1863: Henry Mansel in the Quarterly Review attacked...

Writing climate item

April 1863

Henry Mansel in the Quarterly Review attacked sensation novels as preaching to the nerves and as indications of a wide-spread corruption, of which they are in part both the effect and the cause; called into...

Later 1866: Robert Williams Buchanan published an essay...

Writing climate item

Later 1866

Robert Williams Buchanan published an essay on Immorality in Authorship in the Fortnightly Review, and, under the pseudonym of Caliban in the Spectator, attacked Swinburne in a poem called The Session of the Poets.

1867: Metta Victoria Fuller Victor (a successful...

Writing climate item

1867

Metta Victoria Fuller Victor (a successful American writer and publisher, as was her husband, Orville James Victor ) serialised under the pseudonym Seeley Regester her novelThe Dead Letter.
American National Biography. http://www.anb.org/articles/home.html.
under Orville James Victor
Nickerson, Catherine Ross, and Metta Victoria Fuller Victor. “Introduction”. The Dead Letter; and, The Figure Eight, Duke University Press, pp. 1-10.
1-2

1868: Tractarian F. E. Paget published his satiric...

Writing climate item

1868

Tractarian F. E. Paget published his satiricsensation novelLucretia; or, the Heroine of the Nineteenth Century.

1875: Charles Reade dedicated his novel The Wandering...

Writing climate item

1875

Charles Reade dedicated his novelThe Wandering Heir to Mary Elizabeth Braddonas a slight mark of respect for her private virtues and public talents.
Wolff, Robert Lee. Sensational Victorian. Garland.
250

1876: John Maxwell sold Belgravia to Chatto and...

Writing climate item

1876

John Maxwell sold Belgravia to Chatto and Windus , ending Mary Elizabeth Braddon 's association with the monthly.

Late 1884: Publisher Henry Vizetelly produced the first...

Writing climate item

Late 1884

Publisher Henry Vizetelly produced the first English translations of Émile Zola : the novels Nana and L'Assommoir.

27 June 1894: Mudie's Circulating Library and bookseller...

Writing climate item

27 June 1894

Mudie's Circulating Library and bookseller W. H. Smith together announced they would not pay more than four shillings a volume for novels; this forced publishers to abandon triple-decker format, and quickly led to its replacement...

Texts

Braddon, Mary Elizabeth. A Strange World. Donohue, Henneberry.
Braddon, Mary Elizabeth. A Strange World. J. Maxwell, 1875.
Willis, Chris et al. “Afterword”. The Trail of the Serpent, edited by Chris Willis and Chris Willis, Modern Library, 2003, pp. 408-14.
Braddon, Mary Elizabeth. Aurora Floyd. Tinsley Brothers, 1863.
Braddon, Mary Elizabeth. Aurora Floyd. Editors Nemesvari, Richard and Lisa Surridge, Broadview, 1998.
Braddon, Mary Elizabeth. Beyond These Voices. Hutchinson, 1910.
Braddon, Mary Elizabeth. Birds of Prey. Ward, Lock, and Tyler, 1867.
Braddon, Mary Elizabeth. Charlotte’s Inheritance. Ward, Lock, and Tyler , 1868.
Braddon, Mary Elizabeth. Circe. Ward, Lock, and Tyler, 1867.
Braddon, Mary Elizabeth. Dead Love has Chains. Hurst and Blackett, 1907.
Braddon, Mary Elizabeth. Dead Love Has Chains. Sensation Press, 2001.
Wolff, Robert Lee et al. “Devoted Disciple: The Letters of Mary Elizabeth Braddon to Sir Edward Bulwer Lytton, 1862-1873”. Harvard Library Bulletin, Vol.
22
, pp. 1 - 35, 129.
Braddon, Mary Elizabeth. Eleanor’s Victory. B. Tauchnitz, 1863.
Braddon, Mary Elizabeth. Eleanor’s Victory. Tinsley Brothers, 1863.
Braddon, Mary Elizabeth. “Flower and Weed”. The Mistletoe Bough, J. and R. Maxwell, 1882.
Braddon, Mary Elizabeth. Garibaldi and Other Poems. Bosworth and Harrison, 1861.
Braddon, Mary Elizabeth. Henry Dunbar. J. Maxwell, 1864.
Braddon, Mary Elizabeth. Hostages to Fortune. J. Maxwell, 1875.
Braddon, Mary Elizabeth. Hostages to Fortune. J. and R. Maxwell, 1876.
O’Toole, Fionn, and Mary Elizabeth Braddon. “Introduction”. Vixen, Alan Sutton, 1993, p. vii - xi.
Sasaki, Toru et al. “Introduction”. John Marchmont’s Legacy, edited by Toru Sasaki et al., Oxford University Press, 1999, p. vii - xxiv.
Braddon, Mary Elizabeth. “Introduction”. The Octoroon; or, The Lily of Louisiana, edited by Jennifer Carnell, Sensation Press, 1999, p. vii - xvii.
Waters, Sarah, and Mary Elizabeth Braddon. “Introduction”. The Trail of the Serpent, edited by Chris Willis and Chris Willis, Modern Library, 2003, p. xv - xxiv.
Braddon, Mary Elizabeth. Ishmael. J. and R. Maxwell.
Braddon, Mary Elizabeth. Ishmael. J. and R. Maxwell, 1884.