Lavoie, Chantel Michelle. Poems by Eminent Ladies: A Study of an Eighteenth-Century Anthology. University of Toronto.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Margaret Legge | When her mother dies leaving her some money, Janet writes to her husband (who still idolises her, but looks down upon her from a mental height and explains things in the simplest possible way, with... |
Intertextuality and Influence | Anna Steele | The novel begins with the Lisle family taking up residence at the ill-fated house of Gardenhurst, an estate that had been gambled away by its young heir during the reign of Charles II
, and... |
Intertextuality and Influence | Aphra Behn | Behn is presented in this piece as dressed in the loose Robe de Chambre with her neck and Breasts bare; how much Fire in her Eye! Lavoie, Chantel Michelle. Poems by Eminent Ladies: A Study of an Eighteenth-Century Anthology. University of Toronto. 126 |
Intertextuality and Influence | Elizabeth Strutt | Her picture of ecclesiastical life features the other-worldly curate, Slender, the satirically-drawn rector, the Rev. Mr Plufty, and their respective daughters. ES
gives much of the story in the words of Slender's journal (always unworldly... |
Intertextuality and Influence | Emma Parker | In her paratexts EP
addresses the reader as he and (somewhat familiarly, in the style of Henry Fielding
) as thou. The preface takes a playfully insulting tone with readers. She tells them they... |
Intertextuality and Influence | Anna Maria Bennett | Readers first encounter the young male protagonist, Henry Dellmore, bearing the nickname of Mumps, and suffering as a pupil at a Dickensian school, under the proprietor Mr Puffardo. Once taken up by benefactors, he... |
Intertextuality and Influence | Mary Collyer | The protagonist's name had been used by both Richardson
(in Clarissa) and Henry Fielding
(in Tom Jones) as a kind of generic appellation for a specific maid or young woman of the servant... |
Intertextuality and Influence | Ann Thicknesse | Richard Graves may have been disappointed, for the introduction and early lives are substantially the same as in the 1778 version which he had already read (though Hester Mulso Chapone
has been added to the... |
Intertextuality and Influence | Charlotte Lennox | Again Lennox gives her chapters titles which foretell their contents in the FieldingSarah Fielding
manner. Of the sister heroines, Harriot is beautiful and spoiled by her mother, a less forgiveable coquette than her namesake in Harriot... |
Literary responses | Elizabeth Hervey | The Critical Review thought the protagonist and his adventures too closely modelled on Henry Fielding
's Tom Jones, Garside, Peter. “The English Novel in the Romantic Era: Consolidation and Dispersal”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, pp. 2: 15 - 103. 1: 678-9 |
Literary responses | Samuel Richardson | This ground-breaking novel provoked wild enthusiasm among general readers, and a number of unauthorised continuations. Henry Fielding
's Shamela and Eliza Haywood
's Anti-Pamela are the most satirical among these. |
Literary responses | Alethea Lewis | The Critical Review praised AL
's ability to invent and entertain, but objected to the detailed depiction of villainy (inviting imitation) and the authorial remarks in the manner of Fielding
, without his genius... |
Literary responses | E. Arnot Robertson | Again the sexual content was an issue. Devlin finds both reticence and modesty in EAR
, but critics found the book's sexual candour appalling, or called it crude or [r]ather too full blooded, or... |
Literary responses | Mary Julia Young | The Critical Review (in January 1804) noted the catchpenny appeal of the title to devotees of the gothic: in these days when ghosts and mysteries are so fashionable. It thought, however, that this novel told... |
Literary responses | Margaret Calderwood | The editor of MC
's travel account, Alexander Fergusson
, did not think much of her novel; he wrote that it scarcely fulfilled expectations. Calderwood, Margaret. “L’envoi”. Letters and Journals, edited by Alexander Fergusson, David Douglas, pp. 353-78. 356 |
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