Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Masterman Skinn | AMS
borrows from Richardson
a masquerade scene and her basic epistolary form, and radically revises a borrowing from him when her heroine stabs a would-be rapist with scissors. But her general tone and her enjoyment... |
Intertextuality and Influence | Sheila Kaye-Smith | She was helped and encouraged in this work by her friend the novelist Walter Lionel George
. Stern, G. B. . And did he stop and speak to you?. Henry Regnery, 1958. 79 |
Intertextuality and Influence | Mrs Martin | Each volume has an introductory chapter, addressing the reader in the manner of, and with some images borrowed from, Henry Fielding
or Laurence Sterne
(the latter, indeed, is mentioned by name). MM
hopes her reader... |
Intertextuality and Influence | Mary Julia Young | The story opens with Frederic Duvalvin rushing to the aid of an aged peasant and his mule (though he ruins his clothes in doing so), while his cousin Lorenzo di Rozezzi refuses to help. (These... |
Intertextuality and Influence | Eliza Haywood | This satiric, self-reflexive entertainment makes minimal changes to its source, Henry Fielding
's The Tragedy of Tragedies (itself adapted from his Tom Thumb, 1730). There has been controversy over the Opera's music, which... |
Intertextuality and Influence | Mary Latter | The first letter, the earliest piece in the volume, was said to have been written seventeen years ago at the age of seventeen: to Myra, which suggests that ML
may have been one among... |
Intertextuality and Influence | Djuna Barnes | Henry Fielding
Barnes dubbed her heroine, Evangeline Musset, a female Tom Jones. qtd. in Lanser, Susan Sniader, and Djuna Barnes. “Introduction”. Ladies Almanack, New York University Press, 1992, p. xv - li. xxix |
Intertextuality and Influence | Margaret Legge | When her mother dies leaving her some money, Janet writes to her husband (who still idolises her, but looks down upon her from a mental height and explains things in the simplest possible way, with... |
Intertextuality and Influence | Susanna Haswell Rowson | As the title implies, the primary speaker and instructor is the father of the family, whose name, Mr Allworthy, comes from Henry Fielding
. The mother plays supporter to him. Both encourage the children to... |
Intertextuality and Influence | Ann Thicknesse | Richard Graves may have been disappointed, for the introduction and early lives are substantially the same as in the 1778 version which he had already read (though Hester Mulso Chapone
has been added to the... |
Literary responses | Samuel Richardson | This ground-breaking novel provoked wild enthusiasm among general readers, and a number of unauthorised continuations. Henry Fielding
's Shamela and Eliza Haywood
's Anti-Pamela are the most satirical among these. |
Literary responses | Jane Collier | The book's authorship is generally accepted, although Jayne Elizabeth Lewis
has written that JC
produced it evidently with some assistance from Fielding
. Lewis, Jayne Elizabeth. “Clarissas Cruelty: Modern Fables of Moral Authority in The History of a Young LadyClarissa and Her Readers: New Essays for the Clarissa Project, edited by Carol Houlihan Flynn and Edward Copeland, AMS Press, 1999, pp. 45-67. 64n14 |
Literary responses | Elizabeth Hervey | The Critical Review thought the protagonist and his adventures too closely modelled on Henry Fielding
's Tom Jones, Garside, Peter. “The English Novel in the Romantic Era: Consolidation and Dispersal”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, 2000, pp. 2: 15 - 103. 1: 678-9 |
Literary responses | Anna Maria Bennett | Mary Russell Mitford
read the Beggar Girl with delight as a schoolgirl in Chelsea, liking it not only for the character and the liveliness, but for the abundant story—incident toppling after incident; all sufficiently natural... |
Literary responses | Teresia Constantia Phillips | The Thais of the title was an ancient courtesan. Historian Kathleen Wilson
says that in JamaicaTCP
acquired the nickname of The Black Widow in allusion to her many marriages and her supposedly destructive effect... |
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