Henry Fielding

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Standard Name: Fielding, Henry
Henry Fielding in an etching after a drawing by William Hogarth, in left-facing profile wearing a wig and great-coat, with an oval frame and his name written beneath.

Connections

Connections Author name Excerpt
Literary responses Charlotte Lennox
CL 's The Female Quixote was crucially reviewed by Henry Fielding in his Covent Garden Journal.
Fielding, Henry. The Covent-Garden Journal. Editor Jensen, Gerard Edward, Vol.
2 vols.
, Russell and Russell, 1964.
2: 279-82
Literary responses E. Arnot Robertson
Again the sexual content was an issue. Devlin finds both reticence and modesty in EAR , but critics found the book's sexual candour appalling, or called it crude or [r]ather too full blooded, or...
Literary responses Samuel Richardson
This ground-breaking novel provoked wild enthusiasm among general readers, and a number of unauthorised continuations. Henry Fielding 's Shamela and Eliza Haywood 's Anti-Pamela are the most satirical among these.
Literary responses Jane Collier
The book's authorship is generally accepted, although Jayne Elizabeth Lewis has written that JC produced it evidently with some assistance from Fielding .
Lewis, Jayne Elizabeth. “Clarissas Cruelty: Modern Fables of Moral Authority in The History of a Young LadyClarissa and Her Readers: New Essays for the Clarissa Project, edited by Carol Houlihan Flynn and Edward Copeland, AMS Press, 1999, pp. 45-67.
64n14
Carolyn Woodward has argued on the basis of closely reading Sallys...
Literary responses Elizabeth Hervey
The Critical Review thought the protagonist and his adventures too closely modelled on Henry Fielding 's Tom Jones,
Garside, Peter. “The English Novel in the Romantic Era: Consolidation and Dispersal”. The English Novel 1770-1829, edited by Peter Garside et al., Oxford University Press, 2000, pp. 2: 15 - 103.
1: 678-9
but it praised the sentiments of piety and the descriptions and incidents—which, it...
Literary responses Anna Maria Bennett
Mary Russell Mitford read the Beggar Girl with delight as a schoolgirl in Chelsea, liking it not only for the character and the liveliness, but for the abundant story—incident toppling after incident; all sufficiently natural...
Literary responses Teresia Constantia Phillips
The Thais of the title was an ancient courtesan. Historian Kathleen Wilson says that in JamaicaTCP acquired the nickname of The Black Widow in allusion to her many marriages and her supposedly destructive effect...
Literary responses Alethea Lewis
The Critical Review praised AL 's ability to invent and entertain, but objected to the detailed depiction of villainy (inviting imitation) and the authorial remarks in the manner of Fielding , without his genius...
Literary responses Susan Smythies
The Critical Review later identified this story as an imitation of Henry Fielding .
Critical Review. W. Simpkin and R. Marshall, 5 series.
7 (1759): 79
Literary responses Susan Smythies
The Critical Review noted that SS was imitating Richardson in this novel (as she had imitated Fielding in her last). In The Brothers it found all the machinery of a modern novel, without the overall...
Literary responses Charlotte Smith
Some reviewers (who saw the novel as domestic rather than political) were not enthusiastic; the Critical claimed in a lengthy notice to be disappointed in almost every respect with this performance, and deplored the example...
Literary responses Margaret Calderwood
The editor of MC 's travel account, Alexander Fergusson , did not think much of her novel; he wrote that it scarcely fulfilled expectations.
Calderwood, Margaret. “L’envoi”. Letters and Journals, edited by Alexander Fergusson, David Douglas, 1884, pp. 353-78.
356
He thought that many of her characters and episodes, though...
Literary responses Mary Julia Young
The Critical Review (in January 1804) noted the catchpenny appeal of the title to devotees of the gothic: in these days when ghosts and mysteries are so fashionable. It thought, however, that this novel told...
Literary responses Margaret Minifie
The Critical belatedly noted: She is now no longer in partnership, but sets up for herself.
Critical Review. W. Simpkin and R. Marshall, 5 series.
50 (1780): 168
It approved the novel's morally didactic tone, its style, characters, and narrative, but warned that it...
Literary Setting Sarah Fielding
The form is epistolary: not an exchange of letters but a single, retrospective letter in which the now older Ophelia looks back. The heroine, brought up in isolation in Wales by an aunt who has...

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