Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Alethea Lewis | The Critical Review praised AL
's ability to invent and entertain, but objected to the detailed depiction of villainy (inviting imitation) and the authorial remarks in the manner of Fielding
, without his genius... |
Literary responses | Susan Smythies | The Critical Review later identified this story as an imitation of Henry Fielding
. Critical Review. W. Simpkin and R. Marshall, 5 series. 7 (1759): 79 |
Literary responses | Susan Smythies | The Critical Review noted that SS
was imitating Richardson
in this novel (as she had imitated Fielding
in her last). In The Brothers it found all the machinery of a modern novel, without the overall... |
Literary responses | Charlotte Smith | Some reviewers (who saw the novel as domestic rather than political) were not enthusiastic; the Critical claimed in a lengthy notice to be disappointed in almost every respect with this performance, and deplored the example... |
Literary responses | Margaret Calderwood | The editor of MC
's travel account, Alexander Fergusson
, did not think much of her novel; he wrote that it scarcely fulfilled expectations. Calderwood, Margaret. “L’envoi”. Letters and Journals, edited by Alexander Fergusson, David Douglas, 1884, pp. 353-78. 356 |
Literary responses | Mary Julia Young | The Critical Review (in January 1804) noted the catchpenny appeal of the title to devotees of the gothic: in these days when ghosts and mysteries are so fashionable. It thought, however, that this novel told... |
Literary responses | Margaret Minifie | The Critical belatedly noted: She is now no longer in partnership, but sets up for herself. Critical Review. W. Simpkin and R. Marshall, 5 series. 50 (1780): 168 |
Literary responses | Mary Julia Young | The Critical Review (besides alleging indebtedness to Henry Fielding
) judged that both characters and story were well done, but that the ending was wildly improbable. Critical Review. W. Simpkin and R. Marshall, 5 series. 3 (1804): 470 |
Literary responses | Penelope Aubin | Popular fiction of PA
's type is a target of parody in Henry Fielding
's Jonathan Wild. McDowell, Paula. “Narrative Authority, Critical Complicity: The Case of Jonathan WildStudies in the Novel, Vol. 30 , No. 2, 1 June 1998– 2024, pp. 211-31. 215 |
Literary responses | Mary Charlton | The New London Review ranked this novel much above mediocrity although over-crowded with incident. It felt that MC
had made an error of judgement in putting into the mouths of her inferior personages what it... |
Literary responses | Charlotte Lennox | CL
's The Female Quixote was crucially reviewed by Henry Fielding
in his Covent Garden Journal. Fielding, Henry. The Covent-Garden Journal. Editor Jensen, Gerard Edward, Vol. 2 vols. , Russell and Russell, 1964. 2: 279-82 |
Literary responses | Jane West | The Critical Review was enthusiastic about A Gossip's Story, recommending it as an antidote to the pernicious maxims of most modern sentimental novels. The reviewer said that West's frequent touches of delicate humour came... |
Literary responses | Eliza Haywood | In the Monthly Review, Ralph Griffiths
passed a judgement which was inflected against Betsy Thoughtless by issues of gender. He guessed that the author was female because of the novel's attention to matters of... |
Literary responses | E. Arnot Robertson | Again the sexual content was an issue. Devlin finds both reticence and modesty in EAR
, but critics found the book's sexual candour appalling, or called it crude or [r]ather too full blooded, or... |
Literary Setting | Sarah Fielding | The form is epistolary: not an exchange of letters but a single, retrospective letter in which the now older Ophelia looks back. The heroine, brought up in isolation in Wales by an aunt who has... |
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