Charles Dickens
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Standard Name: Dickens, Charles
Birth Name: Charles John Huffam Dickens
Indexed Name: Charles Dickens
Pseudonym: Boz
Pseudonym: Timothy Sparks
A prolific novelist, journalist, and editor of periodicals such as Household Words and All the Year Round, CD
crucially shaped Victorian fiction both by developing it as a dialogical, multi-plotted, and socially aware form and by his innovations in publishing serially. As a novelist he worked across a range of genres, including the bildungsroman, picaresque, Newgate, sensation and detective fiction, and usually with satiric or socially critical force. He was loved by readers for his humour, grotesquerie, action, and vigour. An influential public figure and phenomenally successful lecturer during his lifetime, his work continues to be central to popular understandings of nineteenth-century England, and in particular London.
Connections
Connections Sort descending | Author name | Excerpt |
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Textual Production | Florence Marryat | In a book entitled Tom Tiddler's Ground, FM
gave an account of her American tour of a couple of years before. The title Tom Tiddler's Ground had been used by Dickens
for a tale... |
Textual Production | Marie Corelli | She was the first literary figure to speak to this society in Edinburgh since Charles Dickens
. The lecture was published by the Society
the following year, and later appeared as an essay in a... |
Textual Production | Q. D. Leavis | Here QDL
highlights Oliphant's anti-sentimental, critical view of Victorian county town insitutions and relations, and the comparatively independent, ironic attitude of the unstereotypical heroine, Lucilla Marjoribanks (large, strong, unsentimental, insubordinate to men and with... |
Textual Production | Beryl Bainbridge | She later said the non-realism of this tale had dissatisfied her. She acknowledged the influence on it of Dickens
and Robert Louis Stevenson
, and then judged that the best bits . . . have... |
Textual Production | Dorothy Richardson | In her correspondence Richardson addresses a great range of topics, including her own varied reading. She comments on women writers from Julian of Norwich
through Jane Austen
, Emily
and Charlotte Brontë
, George Eliot |
Textual Production | Evelyn Sharp | In a prefatory note ES
explains that the experiences used in the book, including the six story-sketches, are all based on actuality: she credits Dickens
with purveying a better understanding of children than modern psychologists... |
Textual Production | Eliza Lynn Linton | ELL
's My Literary Life appeared posthumously, edited by Beatrice Harraden
: titled thus on the title-page and spine, it is in the half-title and elsewhere called Reminiscences of Dickens
, Thackeray
, George Eliot |
Textual Production | Susanna Moodie | SM
was influenced by spiritualism, though she was often unsure whether to be amazed or amused. For news of the movement, she and her husband read the Tribune and the Albion from New York. John Moodie |
Textual Production | Monica Dickens | Monica Dickens
wrote a Foreword to The London of Charles Dickens, published by the London Transport
Executive for the Dickens centenary. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. |
Textual Production | Wilkie Collins | WC
's sensation novel The Woman in White began its serialization in Dickens'sAll the Year Round, following on the same page the conclusion of Dickens's own A Tale of Two Cities in instalments. Borne Back Daily. 2001, http://borneback.com/ . 26 November 2010 |
Textual Production | Geraldine Jewsbury | In 1850 Charles Dickens
wrote to ask GJ
to contribute any papers or short stories qtd. in Lohrli, Anne, and Charles Dickens. Household Words: A Weekly Journal 1850-1859. University of Toronto Press, 1973. 327-8 |
Textual Production | Charlotte Yonge | CY
published her novel as the author of The Heir of Redclyffe. Le Fanu's Uncle Silas is sometimes called the first murder mystery, and, as Battiscombe notes, Yonge wrote her contribution to this genre... |
Textual Production | Matilda Betham-Edwards | She herself says the poem appeared in Household Words, but apparently she misremembered, since the oldDictionary of National Biography explicitly contradicted her. Dickens paid her five pounds for it. Five pounds for the... |
Textual Production | Jane Welsh Carlyle | Many, including Charles Dickens
, have speculated that JWC
could have produced wonderful novels, and because she did not she is often viewed as something of a missing woman writer Christianson, Aileen. “Rewriting Herself: Jane Welsh Carlyle’s Letters”. Scotlands: The International, Interdisciplinary Journal of Scottish Culture, Vol. 2 , No. 1, Edinburgh University Press, pp. 47-52. 47 |
Textual Production | Anne Mozley | Bishop John Wordsworth
wrote in his posthumous memoir of AM
that no one out of her own family circle knew or even suspected that she practised authorship and editing work as an occupation. When she... |
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