Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols.
2: 385
Connections Sort descending | Author name | Excerpt |
---|---|---|
Friends, Associates | Dora Marsden | During the 1920s DM
's primary focus was her writing, which she continued mainly in isolation and under much mental and physical stress. However, she was assisted in this by Harriet Shaw Weaver
and Sylvia Beach |
Friends, Associates | Laura Riding | Graves and Riding were touchy as friends, between their sense of literary mission (they saw Graves's biography of T. E. Lawrence
as a somewhat demeaning potboiler, not part of his real work at all) and... |
Friends, Associates | Harriet Shaw Weaver | Her friendship with Dora Marsden
remained constant until Marsden's mental health deteriorated. Marsden was one of the few people who knew and addressed HSW
by her pseudonym, Josephine Wright. After Weaver closed down the... |
Friends, Associates | Harriet Shaw Weaver | Before meeting James Joyce
but after becoming his patron, HSW
envisaged him as noble and ascetic. She was upset when in 1921 Wyndham Lewis
depicted Joyce to her as a drunken spendthrift. Joyce countered these... |
Health | Sylvia Beach | SB
had suffered from health problems all her life, but as the responsibilities of owning a bookstore and publishing Ulysses grew, her migraines increased in length and intensity. The headaches began in her pre-teen years... |
Intertextuality and Influence | Edna O'Brien | EOB
uses books as presiding spirits of her own writing. James Joyce
's image is at one end of the mantelpiece and Samuel Beckett
's at the other. . . . I write by hand... |
Intertextuality and Influence | George Egerton | Though Anita Moss
in the DLB finds these stories less impressive than GE
's early Keynotes ones, she also writes that they embody some of Egerton's sharpest social criticism,that The Marriage of Mary Ascension looks... |
Intertextuality and Influence | Hope Mirrlees | Paris was received by an appreciative audience. Before its publication Virginia Woolf
described it as very obscure, indecent, and brilliant. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols. 2: 385 |
Intertextuality and Influence | Doreen Wallace | In this book DW
strikes out against the stream of consciousness method in fiction. I turn the pages of James Joyce
, Dorothy Richardson
and Virginia Woolf
(Philistine that I am) in the vain hope... |
Intertextuality and Influence | Jane Gardam | In a literary introduction Gardam discusses the short story form and invokes James Joyce
's Dubliners. |
Intertextuality and Influence | Jane Ellen Harrison | Martha Carpentier
further discusses Harrison's impact on writers and their works in Ritual, Myth, and the Modernist Text: The Influence of Jane Ellen Harrison on Joyce
, Eliot, and Woolf (1998). |
Intertextuality and Influence | Ada Leverson | AL
was encouraged to write novels by Grant Richards
. Speedie, Julie. Wonderful Sphinx: The Biography of Ada Leverson. Virago, 1993. 133 Burkhart, Charles. Ada Leverson. Twayne, 1973. 38 |
Intertextuality and Influence | Catherine Byron | Reflections on her own life are intertwined throughout CB
's journey, as she writes on her childhood experience of Catholicism, and her roles as mother, wife, lover, and Irish woman writer. Byron, Catherine. Out of Step. Loxwood Stoneleigh, 1992. passim |
Intertextuality and Influence | Hélène Cixous | |
Intertextuality and Influence | Samuel Beckett | He felt that the second world war had transformed his relation to writing, driving him inward for his subject-matter, away from the Joyce
an play of meaning towards the dearth or even the failure of... |
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