Moloney, Caitriona et al. Irish Women Writers Speak Out: Voices From the Field. Syracuse University Press, 2003.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Virginia Woolf | Yet, though her voice (and her social and political views) were and would remain quite different from theirs, she was keenly attentive to the works of male contemporaries who were, like her, working to create... |
Intertextuality and Influence | Muriel Box | |
Intertextuality and Influence | Jennifer Johnston | JJ
says, I don't plan my writing; I just sit down and listen to the voices. This makes it sound easy. It is not. Moloney, Caitriona et al. Irish Women Writers Speak Out: Voices From the Field. Syracuse University Press, 2003. 67 |
Intertextuality and Influence | Christine Brooke-Rose | This was her last novel published by Raleigh Trevelyan
of Michael Joseph
—who was, she believed, fired with a golden handshake for accepting it. Brooke-Rose, Christine. Invisible Author: Last Essays. Ohio State University Press, 2002. 128 |
Intertextuality and Influence | Carol Rumens | Its tributes to earlier women poets are grounded in Portrait of the Poet as a Little Girl (a belated, oblique answer to James Joyce
), which concludes on the patrilineal prize / which she, disarmed... |
Intertextuality and Influence | Marie Corelli | R. B. Kershner, Jr.
(a James Joyce
scholar) points out that Joyce read The Sorrows of Satan in 1905 and that the novel has a number of elements that [he] adapts to the form and... |
Intertextuality and Influence | Edith Wharton | These books follow the progress of a budding male author, Vance Weston, who seems unable to achieve his career aspirations either amid the cutthroat New York literary scene or the more relaxed, bohemian one of... |
Intertextuality and Influence | Christine Brooke-Rose | This sets out to explore the effects of various technological media on the novel genre. It begins with the apparent forcible entry into a story by Jane Austen
of a great German contemporary of Austen:... |
Intertextuality and Influence | Victoria Cross | Sewell Stokes
, in a brief portrait of VC
in 1928, described her as one who had at one time been accused of poisoning the purity of British homes with her sordid writings .... |
Intertextuality and Influence | Julia Kristeva | |
Intertextuality and Influence | Maureen Duffy | The book has three sections. The poems in Missa Humana correspond to different items in the Mass: from Kyrie (Lord, have mercy, a three-stanza poem which invokes the manmade suffering of children around the... |
Intertextuality and Influence | Edna O'Brien | EOB
uses books as presiding spirits of her own writing. James Joyce
's image is at one end of the mantelpiece and Samuel Beckett
's at the other. . . . I write by hand... |
Intertextuality and Influence | George Egerton | Though Anita Moss
in the DLB finds these stories less impressive than GE
's early Keynotes ones, she also writes that they embody some of Egerton's sharpest social criticism,that The Marriage of Mary Ascension looks... |
Intertextuality and Influence | Hope Mirrlees | Paris was received by an appreciative audience. Before its publication Virginia Woolf
described it as very obscure, indecent, and brilliant. Woolf, Virginia. The Letters of Virginia Woolf. Editors Nicolson, Nigel and Joanne Trautmann, Hogarth Press, 1975–1980, 6 vols. 2: 385 |
Intertextuality and Influence | Doreen Wallace | In this book DW
strikes out against the stream of consciousness method in fiction. I turn the pages of James Joyce
, Dorothy Richardson
and Virginia Woolf
(Philistine that I am) in the vain hope... |
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