Athenæum. J. Lection.
1739 (1861): 259
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Mary Elizabeth Braddon | Robert Buchanan
in the Athenæum speculated that the author was a woman, and called the poem a rhythmical paraphrase of the prose popularized by the Times Correspondents. Athenæum. J. Lection. 1739 (1861): 259 |
Textual Production | Rhoda Broughton | RB
earned £1,000 for the volume rights alone, the highest she had yet received for a novel. Robert Buchanan
's theatrical adaptation entitled Sweet Nancy had an only moderately successful run on stage in 1890... |
Intertextuality and Influence | Rhoda Broughton | RB
was convinced that Nancy would be a failure (and threatened in that case to stop writing), as she told Richard Bentley
in a letter bemoaning a negative review in Pall Mall. Sadleir, Michael. Things Past. Constable. 106 |
Literary responses | Robert Browning | The praise in 1869 was resounding. Robert Buchanan
in the Athenæum hailed it as beyond all parallel the supremest poetical achievement of our time, and the London Quarterly was convinced that Pompilia would rank among... |
Publishing | B. M. Croker | In 1894 stories by BMC
appeared in the Christmas numbers of London Society (along with others by John Strange Winter
and Alice Perrin
) and the Graphic (along with others by Grant Allen
and Robert Buchanan |
Textual Production | Sarah Grand | It took her three years to find a publisher willing to take on its controversial subject-matter. Grand, Sarah. Sex, Social Purity and Sarah Grand: Volume 1. Editor Heilmann, Ann, Routledge. 245 |
Textual Production | Harriett Jay | The Strange Adventures of Miss Brown by Harriett Jay
and Robert Williams Buchanan
provided the libretto for the collaborative Tulip Time: A Comedy with Music, which opened nearly three years after Jay's death. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Performance of text | Harriett Jay | Charles Marlowe's (HJ
's) and Robert Buchanan
's co-written comedy Shopwalker opened at the Vaudeville Theatre
in London (where Jay had often acted), and it did well. The title is sometimes given as... |
Performance of text | Harriett Jay | Another three-act comedy, The Wanderer from Venus; or Twenty-four Hours with an Angel, co-written and produced by HJ
(as Charles Marlowe) and Robert Buchanan
, opened at The Grand Theatre
in Croydon. Regan, Patrick. “Theatre Reviews”. Robert Williams Buchanan (1841-1901). |
Performance of text | Harriett Jay | The first production of Charles Marlowe's (HJ
's) and Robert Buchanan
's co-written melodrama The Mariners Of England opened at the Olympic Theatre
. Like most of their plays, it did very well. “Index”. Times, No. 35147, p. 11. 35147 (10 March 1897): 11 Regan, Patrick. “Theatre Reviews”. Robert Williams Buchanan (1841-1901). |
Textual Production | Harriett Jay | HJ
published her only non-fiction book and the last writing she worked on, a life of her late adoptive father: Robert Buchanan
: Some Account of His Life, His Life's Work, and His Literary Friendships... |
Author summary | Harriett Jay | A now largely-forgotten novelist and playwright, HJ
was prolific and popular in the late nineteenth to early twentieth century. She wrote eight novels, the majority devoted to the contemporary state of Ireland from an Anglo... |
Family and Intimate relationships | Harriett Jay | |
Family and Intimate relationships | Harriett Jay | Although Robert Williams Buchanan
was technically HJ
's brother-in-law, he adopted her while she was still a child. He was a poet, novelist, and playwright, and his writing life became closely intertwined with hers, as... |
Residence | Harriett Jay |