Wolff, Cynthia Griffin. Emily Dickinson. Knopf.
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Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | George Eliot | Though the reviews were universally laudatory in their general tone, GE
found them disheartening. Edith J. Simcox
, reviewing the book as H. Lawrenny for the Academy in the month following publication, asserted Middlemarch marks... |
Intertextuality and Influence | Margiad Evans | At the end of the 1940s, when she was writing extremely hard, she began work on a book about Emily Brontë
. She abandoned it soon after her first epileptic seizure, feeling that it was... |
Intertextuality and Influence | Elaine Feinstein | Lais considers Holbein
's painting of the courtesan of that name, who lived in ancient Corinth: a representation unexpectedly mild and benevolent, of a woman who cannot hide the evidence of grace. Adcock, Fleur, editor. The Faber Book of Twentieth Century Women’s Poetry. Faber and Faber. 228 |
Textual Production | Elaine Feinstein | EF
says her fiction and poetry come from different parts of herself: the voice, the cadences, the rhythms are very different. She sees fiction as involving impersonation of other people. Pacernick, Gary. Meaning and Memory: Interviews with Fourteen Jewish Poets. Ohio State University Press. 180 |
Occupation | Eva Figes | EF
had a long stint as co-editor of this series, which includes works on Margaret Atwood
, Jane Austen
, Elizabeth Bowen
, Elizabeth Barrett Browning
, Frances Burney
, Willa Cather
, Colette
,... |
Textual Features | Monica Furlong | The different spiritual traditions represented here include ancient Greeks, medieval Christians, Buddhists, Jews, Australian Aboriginals and Native Americans. The authors of prayers include Teresa of Avila
, Emily Dickinson
, Denise Levertov
, Oodgeroo Noonuccal
, and Alice Walker
. Blackwell’s Online Bookshop. http://Bookshop.Blackwell.co.uk. |
Textual Production | Rumer Godden | Bodley Head
issued RG
's A Letter to the World: poems for young readers: a selection from the work of Emily Dickinson
(a poet she had discovered with, she said, instant recognition). The... |
Leisure and Society | Rumer Godden | Her literary standards of judgement were high. Among women poets she accorded major status only to Sappho
, Christina Rossetti
, Emily Dickinson
—not Elizabeth Barrett Browning
—and to the more recent Edith Sitwell
and Marianne Moore
. Godden, Rumer. A Time to Dance, No Time to Weep. Macmillan. 218 and n |
Travel | Rumer Godden | RG
visited the USA so frequently that she felt it was her territory, even before undertaking a coast-to-coast lecture tour. Godden, Rumer. A House with Four Rooms. Macmillan. 221 |
Textual Features | Germaine Greer | Women are a minority here, but well represented: Fleur Adcock
, Anna Letitia Barbauld
, Amy Clampitt
, Olive Custance (Lady Alfred Douglas)
, Emily Dickinson
, Freda Downie
, U. A. Fanthorpe
, Vicki Feaver |
Friends, Associates | Julia Ward Howe | JWH
first encountered Higginson
(the friend and correspondent of Emily Dickinson
) at a Boston rally in support of the fugitive slave Shadrach Minkins
. Howe, Julia Ward. Reminiscences, 1819–1899. Houghton Mifflin. 165 |
Reception | Julia Ward Howe | Elaine Showalter
's biography, The Civil Wars of Julia Ward Howe, 2016, claimed that Howe possessed the subversive intellect of an Emily Dickinson
, the political and philosophical interests of an Elizabeth Barrett Browning |
Literary responses | Jennifer Johnston | This quotation was used to head an enthusiastic notice by US critic Julia Epstein
in the Washington Post Book World. Johnston, wrote Epstein, coils her language so tightly that she achieves the compression we... |
Intertextuality and Influence | Sylvia Kantaris | The poems here are full of places—real ones, like St Ives, Zennor, a rain-forest in Queensland, Australia; also the dystopias of Snapshotland (where everyone is happy all the time.) Kantaris, Sylvia. The Sea at the Door. Secker and Warburg. 4 |
Textual Features | Deborah Levy | The book and one of the chapters are headed with epigraphs, from Marguerite Duras
and Elena Ferrante
. Other writers or artists who are referred or appealed to include Emily Dickinson
, James Baldwin
... |
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