Thesing, William B., editor. Dictionary of Literary Biography 199. Gale Research.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Emily Gerard | This novel has two sections, Dream-Life and The Awakening, with an Intermezzo between the two: love is not part of the dream, but of the awakening to reality. The title-page quotation from La Fontaine |
Intertextuality and Influence | Mathilde Blind | |
Intertextuality and Influence | G. B. Stern | She begins by quoting in its entirety Robert Browning
's poem entitled Memorabilia, which as she observes is better known by its opening line, Ah, did you once see Shelley
plain? Stern, G. B. . And did he stop and speak to you?. Henry Regnery. prelims |
Intertextuality and Influence | Charlotte Despard | In this historically-based essay CD
sets out to deal not with individual women but with the great woman-principle. Shaw, Frederick John, editor. The Case for Women’s Suffrage. Unwin. 190 |
Intertextuality and Influence | Mary Elizabeth Braddon | This story of infidelity features an Italian financier who as a furiously jealous foreigner is compared to Shakespeare's Othello. (At least Provana is not black Braddon, Mary Elizabeth. Beyond These Voices. Hutchinson. 68 |
Intertextuality and Influence | Iris Murdoch | Her title applies to human beings an image which Percy Shelley
applied, in his Ode to the West Wind, to autumn leaves: like ghosts from an enchanter fleeing. Critic Peter J. Conradi
calls this... |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press. 221-2 |
Intertextuality and Influence | Sarojini Naidu | For SN
, writing began as an act of rebellion. She wrote her first poem at the age of eleven when she became frustrated with an algebra problem, and thereupon decided to become a poet.... |
Intertextuality and Influence | Sarojini Naidu | The story of its publication has been told by Arthur Symons
and Edmund Gosse
, and their accounts reveal considerable English intervention to bring out the Indian aspects of her work. At the age of... |
Intertextuality and Influence | Marion Reid | Using rhetoric similar to that of abolitionists, Reid draws parallels between the plight of women and that of slaves. The title-page asks (in the words of Percy Bysshe Shelley
) Can man be free, if... |
Intertextuality and Influence | Mary Anne Duffus Hardy | Quoting a phrase originally used by the seventeenth-century Thomas Fuller
, she recalls how at the old slave mart people representing God's image, carved in ebony, were lined up like cattle for sale in most... |
Intertextuality and Influence | Sarojini Naidu | Clusters of poems in this volume bear epigraphs pointing to both Eastern and Western influences: The Flowering Year quotes Shelley
, while The Peacock Lute and The Temple: A Pilgrimage of Love quote Omar Khayyàm |
Intertextuality and Influence | Rosamund Marriott Watson | In addition to poems from all her previous volumes, the book includes The Story of Marpessa, which first appeared in the Universal Review in September 1889. This poem is a critique of marriage adapted... |
Intertextuality and Influence | Amy Levy | AL
acknowledged the influence on her poetry of Percy Bysshe Shelley
, Goethe
, Heine
, Robert Browning
, Swinburne
(whose poem Félise she answered in Félise to Her Lover), and James Thomson
(the... |
Intertextuality and Influence | Sarojini Naidu | In one speech given in 1903, True Brotherhood, SN
advocates the spirit of brotherhood and equality as an antidote to provincialism, declaring I am a real democrat, because to me there is no difference... |
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