Theatre Royal, Drury Lane

Connections

Connections Sort descending Author name Excerpt
Publishing Maria Edgeworth
This literary satire was the first fruit of his wish that she should write a series of dramas for young people. Its manuscript survives in the Bodleian Library . Sheridan rejected it for Drury Lane
Publishing Ann Yearsley
As early as March-April 1788 AY 's backers Eliza Dawson and Wilmer Gossip were suggesting that a play would offer a better chance of financial return than poetry. Yearsley drafted her lost play Bawdin at...
Reception Joanna Baillie
In general JB was criticised for lacking stage-craft—by Elizabeth Inchbald , for example, who must have been a good judge. It was said that her sonorously-voiced passions float unanchored; her comedies are too sweet.
Feminist Companion Archive.
Baillie...
Textual Features Mary Julia Young
MJY 's poem, in fast-moving heroic couplets, opens with Genius invoking the aid of Fancy. Fancy insists that the most beautiful and versatile of the muses is Thalia (who presides over comedy). After urging the...
Textual Production Joanna Baillie
JB sent her friend Mary Berry a prologue for Fashionable Friends, Berry's play produced at Drury Lane by Anne Damer in 1802; she also wrote an epilogue for it.
Baillie, Joanna. “Editorial Materials”. The Collected Letters of Joanna Baillie, edited by Judith Bailey Slagle, Fairleigh Dickinson University Press, pp. ix - xiv, 1.
2n7, 3
Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
1: 153n2
Textual Production Frances Burney
After the triumph of Evelina, FB 's first intention was to write for the stage. She had the encouragement of Richard Brinsley Sheridan , manager of Drury Lane Theatre , and of dramatist Arthur Murphy .
Burney, Frances. The Complete Plays of Frances Burney. Editor Sabor, Peter, William Pickering.
1: xviii, 3
Textual Production Elizabeth Griffith
EG 's last comedy, The Times (a sentimental piece adapted from Goldoni ), opened at Drury Lane .
Griffith, Elizabeth. “Introduction”. The Delicate Distress, edited by Cynthia Booth Ricciardi and Susan Staves, University Press of Kentucky, p. vii - xviii.
xxxii
Textual Production Elizabeth Gunning
EG 's confusing preface to her translated melodrama The Wife with Two Husbands, 1803, says she is printing it because she has heard that Drury Lane is about to put on her first essay...
Textual Production Joanna Baillie
Mary Berry and Anne Damer both offered comments and revisions four years before this play was published. Lady Louisa Stuart did the same (through Walter Scott) in 1809.
Baillie, Joanna. The Collected Letters of Joanna Baillie. Editor Slagle, Judith Bailey, Fairleigh Dickinson University Press.
1: 158-9, 244
Slagle, editor of JB
Textual Production Hannah Cowley
It was badly presented, by two of the cast in particular.
Escott, Angela. Email about supposed quarrel between Hannah Cowley and Hannah More to Isobel Grundy.
It had been completed by 1777, but rejected by Thomas Harris of Covent Garden , who then produced Hannah More 's Percy instead. Tragedy...
Textual Production Amelia Opie
Despite the volume's title, The Ruffian Boy had been in print well before this, and had spawned several theatrical incarnations. These included one based on the story, written by Edward Ball and produced at Norwich...
Textual Production Catharine Trotter
CT 's first play, Agnes de Castro. A Tragedy, opened at Drury Lane .
Kelley, Anne. Catharine Trotter: An Early Modern Writer in the Vanguard of Feminism. Ashgate.
254
Greer, Germaine et al., editors. Kissing the Rod. Virago.
406
The London Stage 1660-1800. Southern Illinois University Press.
1: 455
Textual Production Bryony Lavery
BL collaborated with Nona Shepphard on The Drury Lane Ghost, staged in London in 1989, Peter Pan, 1991 (in which she played the voice of Tinkerbell), and The Sleeping Beauty, 1992. On...
Textual Production Phebe Gibbes
A musical drama by PG was accepted for production, but then lost, by Richard Brinsley Sheridan , new manager of Drury Lane Theatre .
Archives of the Royal Literary Fund, 1790-1918.
Textual Production Mary Pix
After asking the actor George Powell to help her get it accepted at Drury Lane, she had then taken it to the other theatre, and claimed that Powell plagiarised it in his The Imposture Defeated...

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