Faber and Faber

Connections

Connections Sort descending Author name Excerpt
Publishing Philip Larkin
The book went through many stages and revisions before publication: the first draft had been finished in February 1944.
Motion, Andrew. Philip Larkin: A Writer’s Life. Faber and Faber.
154
A related draft and stories survive, but no complete manuscript. Larkin wrote that he was...
Publishing Lucy Boston
LB was already a passionate painter when she turned to writing, infused with enthusiasm by the house she had bought. The manor gave her the inspiration for her books, and she has said that All...
Publishing Elizabeth Ham
It appeared in a version which is only about half as long as the original. Eric Gillett , the editor, compressed the book by fifty thousand words, partly because of wartime paper shortage, but partly...
Publishing Alison Uttley
This book caused AU much anguish in writing. She took the idea from the Babington ancestral home at Dethick, close to her childhood home of Castle Top Farm, and from a dream she...
Publishing W. H. Auden
WHA published with Random House in New York a book of criticism entitled The Enchafèd Flood; or, the Romantic Iconography of the Sea; it appeared from Faber in London the following year.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing Philip Larkin
PL had already begun to produce some of the poems that were later to make him known (including Wedding Wind, written in 1946). Towards the end of 1947 he typed up for Faber and Faber
Publishing Carol Ann Duffy
Faber and Faber 's Grimm Tales, 1996, brings together CAD 's versions with Supple's (often only slightly changed) performance scripts, with Melanie Still 's illustrations, and various kinds of information designed to assist new...
Publishing Anne Sexton
AS 's Selected Poems was issued in England by Oxford University Press , whose editor Jon Stallworthy had approached her as a step in its campaign to challenge Faber and Faber for supremacy as the...
Publishing Alison Uttley
After years of dissatisfaction at the small price she was paid for her books, AU was staggered in March 1942 at receiving a royalty cheque from Faber for £297.
Judd, Denis. Alison Uttley. Michael Joseph.
181
A year later her royalty...
Publishing W. H. Auden
WHA again published a critical book, The Dyer's Hand and Other Essays, with Random House in New York the year before it appeared from Faber in London.
Spears, Monroe K. The Poetry of W.H. Auden. The Disenchanted Island. Oxford University Press.
260
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Publishing Harold Pinter
Faber printed the two plays together this year; Samuel French issued an edition of Celebration alone in 2002.
Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Publishing Alison Uttley
AU kept publishing well into her seventies. A book of essays, Plowmen's Clocks, 1952, was followed by Here's a New Day in October 1956, another collection of reminiscent essays, twelve in number. About a...
Publishing W. H. Auden
While an undergraduate at Oxford (from October 1925) he discovered T. S. Eliot , and was for a while obsessively modernist, as he had previously been traditional in the style of Thomas Hardy . He...
Publishing Deborah Levy
This was Levy's first book to face the difficult environment for literary novels produced by the rise of Amazon and the end of regulation for book prices. Less commercial, more cerebral fiction was no longer...
Publishing Seamus Heaney
A paperback from Farrar, Straus and Giroux appeared in 1985. SH issued a revised edition of this poem ten years later through Faber and Faber as Sweeney's Flight. In this edition some passages appear...

Timeline

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Texts

Eliot, T. S. The Elder Statesman. Faber and Faber, 1959.
Eliot, T. S. The Family Reunion. Faber and Faber, 1939.
Eliot, T. S. The Idea of a Christian Society. Faber and Faber.
Eliot, T. S. The Letters of T.S. Eliot. Editor Eliot, Valerie, Faber and Faber, 1988.
Eliot, T. S. The Waste Land Drafts. Editor Eliot, Valerie, Faber and Faber, 1971.
Ellmann, Richard. Yeats: The Man and the Masks. Faber and Faber, 1961.
Empson, William. The Gathering Storm. Faber and Faber, 1940.
Farjeon, Eleanor, and Clare Leighton. Perkin the Pedlar. Faber and Faber, 1932.
Figes, Eva. B. Faber and Faber, 1972.
Figes, Eva. Little Eden. Faber and Faber, 1978.
Ham, Elizabeth. “Introduction”. Elizabeth Ham, by Herself, 1783-1820, edited by Eric Gillett, Faber and Faber, 1945, pp. 5-12.
Goodman, Lizbeth, editor. Mythic Women/Real Women. Faber and Faber, 2000.
Graves, Robert von Ranke. The White Goddess. Faber and Faber, 1948.
Greer, Germaine, editor. 101 Poems by 101 Women. Faber and Faber, 2001.
Ham, Elizabeth. Elizabeth Ham, by Herself, 1783-1820. Editor Gillett, Eric, Faber and Faber, 1945.
Hughes, Ted, and Sylvia Plath. “Introduction”. Collected Poems, Faber and Faber, pp. 13-17.
Hughes, Ted. Letters of Ted Hughes. Editor Reid, Christopher, Faber and Faber, 2007.
Huxley, Elspeth. Peter Scott: Painter and Naturalist. Faber and Faber, 1993.
Huxley, Elspeth, and Margery Perham. Race and Politics in Kenya. Faber and Faber, 1944.
Iremonger, Lucille. The Ghosts of Versailles. Faber and Faber, 1957.
James, P. D. A Certain Justice. Faber and Faber, 1997.
James, P. D. A Mind to Murder. Faber and Faber, 1963.
James, P. D. A Taste for Death. Faber and Faber, 1986.
James, P. D. An Unsuitable Job for a Woman. Faber and Faber, 1972.
James, P. D. Cover Her Face. Faber and Faber, 1962.