Devlin, Anne. Ourselves Alone. Faber and Faber, 1986.
12
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Anne Devlin | Ourselves Alone, AD
's first stage play (about the impact of Irish Republicanism on the lives of three Belfast sisters) premiered at the LiverpoolPlayhouse
Studio. Devlin, Anne. Ourselves Alone. Faber and Faber, 1986. 12 Schrank, Bernice, and William W. Demastes, editors. Irish Playwrights, 1880-1995. Greenwood Press, 1997. 94 |
Performance of text | Carol Ann Duffy | CAD
's two-act play Take My Husband was staged at the Liverpool Playhouse
. Rees-Jones, Deryn. Carol Ann Duffy. Northcote House, 1999. ix |
Performance of text | Carol Ann Duffy | CAD
's play Cavern of Dreams (like her earlier Take My Husband) was produced at the Liverpool Playhouse
. Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990. |
Performance of text | Nell Dunn | ND
's and Adrian Henri
's I Want was produced in an adapted stage version in Liverpool at the Liverpool Playhouse
. This production is mentioned on the website of ND
's agent. Standard reference... |
Performance of text | Eleanor Farjeon | It had been produced for Christmas 1948 at the Playhouse
in Liverpool, and next year at the Arts Theatre
in London. Farjeon, Annabel. Morning has Broken: A Biography of Eleanor Farjeon. Julia MacRae, 1986. 263-4 |
Performance of text | Dodie Smith | DS
once again had trouble placing her next plays, That Which Hath Been, set in a monastery, and Amateur Means Lover, set in a Camden Town rooming house. The latter was eventually performed... |
Performance of text | Winsome Pinnock | WP
's play Leave Taking had its debut at LiverpoolPlayhouse Studio
. Doollee dates this play 1988. “Winsome Pinnock”. Playwrights. Pinnock, Winsome. “Leave Taking”. First Run: New Plays by New Writers, edited by Kate Harwood, Nick Hern Books, 1989, pp. 139-89. 139 |
Performance of text | George Paston | |
Performance of text | Louise Page | LP
's Beauty and the Beast (adapted from the traditional fairy story) was staged by the Women's Playhouse Trust
at the LiverpoolPlayhouse
. It transferred on 27 December to the Old Vic
in London... |
Publishing | Beryl Bainbridge | This novel came after an abortive plan to write a non-fiction book about Liverpool, for which BB
had signed a contract and accepted an advance. She also adapted the novel as a play, which... |
Textual Production | Gladys Henrietta Schütze | During the first world war, while she was discovering that as a pacifist with a German name she was persona non grata in her native country, GHS
joint-authored a number of plays which have... |
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