Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century, 1992.
410
Connections Sort descending | Author name | Excerpt |
---|---|---|
Performance of text | Elizabeth Goudge | She followed it with Joy Will Come Back, which opened in London at the Arts Theatre
on 21 March 1937, then Suomi (the Finnish word for Finland), again in London but at the Cambridge Theatre |
Performance of text | Ann Jellicoe | After this production, AJ
decided to take some time away from writing to concentrate on her two young children. In an interview in 1972, she claimed that she found it a relief to stop writing... |
Performance of text | Samuel Beckett | The first production of SB
's Waiting for Godot in English, directed by Peter Hall
, opened at the Arts Theatre
in London. Palmer, Alan, and Veronica Palmer. The Chronology of British History. Century, 1992. 410 Hartnoll, Phyllis, editor. The Oxford Companion to the Theatre. 4th ed., Oxford University Press, 1983. 366 |
Performance of text | Marjorie Bowen | MB
's play Captain Banner: A Drama in Three Acts, written under her pseudonym George R. Preedy, was performed in London at the Arts Theatre
. Benstock, Bernard, and Thomas F. Staley, editors. Dictionary of Literary Biography 70. Gale Research, 1988. 70: 273 |
Performance of text | Eleanor Farjeon | It had been produced for Christmas 1948 at the Playhouse
in Liverpool, and next year at the Arts Theatre
in London. Farjeon, Annabel. Morning has Broken: A Biography of Eleanor Farjeon. Julia MacRae, 1986. 263-4 |
Performance of text | Harold Pinter | HP
's play The Caretaker had its debut at the Arts Theatre
in London, and scored an instant critical success, even with reviewers who had panned The Birthday Party. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. |
Performance of text | George Paston | GP
also translated a German one-act play by Ludwig Huna
, The Kiss, first performed at the Haymarket Theatre
on 24 November 1910, and a full-length Russian play by Nikolai Evreinov
and Fernand Nozière |
Performance of text | Pam Gems | In February 1984 the Arts Theatre
produced a revised version of this play under the title Loving Women. Jonathan Gems
, PG
's son, designed this production. Gems, Pam. Three Plays. Penguin, 1985. 157 Aston, Elaine. “Pam Gems: Body Politics and Biography”. The Cambridge Companion to Modern British Women Playwrights, edited by Elaine Aston and Janelle Reinelt, Cambridge University Press, 2000, pp. 157-73. 171 |
Reception | Enid Bagnold | Although its initial reception was lukewarm, the Arts Theatre
selected Poor Judas for a special competition for new plays in 1951 (the year of its publication), in which it won third prize. Friedman, Lenemaja. Enid Bagnold. Twayne, 1986. 83 Sebba, Anne. Enid Bagnold: The Authorized Biography. Weidenfeld and Nicolson, 1986. 162, 173 |
Textual Production | Ruby M. Ayres | The Times reviewed the opening of RMA
's single known play, the comedy Silver Wedding, at the Arts Theatre
in London. “The Times Digital Archive 1785-2007”. Thompson Gale: The Times Digital Archive. 46317 (15 December 1932): 12 |
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