Knopf

SJ worked as a publishing representative for Alfred A. Knopf in London.

SJ was co-manager of Alfred A. Knopf 's London branch with Guy Patterson Chapman (who became her husband on 1 February 1926).

Though the reunion of Jameson and her son was not permanent, they moved to Weybridge at some point in 1924. She began work on her fifth novel, as her Knopf salary did not cover their...

She acquired friends in New York, in several distinct circles, many of whom she came later to regard as self-seeking hangers-on. Having changed her US publisher to Knopf , she became friend of Alfred and...

Jameson met Romer Wilson , Charles Morgan , and J. W. N. Sullivan through her Knopf connections. By about 1924 she and Edith Sitwell had visited each other's homes. Jameson felt that in spite of...

She was once charged by Knopf with the task of attempting to persuade Wyndham Lewis to keep them as his American publisher, which she did on a cold, rainy day as vile as his temper...

DR 's effect on other writers has been estimated as very strong. Those she influenced include May Sinclair (whose novel Mary Olivier was also serialised in the Little Review), Romer Wilson , and C. A. Dawson-Scott

Reception was mixed: some critics awarded high praise, but the American publisher Alfred Knopf wrote to Heinemann : the novel is most decidedly not my kind of book . . . . Mrs Dawson Scott...

Like ET 's first book, this was praised by distinguished but not unanimous voices: Elizabeth Bowen found an exciting distinction about every page, and Rosamond Lehmann noted the stripped, piercing feminine wit and called ET

This collection had an unusually complex and tortuous history. At one point AM intended it to contain two groups of stories, those centred on the main character, Rose, and others involving another woman named Janet...

She had cut down her first draft, of nearly 700 pages in typescript, to 578 pages, and intended to cut it by another hundred. It was, however, accepted by all of her publishers: McClelland and Stewart

Macmillan sold the book at $10.95 (a dollar higher than they had intended) and early in 1979 needed to supplement their first print-run of 8,500 with another 2,500 copies.Knopf published the book in...

The first single-volume edition of FMF 's Parade's End tetralogy was published by Knopf in New York.

DHL attempted to find an English or American publisher, but met with no success: the sexual language and actions of Constance Chatterley, the gamekeeper Oliver Mellors, and others were seen as immoral and unfit for...

Lofts circulated this manuscript among publishers for five years before it was accepted by Knopf . During this time, she did not write any further fiction: I was too despairing, and I thought if that...