“Winsome Pinnock”. Playwrights.
National Theatre
Connections
| Connections Sort descending | Author name | Excerpt |
|---|---|---|
| Performance of text | Winsome Pinnock | The Clean Break
theatre company did a production at the Royal National Theatre
of WP
's play Mules, about Jamaican women enlisted as drug smugglers. |
| politics | Harold Pinter | Pinter voted Tory in May 1979 (when Margaret Thatcher
became Prime Minister) in reaction against trade union intransigence (which had threatened a play he was directing at the National Theatre
), and SDP in June... |
| Publishing | Michelene Wandor | BBC Radio
rejected the play when MW
submitted it to them in 1977, but decided to broadcast it in 1981 after a producer saw the stage production. The National Theatre
likewise initially rejected it, but... |
| Reception | Michelene Wandor | While she admired the daring of the inital production by Mrs Worthington's Daughters
, MW
found the National Theatre
production, staged simply with the actors in modern dress, to be one of the most rewarding... |
| Reception | Sarah Daniels | Masterpieces brought SD
two awards for most promising playwright: one from Drama and another from Plays and Players: the London Theatre Critics Award, which she shared. Audiences at the National Theatre
later voted this... |
| Reception | Sarah Daniels | This was the first play by a living woman ever to be given at the National Theatre
. Yousaf, Nahem et al., editors. “Introduction”. Critical Perspectives on Pat Barker, University of South Carolina Press, 2005, p. vii - xxiii. xv Remnant, Mary, editor. “Introduction”. Plays by Women: Volume 6, Methuen, 1987, pp. 7-12. 9 |
| Reception | Shelagh Delaney | SD
won several awards for the play. In England, she received the Charles Henry Foyle New Play Award in 1958 and an Arts Council Bursary Award in 1959. She also received the New York Drama... |
| Reception | Virginia Woolf | Ethel Smyth
sent her responses to this book by telegram on publication day: Book astounding so far. Agitatingly increases value of life. Two days later she sent: Final paragraph almost smashes machine of life with... |
| Reception | Agatha Christie | Daily Telegraph referred to this play as the cleverest murder mystery of the British theatre, while the Observer identified it as a classic. qtd. in “Dictionary of Literary Biography online”. Gale Databases: Literature Resource Center-LRC. 13 |
| Reception | Timberlake Wertenbaker | This play won awards in London (Olivier Award and Evening Standard award, 1988) and New York (Drama Critics Circle Award for Best Foreign Play, 1991). National Theatre
audiences voted it one of the Hundred Plays... |
| Textual Features | Bernardine Evaristo | Among others she includes a Newcastle orphan in 1905 and a feminist squatter in 1980. The dedication reads: For the sisters & the sistas & the sistahs & the sistren / & the women &... |
| Textual Production | Timberlake Wertenbaker | TW
contributed a play, Arden City, to the National Theatre
's annual festival of theatre for young people, 2008, and the subsequent printed anthology, that year's New Connections. |
| Textual Production | Michelene Wandor | The Wandering Jew, a play adapted by MW
from Eugène Sue
's long, unwieldy novel Le Juif errant (serialized in French from June 1844 to July 1845), was performed at the National Theatre
in London. Wandor, Michelene, and Mike Alfreds. The Wandering Jew. Methuen, 1987. 5, 6 |
| Textual Production | Winsome Pinnock | This was the first play that WP
wrote, aged twenty-three. Though it is largely a play about women, it grew from interviews she did with veterans from the Falklands War, when she felt that the... |
| Textual Production | Shena Mackay | SM
has written a play, Nurse Macater, for the National Theatre
. Mackay, Shena. Redhill Rococo. Abacus, 1992. prelims |
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