“The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust.
Richard Bentley and Son
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Publishing | Helen Mathers | Shortly after her husband
's death in early 1914, the increasingly deaf and rheumatic HM
resurfaced to bring a lawsuit against her later publishers, Stanley Paul
, in an attempt to secure the copyright of... |
Publishing | Georgiana Chatterton | Its working title had been The O'Neills. GC
sold the copyright to Richard Bentley
on 14 August 1863 for a hundred and fifity pounds. |
Publishing | Jessie Fothergill | While the first two of these novels were published by Bentley
in three volumes, The Lasses of Leverhouse appeared in one-volume form from Hurst and Blackett
. This domestic story was first seen in the... |
Publishing | Rhoda Broughton | RB
's novel Dear Faustina was published in a single volume by Bentley
, following its serialisation in Temple Bar. Murphy, Patricia. “Disdained and Disempowered: The "Inverted" New Woman in Rhoda Broughton’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Dear Faustina</span>”. Tulsa Studies in Women’s Literature, Vol. 19 , No. 1, pp. 57-79. 58 |
Publishing | Mary Cholmondeley | Her publisher, Bentley
, had received the manuscript from MC
's friend Rhoda Broughton
. Bentley paid MC
£40 for The Danvers Jewels and £50 for its sequel, Sir Charles Danvers (also published by Bentley... |
Publishing | Charlotte Riddell | She dedicated this novel to a friend named Mrs Skirrow. Ellis, Stewart Marsh. Wilkie Collins, Le Fanu, and Others. Books for Libraries Press. 331 |
Publishing | Catherine Gore | |
Reception | Ouida | This novel was successful enough to make publisher Richard BentleyRichard Bentley and Son
consider taking over publication of Ouida
's novels from Chapman and Hall
. Jordan, Jane. “Ouida: The Enigma of a Literary Identity”. Princeton University Library Chronicle, Vol. 57 , No. 1, pp. 75-105. 87 |
Reception | Helen Mathers | Comin' Thro' the Rye sold over 35,000 copies for publisher Bentley and Son
. HM
had made a bad mistake in selling for 30 guineas the copyright in a novel which went on to make... |
Reception | Rosa Nouchette Carey | The British Library
holds RNC
's correspondence with two of her publishers, Bentley
and Macmillan
, while Columbia University
, New York, holds her correspondence with Hodder and Stoughton
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Hodder and Stoughton Records 1875-1914”. Columbia University in the City of New York, Rare Book & Manuscript Library. |
Residence | Harriet Martineau | On her arrival she was courted by publishers Richard Bentley
, Henry Colburn
, and William Saunders
for the right to issue reprints and new books. Martineau, Harriet, and Gaby Weiner. Harriet Martineau’s Autobiography. Virago. 2: 95-100 |
Textual Features | Catherine Gore | CG
told Sydney Morgan
that her publisher, Bentley
, had both thought of the subject and suggested the title. But with this self-exculpation she admitted that her protagonist was based on Mary, Countess of Cork and Orrery |
Textual Production | Mary Russell Mitford | As early as 1824 MRM
was asking the advice of friends as to whether they thought she could be a novelist. Mitford, Mary Russell. The Life of Mary Russell Mitford: Told by Herself in Letters To Her Friends. Editor L’Estrange, Alfred Guy Kingham, Harper and Brothers. 2: 29 |
Textual Production | Catherine Sinclair | |
Textual Production | Frances Power Cobbe | By early 1876, someone using the name of Fanny Power Cobbe
(legitimately as it turned out, but apparently impersonating FPC
) sent submissions to George Bentley
(of the publishing house
), Tinsley's Magazine, and... |
Timeline
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Texts
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