Crisp, Jane. Mary Cholmondeley, 1859-1925. Department of English, University of Queensland.
11
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Publishing | Mary Cholmondeley | MC
decided not to serialise Red Pottage, as she had her earlier novels. She insisted that to be fairly judged, the story must be read as a whole. Crisp, Jane. Mary Cholmondeley, 1859-1925. Department of English, University of Queensland. 11 |
Publishing | Georgiana Chatterton | She had signed the agreement with her publisher, Richard Bentley
, on 4 December 1861. “The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust. |
Publishing | Georgiana Chatterton | Its working title had been The O'Neills. GC
sold the copyright to Richard Bentley
on 14 August 1863 for a hundred and fifity pounds. “The Ferrers of Baddesley Clinton”. Shakespeare Birthplace Trust. |
Reception | Rosa Nouchette Carey | The British Library
holds RNC
's correspondence with two of her publishers, Bentley
and Macmillan
, while Columbia University
, New York, holds her correspondence with Hodder and Stoughton
. Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/. “Hodder and Stoughton Records 1875-1914”. Columbia University in the City of New York, Rare Book & Manuscript Library. |
Publishing | Maria Callcott | She may have translated into English parts of the Essays on Petrarch which Ugo Foscolo
privately published (in only sixteen copies) through Bentley
on 1 May 1821 after being outraged by changes made in translation... |
Textual Production | Lady Charlotte Bury | |
Publishing | Lady Charlotte Bury | |
Publishing | Mary Brunton | |
Textual Production | Rhoda Broughton | The year 1873 saw the publication of a collection of RB
's uncanny short stories, Tales for Christmas Eve, once again from Richard Bentley and Son
. An edition of 1879 was re-titled Twilight... |
Publishing | Rhoda Broughton | She had considered a number of possible titles for this novel, including Morning, Noon and Night and Life's Little Day. She eventually settled on Goodbye Sweetheart Goodbye, which Bentley
, despite her objections... |
Publishing | Rhoda Broughton | Her friend Ethel Arnold
reported that Second Thoughts was RB
's own favourite among her works. She wrote it while another friend, Adelaide Kemble
, was dying, and would read Kemble chapters at her bedside... |
Intertextuality and Influence | Rhoda Broughton | RB
's satire here embraces the publishing industry and its pandering to readers' tastes. Emma's cousin Lesbia is apparently representative of a particular type of circulating-library reader; much to Emma's mortification, she likes Miching Mallecho... |
Publishing | Rhoda Broughton | |
Publishing | Rhoda Broughton | RB
's quasi-autobiographical novel A Beginner was published by Bentley
; its serialization in Temple Bar appeared from January to June the same year. Cox, Michael, editor. The Oxford Chronology of English Literature. Oxford University Press. Wood, Marilyn. Rhoda Broughton: Profile of a Novelist. Paul Watkins. 81 Houghton, Walter E., and Jean Harris Slingerland, editors. The Wellesley Index to Victorian Periodicals 1824-1900. University of Toronto Press. 3: 482 |
Publishing | Rhoda Broughton | RB
's novel Dear Faustina was published in a single volume by Bentley
, following its serialisation in Temple Bar. Murphy, Patricia. “Disdained and Disempowered: The "Inverted" New Woman in Rhoda Broughton’s <span data-tei-ns-tag="tei_title" data-tei-title-lvl=‘m’>Dear Faustina</span>”. Tulsa Studies in Women’s Literature, Vol. 19 , No. 1, pp. 57-79. 58 |
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