Showalter, Elaine. A Literature of Their Own. Princeton University Press.
177
Connections Sort descending | Author name | Excerpt |
---|---|---|
Textual Production | Geraldine Jewsbury | GJ
was a publisher's reader for the leading firm of Richard Bentley and Son
, a position she held until she died. Showalter, Elaine. A Literature of Their Own. Princeton University Press. 177 |
Textual Production | Sarah Macnaughtan | SM
published her first novel, Selah Harrison, through R. Bentley and Son
. OCLC WorldCat. http://www.oclc.org/firstsearch/content/worldcat/. Accessed 1999. |
Textual Production | Barbarina Brand, Baroness Dacre | Translations from Petrarch
's sonnets by BBBD
, collected in Dramas, Translations and Occasional Poems, 1821, also appeared in a different form the same year: Ugo Foscolo
reprinted them at the end of his... |
Textual Production | Martin Ross | Bentley
offered £225 in payment, of which a hundred was to be in advance. Cronin, John. Somerville and Ross. Bucknell University Press. 38 |
Textual Production | Geraldine Jewsbury | The success of woman novelists in the circulating libraries led many publishers to employ women readers. Showalter, Elaine. A Literature of Their Own. Princeton University Press. 156-7 |
Textual Production | Marguerite Gardiner, Countess of Blessington | Bentley
issued what may be Marguerite Blessington
's first novel published in London: The Repealers addresses the growing movement to repeal the Act of Union between England and Ireland (effective 1 January 1801). Athenæum. J. Lection. 294 (1833): 372 Molloy, Joseph Fitzgerald. The Most Gorgeous Lady Blessington. Downey. 232 |
Textual Production | Lady Charlotte Bury | |
Textual Production | Grace Elliott | Richard Bentley
published from manuscript GE
's Journal of My Life during the French Revolution, whose existence he had heard about from her grand-daughter. The Athenaeum Index of Reviews and Reviewers: 1830-1870. http://replay.web.archive.org/20070714065452/http://www.soi.city.ac.uk/~asp/v2/home.html. |
Textual Production | Emma Frances Brooke | EFB
used her pseudonym to publish with Richard Bentley and Son
of London her first novel, A Fair Country Maid, which expresses her socialist views. Wallace, William. “New Novels”. The Academy, Vol. 24 , No. 585, p. 42. 585 (21 July 1883): 42 |
Textual Production | Helen Mathers | Rossettipredicted a bright future for the poetess “People Of Interest”. The London Journal, Vol. 20 , No. 508, p. 191. 191 Black, Helen C. Notable Women Authors of the Day. D. Bryce. 74 |
Textual Production | Emma Frances Brooke | EFB
's publication of her novel The Heir Without a Heritage (with Richard Bentley and Son
, as E. Fairfax Byrrne), displayed her increasingly unorthodox religious and political views. Anonymous,. “The Times Column of New Books and New Editions”. The Times, No. 32075, p. 14. 32075 (18 May 1887): 14 |
Textual Production | Charlotte Riddell | Charlotte Cowan
succeeded in publishing two novels during the year she became CR
: The Moors and the Fens as F. G. Trafford, with Smith, Elder
, and The Ruling Passion as Rainey Hawthorne... |
Textual Production | Charlotte Riddell | CR
particularly remembered the kindness and sympathy of George Bentley
, then a junior partner in his father's firm. Though he, like everyone else, refused my work, I still left his office not unhappy. Black, Helen C. Notable Women Authors of the Day. D. Bryce. 17 |
Textual Production | May Laffan | Richard Bentley
published, anonymously, the edition of ML
's Christy Carew which is reckoned by most scholars (though not by Helena Kelleher Kahn
), to be the first. Athenæum. J. Lection. 2728 (1880): 182 |
Textual Production | Mary Russell Mitford | MRM
's Belford Regis appeared from Richard Bentley
: a three-volume collection of sketches set in a thinly-disguised Reading. Athenæum. J. Lection. 392 (1835): 334 Mudge, Bradford Keyes, editor. Dictionary of Literary Biography 116. Gale Research. 116: 195 |
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