Another aspect of Oxford presents itself through the hero's bumpkin servant John Blunder, who takes the guided tour. He is full of misapprehensions: that every building he sees is a church; that Queen's College
is...
Textual Production
Elizabeth Daryush
ED
followed this in 1932, 1933, and 1934, with Verses: Second Book, Verses: Third Book, and Verses: Fourth Book, all published by Oxford University Press
.
Dowson, Jane, editor. Women’s Poetry of the 1930s: A Critical Anthology. Routledge, 1996.
Shapcott, Jo. Her Book: Poems 1988-1998. Faber and Faber, 2000.
37
Textual Production
Penelope Fitzgerald
PF
's publications in the scholarly field include an edition of The Novel on Blue Paper, an unfinished, unpublished work by William Morris
, 1982, and the introduction to a new issue of Oxford University Press
Textual Production
Ketaki Kushari Dyson
Oxford University Press
published KKD
's doctoral thesis, revised as A Various Universe: A Study of the Journals and Memoirs of British Men and Women in the Indian Subcontinent, 1765-1856.
Dyson, Ketaki Kushari. A Various Universe. Oxford University Press, 2002, p. xxi; 406 pp.
title-page, vii
Textual Production
Ketaki Kushari Dyson
KKD
began translating from Bengali to English in the 1960s, while she was still studying at Oxford
. In 1964 her first translation was published in Poetry Ireland: a poem by Bengali poet Rabindranath Tagore
These 36 pages in folio, printed at Oxford University Press
, survive in the British Library
. This fragment, like the sample single homily, has parallel texts: the original Anglo-Saxon and EE
's modern English.The...
Textual Production
Olivia Manning
In 1971 OM
edited a volume of Romanian Short Stories for Oxford University Press
. She also wrote an introduction for a Pan
edition of Austen
's Northanger Abbey, published in 1979.
“Contemporary Authors”. Gale Databases: Literature Resource Centre-LRC.
Textual Production
Kamila Shamsie
For inspiration, KS
drew upon Remembrance of Days Past, a memoir written by her grandmother Jahanara Habibullah
and circulated amongst the family. The work consisted of a collection of family history and anecdotes along...
Textual Production
Helen Waddell
She translated this poem not long after the deaths of two of her nephews in the second world war, and wrote to their mother: Just as Damon was Milton's camouflage for Charles Deodati
, so...
Textual Production
Medbh McGuckian
MMG
published her award-winning first full-length volume collection of poetry, The Flower Master, with Oxford University Press
.
Sherry, Vincent B., editor. Dictionary of Literary Biography 40. Gale Research, 1985.
British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo.
Textual Production
Germaine Greer
GG
has published a good deal in her scholarly field of seventeenth- and eighteenth-century women's writing. Her anthology (with Susan Hastings
, Jeslyn Medoff
and Melinda Sansone
), Kissing the Rod, has played an...
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Texts
Edmonds, Ennis. Rastafari: A Very Short Introduction. Oxford University Press, 2012.
Smith, Charlotte. “Introduction”. The Old Manor House, edited by Anne Henry Ehrenpreis, Oxford University Press, 1969, p. v - xxx.
Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press, 1971.
Eliot, George, and Felicia Bonaparte. Middlemarch. Editor Carroll, David, Oxford University Press, 1997.
Ellis, Kenneth. The Post Office in the Eighteenth Century: A Study in Administrative History. Oxford University Press, 1958.
Ellmann, Richard. James Joyce. New and Revised, Oxford University Press, 1982.
Evans, S. C., and Hallie Q. Brown. “Mrs. Mary Ann Shadd Cary”. Homespun Heroines and Other Women of Distinction, Oxford University Press, 1988, pp. 92-6.
Evelyn, John. The Diary of John Evelyn. Editor De Beer, Esmond Samuel, Oxford University Press, 1959.
Chudleigh, Mary, Lady. “Introduction”. The Poems and Prose of Mary, Lady Chudleigh, edited by Margaret J. M. Ezell, Oxford University Press, 1993, p. xvii - xxxvi.
Farjeon, Eleanor. Edward Thomas. Oxford University Press, 1958.
Farjeon, Eleanor, and Edward Ardizzone. Italian Peepshow. Oxford University Press, 1960.
Farjeon, Eleanor, and Helen Sewell. Ten Saints. Oxford University Press, 1936.
Farjeon, Eleanor, and Edward Ardizzone. The Little Bookroom. Oxford University Press, 1955.
Feenberg, Andrew. Transforming Technology: A Critical Theory Revisited. Oxford University Press, 2002.
Tsvetaeva, Marina Ivanovna, and Max Hayward. Selected Poems [of] Marina Tsvetayeva. Translator Feinstein, Elaine, Oxford University Press, 1971.
Fielding, Sarah, and Jill E. Grey. The Governess. Oxford University Press, 1968.
Flint, Kate, editor. “Introduction”. Victorian Love Stories: An Oxford Anthology, Oxford University Press, 1996, p. vii - vix.
Flint, Kate, editor. Victorian Love Stories. Oxford University Press, 1996.
Keats, John. “Introduction”. The Poetical Works of John Keats, edited by Harry Buxton Forman, Oxford University Press, 1921, p. ix - lxxxii.
Foster, Hannah Webster. The Coquette. Editor Davidson, Cathy N., Oxford University Press, 1986.
Foster, John Wilson. Irish Novels 1890-1940. Oxford University Press, 2008.
Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, 2007, p. xi - lvii.
Freeman-Grenville, Greville Stewart Parker. Chronology of African History. Oxford University Press, 1973.
Fuller, John, editor. The Oxford Book of Sonnets. Oxford University Press, 2000.
Gagnier, Regenia. Subjectivities: A History of Self-Representation in Britain, 1832-1920. Oxford University Press, 1991.