Another aspect of Oxford presents itself through the hero's bumpkin servant John Blunder, who takes the guided tour. He is full of misapprehensions: that every building he sees is a church; that Queen's College
is...
Textual Production
Buchi Emecheta
These two titles were followed by The Moonlight Bride and The Wrestling Match, both commissioned by Oxford University Press
to be published (April 1981) for school-children in West Africa. The Wrestling Match has been...
Textual Production
Mary Agnes Hamilton
Mary Agnes Hamilton
followed her manual for women on trade unions with the more general British Trade Unions, issued by Oxford University Press
in the Oxford Pamphlets on Home Affairs series.
Stevenson, Anne. Selected Poems, 1956-1986. Oxford University Press, 1987.
149
She worked on it from 1970, researching (while her husband, Mark Elvin
, held an appointment at Harvard
between...
Textual Production
Laurence Alma-Tadema
One or more of her songs (original, not translated) appeared in The Daisy Chain, Twelve Songs of Childhood, published by Boosey
in 1900. Various songs of hers have appeared separately, and as late as...
Textual Production
Eleanor Farjeon
EF
published in the USA a book of legends for children, entitled Ten Saints; London publication followed in 1953 from Oxford University Press
.
British Book News. British Council.
(1953): 686-7
Textual Production
Daisy Ashford
Some of DA
's early stories were reprinted posthumously in The Hangman's Daughter and other Stories, published by Oxford University Press
.
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Textual Production
Constance Smedley
In 1927 there appeared from Oxford University Press
another Smedley-Armfield collection of tales for children, The Blue Bus Route: Being the Amazing Adventures of Kenneth and Barbara in the Folk Song World. It was...
Textual Production
Penelope Shuttle
PS
published, again with Oxford University Press
, another Oxford Poets volume entitled Taxing the Rain, dedicated to her husband
and daughter..
Solo: Search Oxford University Libraries Online. 18 July 2011, http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true.
Strickland, Margot. Angela Thirkell: Portrait of a Lady Novelist. Duckworth, 1977.
73
Matthew, Henry Colin Gray et al., editors. Oxford Dictionary of National Biography. http://www.oxforddnb.com/.
Textual Production
Jan Morris
Having already edited for Oxford University Press
an anthology on Oxford, one of her shaping places, JM
began her writing on Wales by editing The Small Oxford Book of Wales and collaborating with illustrator Paul Wakefield
Textual Production
Margaret Atwood
MA
published another volume of poems, The Animals in That Country, this time with Oxford University Press
in Toronto.
Blain, Virginia et al., editors. The Feminist Companion to Literature in English: Women Writers from the Middle Ages to the Present. Yale University Press; Batsford, 1990.
Textual Production
Margaret Atwood
MA
published with Oxford University Press
of Toronto her Selected Poems II: Poems Selected and New 1976-1986.
University of Alberta Libraries On-line Catalogue. http://www.library.ualberta.ca/.
Timeline
No timeline events available.
Texts
Edmonds, Ennis. Rastafari: A Very Short Introduction. Oxford University Press, 2012.
Smith, Charlotte. “Introduction”. The Old Manor House, edited by Anne Henry Ehrenpreis, Oxford University Press, 1969, p. v - xxx.
Smith, Charlotte. “Introduction”. Emmeline, the Orphan of the Castle, edited by Anne Henry Ehrenpreis, Oxford University Press, 1971.
Eliot, George, and Felicia Bonaparte. Middlemarch. Editor Carroll, David, Oxford University Press, 1997.
Ellis, Kenneth. The Post Office in the Eighteenth Century: A Study in Administrative History. Oxford University Press, 1958.
Ellmann, Richard. James Joyce. New and Revised, Oxford University Press, 1982.
Evans, S. C., and Hallie Q. Brown. “Mrs. Mary Ann Shadd Cary”. Homespun Heroines and Other Women of Distinction, Oxford University Press, 1988, pp. 92-6.
Evelyn, John. The Diary of John Evelyn. Editor De Beer, Esmond Samuel, Oxford University Press, 1959.
Chudleigh, Mary, Lady. “Introduction”. The Poems and Prose of Mary, Lady Chudleigh, edited by Margaret J. M. Ezell, Oxford University Press, 1993, p. xvii - xxxvi.
Farjeon, Eleanor. Edward Thomas. Oxford University Press, 1958.
Farjeon, Eleanor, and Edward Ardizzone. Italian Peepshow. Oxford University Press, 1960.
Farjeon, Eleanor, and Helen Sewell. Ten Saints. Oxford University Press, 1936.
Farjeon, Eleanor, and Edward Ardizzone. The Little Bookroom. Oxford University Press, 1955.
Feenberg, Andrew. Transforming Technology: A Critical Theory Revisited. Oxford University Press, 2002.
Tsvetaeva, Marina Ivanovna, and Max Hayward. Selected Poems [of] Marina Tsvetayeva. Translator Feinstein, Elaine, Oxford University Press, 1971.
Fielding, Sarah, and Jill E. Grey. The Governess. Oxford University Press, 1968.
Flint, Kate, editor. “Introduction”. Victorian Love Stories: An Oxford Anthology, Oxford University Press, 1996, p. vii - vix.
Flint, Kate, editor. Victorian Love Stories. Oxford University Press, 1996.
Keats, John. “Introduction”. The Poetical Works of John Keats, edited by Harry Buxton Forman, Oxford University Press, 1921, p. ix - lxxxii.
Foster, Hannah Webster. The Coquette. Editor Davidson, Cathy N., Oxford University Press, 1986.
Foster, John Wilson. Irish Novels 1890-1940. Oxford University Press, 2008.
Gibbes, Phebe. “Introduction”. Hartly House, Calcutta, edited by Michael J. Franklin, Oxford University Press, 2007, p. xi - lvii.
Freeman-Grenville, Greville Stewart Parker. Chronology of African History. Oxford University Press, 1973.
Fuller, John, editor. The Oxford Book of Sonnets. Oxford University Press, 2000.
Gagnier, Regenia. Subjectivities: A History of Self-Representation in Britain, 1832-1920. Oxford University Press, 1991.