Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon.
117
Connections Sort ascending | Author name | Excerpt |
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Textual Production | Elizabeth Cobbold | The frontispiece features a portrait of the cookery writer Hannah Glasse
(drawn by EC
herself), who is heroicised in the text. This poem answers The Sovereign, a poem by Charles Small Pybus
, addressed... |
Textual Production | Lucy Hutton | It seems that LH
wrote this book in November 1787, at a time when she was probably ill, since she had a premonition of her own death. It was deposited in the parish chest (where... |
Textual Production | Constance Lytton | CL
's letters and papers are mostly at institutions in London. Her manuscript account of her prison experiences, with other papers, is in the Museum of London
. Her letters to Arthur James Balfour |
Textual Production | Amelia Opie | AO
was an indefatigable letter-writer. Her surviving correspondence at the Huntington Library
includes 331 letters (1794-1850). Most are written by her to her cousin Eliza (Alderson) Briggs
or her husband; a few are from her... |
Textual Production | Catherine Talbot | Following the renunciation of her love for George Berkeley
, it seems that CT
wrote a series of at least ten poems of passionate feeling. Myers, Sylvia Harcstark. The Bluestocking Circle: Women, Friendship, and the Life of the Mind in Eighteenth-Century England. Clarendon. 117 |
Textual Production | Elizabeth Boyd | The British Library
copy is 11633 e. 50. EB
published it with S. Slow
, and dedicated it the fourth Earl of Cardigan
(who had recently succeeded to this title and was later created Duke... |
Textual Production | Shelagh Delaney | Meanwhile, however, in 1963 Nottingham Playhouse
moved to new premises, and its three directors, Peter Ustinov
, John Neville
, and Frank Dunlop
, commissioned from various writers including SDa series of short sketch... |
Textual Production | Charlotte Guest | On 12 April 1836 CG
wrote in her diary, I am iron now. This was a kind of pun: she meant that her life is altered into one of action, not of sentiment... |
Textual Production | Jemima Kindersley | Her name appeared as Mrs. Kindersley. In the copy now in the British Library
someone wrote by her name: Widow of an officer in His Majesty's Army. English Short Title Catalogue. http://estc.bl.uk/. |
Textual Production | Bathsua Makin | It was dedicated to Queen Anne
, wife of James I (who died on 2 March this year). It seems that this was to be printed as a pamphlet; one sample sheet survives in a... |
Textual Production | Mary Pix | It was published the same year. The London Stage 1660-1800. Southern Illinois University Press. 2: 93 McKenzie, Donald Francis. “A New Congreve Literary Autograph”. Bodleian Library Record, Vol. xv , No. 4, pp. 292-9. 297 |
Textual Production | Frances Burney | The most substantial parts of FB
's immense hoard of personal and family papers are in the New York Public Library
(Berg Collection) and in the British Library
. Their division (sometimes two torn and... |
Textual Production | Maria Edgeworth | John Gibson Lockhart
managed ME
's dealings about this book with the publisher, Bentley
: Bentley was to buy the first edition only, not the continuing copyright, and was to increase the payment if he... |
Textual Production | Frances Seymour, Countess of Hertford | This new publication was priced at one shilling. Its full title here was The Story of Inkle and Yarrico: A Most Moving Tale from the Spectator. The first poem opens A youth there was... |
Textual Production | Mary Anne Schimmelpenninck | The British Library
copy of this translation by MAS
is 1200 a. 30, has a manuscript note giving the original author's name. The pamphlet ends with a list of other works by MAS
. |
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