Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Clarendon Press, 1994.
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Connections Sort descending | Author name | Excerpt |
---|---|---|
Literary responses | Frances Isabella Duberly | Alan Palmer
, in his Oxford Dictionary of National Biography entry on Duberly, remarks on her ready pen, eyes perceptive to detail, youthful self-confidence, and an incisive style softened by candid pathos.He finds her... |
Literary Setting | Sara Maitland | SM
's topic here is sexuality in relation to a life vowed to celibacy in the Roman Catholic Church
. Her protagonist, Sister Anna, is a missionary nun in Latin America. She is in... |
Literary Setting | Christine Brooke-Rose | This novel uses medieval allegory to resolve the linguistic, psychological, and intellectual fragmentation of its heroine, Julia. Birch, Sarah. Christine Brooke-Rose and Contemporary Fiction. Clarendon Press, 1994. 25 |
Literary Setting | Virginia Woolf | Jacob's Room is often said to be the first of VW
's fictional recreations of her brother Thoby (the others being The Waves and A Sketch of the Past). Hermione Lee calls the work... |
Material Conditions of Writing | Gladys Henrietta Schütze | In an author's note GHS
regrets being unable to list the books she used for research: Unfortunately, my list of titles was a minor casualty of last year's blitz at the British Museum
. Schütze, Gladys Henrietta. Emily in Arlington Street. Hodder and Stoughton, 1942. 8 |
Material Conditions of Writing | Emma Roberts | For this work, published before her first voyage to India, she did research at the British Museum
. |
Material Conditions of Writing | E. Arnot Robertson | EAR
's novel Four Frightened People was set more entirely than her previous one in Malaya (where the author had never been). It relied on her research at the British Museum
. Devlin, Polly, and E. Arnot Robertson. “Introduction”. Four Frightened People, Virago, 1982, p. vii - xix. x |
Material Conditions of Writing | Edna Lyall | After her previous book EL
heard about the existence of typewriters, bought one, and learned in three weeks to use it. Escreet, J. M. The Life of Edna Lyall. Longmans, Green and Co., 1904. 51 |
Material Conditions of Writing | Antonia Fraser | This 70,000-word retelling of Sir Thomas Malory Wroe, Nicholas. “The history woman”. The Guardian, 24 Aug. 2002, pp. 16-19. 16 |
Material Conditions of Writing | Angela Thirkell | She began working on this a little before her collection of children's stories. She was at first intimidated by the idea of doing historical, archival research. Her publisher, Hamilton
, encouraged her, and when she... |
Material Conditions of Writing | Penelope Lively | PL
did extensive research for this book—she says the British Library
was her mainstay. Lively, Penelope. A House Unlocked. Grove Press, 2001. 223 Connolly, Cressida. “So many rooms—but no room for sentiment”. Guardian Weekly, 6–12 Sept. 2001, p. 17. 17 |
Material Conditions of Writing | Dorothy Wellesley | DW
's prose works included a discursive and elusive autobiography, and a biography: Sir George Goldie
, Founder of Nigeria, A Memoir. This was, she said, a record of her conversations with Goldie... |
Material Conditions of Writing | Elizabeth Ogilvy Benger | The title continues: Including sketches of the state of society in Holland and Germany, in the 17th century. Benger, Elizabeth Ogilvy. Memoirs of Elizabeth Stuart. Longman, Hurst, Rees, Orme, Brown and Green, 1825. title-page |
Material Conditions of Writing | Marjorie Bowen | While she was attending the Slade Art School
in London, MB
became completely discouraged about her prospects as an artist and began to write. At around the age of fourteen she had written a number... |
Material Conditions of Writing | Maggie Gee | MG
says that having been a good girl too long, she chose fiction as an opportunity not to censor her voice to meet the demands of home, or the education system, or boyfriends, not to... |
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