Gold, Joel J. “’Buried Alive’: Charlotte Forman in Grub Street”. Eighteenth-Century Life, Vol.
8
, No. 1, pp. 28-45. 28
Connections | Author name Sort descending | Excerpt |
---|---|---|
Textual Production | Charlotte Forman | These letters are now in the British Library
among Add. MS 30869-30871. One of them was printed by John Almon
in his edition of Wilkes's Correspondence, 1805. Gold, Joel J. “’Buried Alive’: Charlotte Forman in Grub Street”. Eighteenth-Century Life, Vol. 8 , No. 1, pp. 28-45. 28 |
Textual Production | Mary Fortune | These stories had appeared in the Journal between 1870 and 1871. The volume was printed in Melbourne by the publishers of The Australian Journal in what seems to have been a small run; OCLC lists... |
Textual Production | Frances Seymour, Countess of Hertford | This new publication was priced at one shilling. Its full title here was The Story of Inkle and Yarrico: A Most Moving Tale from the Spectator. The first poem opens A youth there was... |
Textual Production | Frances Seymour, Countess of Hertford | Both poems and letters by Frances Hertford survive among the rich deposits at Alnwick Castle in Northumberland, the Percy stronghold inherited by her daughter. Some letters are in the British Library
, and some... |
Material Conditions of Writing | Antonia Fraser | This 70,000-word retelling of Sir Thomas Malory Wroe, Nicholas. “The history woman”. The Guardian, pp. 16-19. 16 |
Textual Production | Antonia Fraser | She and Pinter
decided to sell their manuscripts to the British Library
. In July 1994 they went to pay our manuscripts a visit. They found that while Pinter's were stored in conventional box-files, hers... |
Textual Production | Elizabeth Freke | Her one-day-at-a-time structuring makes the work particularly like a diary in appearance, though its composition was retrospective. She seems to have written not for the usual religious, moralistic, or business reasons (though she offers somewhat... |
Material Conditions of Writing | Maggie Gee | MG
says that having been a good girl too long, she chose fiction as an opportunity not to censor her voice to meet the demands of home, or the education system, or boyfriends, not to... |
Family and Intimate relationships | Georgiana Cavendish, Duchess of Devonshire | Elizabeth Carter
was Lady Spencer's mentor on religion and reassured her that her high social station made it necessary, even meritorious, to be to a large extent worldly. The Althorp MSS at the British Library |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | As she became more deeply involved in politics in late 1782, Georgiana Devonshire
expressed a hope to become one day a faithful historian of the secret history of the times. Foreman, Amanda. Georgiana, Duchess of Devonshire. HarperCollins. 94 |
Textual Production | Georgiana Cavendish, Duchess of Devonshire | At her death Georgiana
left all her voluminous letters and papers to the care of Lady Elizabeth Foster
. Lady Elizabeth no doubt took decisions as to what to save and what to destroy that... |
Publishing | Dorothea Gerard | Again the London edition (by Stanley Paul and Co.
) was accompanied by a Tauchnitz
edition, of which the British Library
copy is bound with the publisher's list and catalogue, and with two pages of... |
Textual Production | Phebe Gibbes | With PG
's name appeared the designation author of the History of Lady Louisa Stroud. There are copies of The Niece, now rare, at the British Library
and Chawton House Library
. PG |
Textual Production | Anne Hart Gilbert | In this collaborative book, John Gilbert
wrote most of the first 26 pages and AHG
the next 18 pages. The Wesleyan missionary William Box
also had a hand in the story, which was continued past... |
Textual Production | Evelyn Glover | EG
's correspondence with the Society of Authors
, 1921-1941, is now in the British Library
, catalogued as Add MSS 63250, 3. ff. 10-71. National Archives,. “National Register of Archives (NRA)”. National Archives (UK). “The British Library Manuscripts Catalogue”. The British Library Website. |
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