King, Kathryn R. Jane Barker, Exile: A Political Career 1675-1725. Clarendon Press.
153
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Production | Josephine Butler | It is listed by the British Library
catalogue in JB
's name only, but she had help from the other women. Earlier in the year she had given an address on women's rights and protective... |
Textual Production | Frances Seymour, Countess of Hertford | Both poems and letters by Frances Hertford survive among the rich deposits at Alnwick Castle in Northumberland, the Percy stronghold inherited by her daughter. Some letters are in the British Library
, and some... |
Textual Production | Jane Barker | JB
's Exilius, or the Banish'd Roman (a collection of extravagantly heroic King, Kathryn R. Jane Barker, Exile: A Political Career 1675-1725. Clarendon Press. 153 The British Library
still (in 2010) lists a copy as probably 1712. British Library Catalogue. http://explore.bl.uk/primo_library/libweb/action/search.do?dscnt=0&tab=local_tab&dstmp=1489778087340&vid=BLVU1&mode=Basic&fromLo. King, Kathryn R. Jane Barker, Exile: A Political Career 1675-1725. Clarendon Press. xiii Monthly Catalogue, 1714 - 1717. Bernard Lintot. (August 1714) Baines, Paul, and Pat Rogers. Edmund Curll, Bookseller. Clarendon Press. 154 |
Textual Production | Elaine Feinstein | In 1992 EF
published a 25-page chapbook containing a selection of Tsvetayeva translations in an edition limited to 250 copies, of which she signed the first fifty. This publication, by Menard Press
of London and... |
Textual Production | Eliza Lynn Linton | ELL
published Sowing the Wind, A Novel, which the Athenæum pronounced to be an uncommon novel Athenæum. J. Lection. 2054 (1867): 317 The British Library
has no copy of the... |
Textual Production | Edith Mary Moore | A novel entitled A Wilful Widow, which appeared in 1913, is evidently by EMM
. Difficulties with George Allen
had apparently caused her to change publishers (for the second time) to Constable
. The... |
Textual Production | Rachel Speght | RS
chose the same publisher as Swetnam's, which seems to indicate a perception of her debate with him as worth pushing along for doctrinal or commercial reasons. Speight, Helen. “Rachel Speght’s Polemical Life”. Huntington Library Quarterly, Vol. 65 , No. 3/4, pp. 449-63. 452 |
Textual Production | Elizabeth Beverley | The only known copy dated this year is at the University of California at Davis
. The British Library
's four copies include the allegedly fourth and sixth editions, and the New York Public Library |
Textual Production | Anne Conway | This correspondence is just part of a large haul discovered by Horace Walpole
in August 1758, lying around disregarded at Ragley Hall, partly rotten and partly gnawed by rats. Walpole rescued the collection and... |
Textual Production | Anne Hart Gilbert | In this collaborative book, John Gilbert
wrote most of the first 26 pages and AHG
the next 18 pages. The Wesleyan missionary William Box
also had a hand in the story, which was continued past... |
Textual Production | Anne Irwin | Pope's poem was two years old, but the Gentleman's Magazine had recently reprinted it. Ashley Cowper
kept a copy of AI
's riposte, attributed to her by name, in his Family Miscellany, British Library |
Textual Production | Isabel Pagan | A Collection of Songs and Poems on Several Occasions written by Isobel Pagan
was published at Glasgow: since she was illiterate, she had dictated the text to a friend, William Gemmell
. The British Library |
Textual Production | Edith Templeton | The British Library
keeps its copy in the special locked cupboard which it reserves for pornographic books: those which it rightly supposes that some members of the reading public may be moved to deface. It... |
Textual Production | Susanna Haswell Rowson | She dedicated it to a baronet's wife, Lady Cockburn
. Since Robinson
(who had not published her previous novel) had paid her thirty pounds as long ago as March 1783, it seems that this must... |
Textual Production | Elizabeth Boyd | Her title-page uses the pseudonym Eloisa; her letter-writers are Eugenia and Montezella. EB
emphasises, however, that she had no help in writing the work; and she published for herself. She intended this as a... |
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