Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Yearsley | Elizabeth Isabella Spence
, reporting on a visit to Bristol, mentions AY
as an example of an obscure woman writer of genius. Spence, Elizabeth Isabella. Summer Excursions. Longman, Hurst, Rees, and Orme, 1809, 2 vols. 71 |
Intertextuality and Influence | Ann Radcliffe | Anna Seward
, in letters which were to be published in AR
's lifetime, mixed her praise of her gothic oeuvre with some trenchant criticism. Norton, Rictor. Mistress of Udolpho: The Life of Ann Radcliffe. Leicester University Press, 1999. 221-2 |
Intertextuality and Influence | Ann Hawkshaw | Published by Jackson and Walford
in London and by Simms and Dinham
in Manchester, the book opens with several invocational stanzas that name both Felicia Hemans
and William Wordsworth
as inspirational figures for the... |
Intertextuality and Influence | Eliza Dunlop | Nearly a decade before Elizabeth Barrett Browning
's The Runaway Slave at Pilgrim's Point, but following William Wordsworth
's Complaint of a Forsaken Indian Woman and Felicia Hemans
's The Indian Woman's Lament... |
Intertextuality and Influence | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Elizabeth Melvill | Comments on Ane Godlie Dreame, though sparse, have been persistent. John Livingstone
recorded that she was famous for her dream anent her spirituall condition. qtd. in Baxter, Jamie Reid. “Elizabeth Melville, Lady Culross: new light from Fife”. The Innes Review, Vol. 68 , No. 1, May 2017, pp. 38-77. 40 |
Intertextuality and Influence | Maria Jane Jewsbury | Before the work was published, MJJ
sent William Wordsworth
, whom she had never met, a copy of the first volume. In her letter she thanked him for his inspiration and expressed her hope that... |
Intertextuality and Influence | Zadie Smith | These essays are a paradox: colloquial and popular in their enthusiasms, effortlessly learned in their handling. Smith is highly personal as she recounts her cultural discoveries: of a biracial chareacter claiming liberty of creative freedom... |
Intertextuality and Influence | Louisa Anne Meredith | Most of the section called Poems, as well as some other pieces, describe flowers or other features of the natural world. Nature and poetry (which is celebrated in the opening Invocation to Song)... |
Intertextuality and Influence | Eleanor Anne Porden | EAP
was projecting an essay periodical in 1815 (she had the first two numbers planned) when this long poem, written at sixteen, appeared. At about the same time she was reading Wordsworth'sRecluse and poems... |
Intertextuality and Influence | Catherine Hubback | CH
heads her volumes and chapters with quotations. Wordsworth
is the most-used here; among other lines, he is cited for A little onward lend thy guiding hand / To these dark steps, a little farther... |
Intertextuality and Influence | Christina Rossetti | |
Intertextuality and Influence | Elizabeth B. Lester | There follows a series of six stories under the general title A Sketch from the Parlour of my Inn, three of which open with quotations from William Wordsworth
. The final story in this... |
Intertextuality and Influence | Elizabeth Ogilvy Benger | Of the anthology poems, The Ship's Return is a ballad in which a lover fails to return with his ship, and A Sketch pictures a mother with her baby. One of the magazine pieces, Retrospection... |
Intertextuality and Influence | Catherine Fanshawe | One of the poems, a delightful Ode which imitates or parodies several well-known passages in various works by Gray
, was written not by CF
but by her friend Mary Berry
, some time before... |
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