Gilderdale, Betty. The Seven Lives of Lady Barker. Canterbury University Press.
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Connections Sort ascending | Author name | Excerpt |
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Intertextuality and Influence | Elizabeth Gunning | This interesting novel is a kind of rake's progress that seems to speak against the system of primogeniture.The hero (and first-person narrator) is that familiar figure, an upper-class child spoiled by his parents. He had... |
Intertextuality and Influence | Mary Bryan | The poems tend to the plaintive, but an allegiance to Wordsworth
and to his rule of simplicity keeps MB
from overstatement. The opening poem in the volume is a critical appreciation of Wordsworth's achievement which... |
Intertextuality and Influence | Grace Aguilar | One of these stories, The Authoress is notable as a künstlerroman and a defence of GA
's ambitions as a writer. It is the tale of frustrated romance between a young woman writer and a... |
Intertextuality and Influence | Mary Anne Barker | In Holiday Stories for Boys and GirlsMAB
writes that she has copied real life because she is not clever enough to make up invented stories. Gilderdale, Betty. The Seven Lives of Lady Barker. Canterbury University Press. 170 |
Intertextuality and Influence | Eliza Dunlop | Nearly a decade before Elizabeth Barrett Browning
's The Runaway Slave at Pilgrim's Point, but following William Wordsworth
's Complaint of a Forsaken Indian Woman and Felicia Hemans
's The Indian Woman's Lament... |
Intertextuality and Influence | Ruth Rendell | The novel contains particularly sophisticated subplots, including the intense rivalry between Burden's teenaged children, and Elizabeth's and Wexford's parallel fears of growing old. As usual in RR
's work, the novel gives an important role... |
Intertextuality and Influence | Eliza Mary Hamilton | The collection is dedicated to her brother, William Rowan Hamilton
. Blain, Virginia. “Letitia Elizabeth Landon, Eliza Mary Hamilton, and the Genealogy of the Victorian Poetess”. Victorian Poetry, Vol. 33 , No. 1, pp. 31-51. 31, 43 |
Intertextuality and Influence | E. Nesbit | The title, condensed from two lines in Wordsworth
's Ode on the Intimations of Immortality, alludes to the dimming and flattening of once-acute sensations. One of these poems says that Love can never be... |
Intertextuality and Influence | Iza Duffus Hardy | Fitzallan first mesmerises Eileen Dundas in a harmless, social situation, but eventually puts her in a trance and has her kill Geoffrey Carresford, whom she loves and is expected to marry, and who has penetrated... |
Intertextuality and Influence | Harriet Martineau | Writing to Mary Russell Mitford
of her hope that they might meet, HM
acknowledged the influence which the spirit of your writings has had over me. L’Estrange, Alfred Guy Kingham, editor. The Friendships of Mary Russell Mitford as Recorded in Letters from Her Literary Correspondents. Hurst and Blackett. 1: 263-4 |
Intertextuality and Influence | Elizabeth Stone | The third volume of Miss Pen and her Niece contained a short story, Sir Eustace de Lucie, a rewriting of Wordsworth
's poem The Horn of Egremont Castle. Set in the medieval period... |
Intertextuality and Influence | Matilda Charlotte Houstoun | MCH
raises the tone of her work with chapter-headings from Wordsworth
, Shakespeare
, Dryden
, and others, most of them asserting the value of the poor and powerless, or protesting about the deficiencies of... |
Intertextuality and Influence | Elizabeth Ogilvy Benger | Of the anthology poems, The Ship's Return is a ballad in which a lover fails to return with his ship, and A Sketch pictures a mother with her baby. One of the magazine pieces, Retrospection... |
Intertextuality and Influence | Catherine Fanshawe | One of the poems, a delightful Ode which imitates or parodies several well-known passages in various works by Gray
, was written not by CF
but by her friend Mary Berry
, some time before... |
Intertextuality and Influence | Ann Hawkshaw | Published by Jackson and Walford
in London and by Simms and Dinham
in Manchester, the book opens with several invocational stanzas that name both Felicia Hemans
and William Wordsworth
as inspirational figures for the... |
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