Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe.
149
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Florence Farr | Her contributions to The New Age were well received. The editor, Orage
, told FF
her articles were more frequently quoted than those of any other writer. Johnson, Josephine. Florence Farr: Bernard Shaw’s new woman. Colin Smythe. 149 |
Occupation | Isabella Ormston Ford | IOF
's interests were wide-ranging. In addition to her earnest work for social reform, she also was a member of the Leeds Art Club
(founded by A. R. Orage
) and the Humanitarian League
... |
Literary responses | Isabella Ormston Ford | In the Labour press, however, IOF
received more favourable reviews. For instance, Alfred Orage
's review in the Labour Leader was a friendly one. Entitled Pre-Neo Womanhood, it suggested that Democracy at last touches... |
politics | Mary Gawthorpe | |
Friends, Associates | Mary Gawthorpe | MG
equally admired A. R. Orage
and Holbrook Jackson
, founders of the Leeds Arts Club
. At the Club she also met Edward Carpenter
, W. B. Yeats
, G. K. Chesterton
, George Bernard Shaw |
Family and Intimate relationships | Mary Gawthorpe | MG
records in detail a drama in miniature Gawthorpe, Mary. Up Hill to Holloway. Traversity Press. 198 |
Friends, Associates | Mary Gawthorpe | MG
's correspondents included Emmeline Pethick-Lawrence
, Alice Paul
, Elizabeth Gurley Flynn
, Elizabeth Robins
, Helena Swanwick
, Henry Nevinson
, Havelock Ellis
, John Galsworthy
, Victor Gollancz
, A. R. Orage |
politics | Storm Jameson | |
Publishing | Storm Jameson | SJ
excerpted this article from her graduate thesis on modern British and European drama. She was especially pleased to be published in the New Age, as she and her fellow students revered both the... |
Textual Production | Storm Jameson | At about this time SJ
began to review novels for A. R. Orage
's New English Weekly (which was indeed new at the time). She continued to publish in the journal for about two years. Jameson, Storm. Journey from the North. Harper and Row. 329-30 Solo: Search Oxford University Libraries Online. http://solo.bodleian.ox.ac.uk/primo_library/libweb/action/search.do?vid=OXVU1&fromLogin=true&reset_config=true. |
Textual Production | Katherine Mansfield | A. R. Orage
, editor of the New Age, printed a story by KM
: The Child-Who-Was-Tired. Alpers, Antony. The Life of Katherine Mansfield. Oxford University Press. 405 |
Literary responses | Katherine Mansfield | KM
's work was savagely attacked. Laurence Binyon
called her story wilfully defiant of the rules of art, and said that in her poems she lies flapping and wappering. Alpers, Antony. The Life of Katherine Mansfield. Oxford University Press. 136 |
Intertextuality and Influence | Dora Marsden | The Freewoman's other writing contributors included Rebecca West
, radical feminists Ada Neild Chew
and Theresa Billington-Greig
, Stella Browne
(later founder of the Abortion Law Reform Association
), anarchists Rose Witcop
and Guy Aldred |
Instructor | Ruth Pitter | At home her parents used to make her and her sister and brother learn poems by heart, and they paid for the learning, at a penny to sixpence a poem according to length. Russell, Arthur et al. “Faithful to Delight: A Portrait Sketch”. Ruth Pitter: Homage to a Poet, edited by Arthur Russell, Rapp and Whiting, pp. 19-40. 20 |
Intertextuality and Influence | Ruth Pitter | RP
remembered writing her first poem at five, in capital letters with blue pencil on a bit of torn paper, impelled by the need to write down the feelings aroused by remembering an image of... |
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