Wandor, Michelene. The Music of the Prophets. Arc Publications.
34
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Elizabeth Gilding | Among these poems, To Miss —— (March 1783) is a poem of advice which recommends Milton
's Eve as a model. It applies to dawning reason the language both of religion and Romanticism: Go seek... |
Intertextuality and Influence | Mary, Lady Champion de Crespigny | MLCC
provides a sketch of Collingwood's naval career, with accounts of some of his major battles. As by degrees the storms arise, / 'Till hurricanes obscure the skies, / So his tremendous fire increas'd, /... |
Intertextuality and Influence | Elizabeth Hamilton | EH
seeks to raise the canonical status of the novel in this work not only by serious politico-philosophical content, but also by chapter-heading quotations from the classics (from Horace
, Shakespeare
, and Milton
to... |
Intertextuality and Influence | Anne Steele | Her non-religious poems show her a confident, versatile, accomplished writer. She casts a net of allusion widely—Milton
, Gray
, Edward Young
. She imitates Pope
on solitude, writes first of James Hervey
's... |
Intertextuality and Influence | Henrietta Maria Bowdler | HMB
published, anonymously, a long poem entitled Creation, and Other Poems: To Which Are Added, the Bowers of Happiness, a Vision, and an Essay on Sacred Poetry, which she claimed to have written without... |
Intertextuality and Influence | Michelene Wandor | It proclaims: this is the story of two people // this is the story of two peoples // and one God / your God or mine? Wandor, Michelene. The Music of the Prophets. Arc Publications. 34 |
Intertextuality and Influence | Selina Davenport | The title-page quotes Milton
on the false dissembler (Satan). The story opens with Edmund Dudley, the lover and the poet, confiding to a married friend, Leopold Courtenay, his love for Althea, to whom he has... |
Intertextuality and Influence | Aldous Huxley | Its womanizing protagonist, Mr Hutton, considers himself the Christ of Ladies (reversing, with what he supposes to be worldly wit, the supposed nickname of Milton
as the lady of Christ's). Huxley, Aldous. Mortal Coils. Chatto and Windus. 3 |
Intertextuality and Influence | Lucy Aikin | LA
's preface denies the absurd notion that absolute gender equality might be feasible and advises women not to attempt to become inferior men. But she asserts, there is not an endowment, or propensity, or... |
Intertextuality and Influence | Olaudah Equiano | The book moves into vivid narrative with OE
's abduction, his mostly tolerable experiences as a slave in Africa (constantly moving on until he reached a tribe who were morally corrupted by whites), and his... |
Intertextuality and Influence | Mary Ann Cavendish Bradshaw | There follows a fighting critical Dissertation Respecting Patrons and Dedications, which covers the issues of male disrespect for female authors, the tyranny of critics, and over-insistence on moral instruction (with Hannah More
's Coelebs... |
Intertextuality and Influence | Mary Robinson | MR
's preface quotes that of Charlotte Smith
to her Elegiac Sonnets. Robinson, Mary. “Introduction”. Mary Robinson: Selected Poems, edited by Judith Pascoe, Broadview, pp. 19-64. 45 |
Intertextuality and Influence | Mary Astell | How, she asks, can a Man respect his Wife when he has a contemptible Opinion of her and her Sex? Astell, Mary. The First English Feminist. Editor Hill, Bridget, St Martin’s Press. 111 |
Intertextuality and Influence | Margiad Evans | Several poems in A Candle Ahead invoke ME
's teachers: Milton
, Thomas Traherne
, Walter de la Mare
, and Thomas Hardy
, the theme of whose The Well-Beloved is that of her closing... |
Intertextuality and Influence | Adelaide Kemble | Bessie and her more assertive friend Ursula Hamilton are challenged by men in their social circle about the alleged inferiority of women, as proved by their failure to produce serious artistic work. Bessie thinks of... |
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