Norton, Caroline, and S. Bailey Shurbutt. Lost and Saved. Scholars’ Facsimilies and Reprints.
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Connections Sort ascending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Charlotte Smith | Syndy Conger has noted that this novel reveals a shift in Smith's attitude to sensibility in the four years since her sonnets: where she was enthusiastic she is now sceptical, even satirical, in her stance... |
Intertextuality and Influence | Elizabeth Sophia Tomlins | |
Intertextuality and Influence | Caroline Norton | The novel takes its epigraph from Goethe
's Faust. Norton, Caroline, and S. Bailey Shurbutt. Lost and Saved. Scholars’ Facsimilies and Reprints. i |
Intertextuality and Influence | Beatrice Harraden | The epigraph, she said, came from an (unidentified) old English author. Galbraith,. “Things Literary in London Gossip”. New York Times. |
Intertextuality and Influence | Anne Bannerman | Her model for the sonnet, as well as for the use of male erotic voices from Petrarch
and Goethe
, was Charlotte Smith
, though AB
's tone is more unrestrained and impassioned than Smith's. Elfenbein, Andrew. Romantic Genius: The Prehistory of a Homosexual Role. Columbia University Press. 135-6 |
Intertextuality and Influence | Julia Pardoe | Indebted to the tradition of Goethe
's Faust, the story may have influenced Marie Corelli
's Sorrows of Satan (1895). |
Intertextuality and Influence | Felicia Hemans | FH
studied German earnestly during this period of her life, and preferred Schiller
to Goethe
. Elwood, Anne Katharine. Memoirs of the Literary Ladies of England, from the Commencement of the Last Century. Henry Colburn. 235 Hughes, Harriet Browne Owen, and Felicia Hemans. “Memoir of Mrs. Hemans”. The Works of Mrs. Hemans, W. Blackwood, pp. 1-315. 54 |
Intertextuality and Influence | Vernon Lee | This collection of essays marks her turn from the search for pure aesthetic perception and expression towards the growth of social conscience. She frames this change by her reading of Pater
's Marius the Epicurean... |
Intertextuality and Influence | Vernon Lee | VL
's supernatural stories are concerned with the spiritual essences of places and past cultures, often represented through the reappearances of classical goddesses and gods, or comparatively lesser-known Renaissance and eighteenth-century figures. Vineta Colby
finds... |
Intertextuality and Influence | Anne Bannerman | The contents included odes, sonnets (including one sequence from Petrarch
and another based on Goethe
's Werther, in which she speaks as the male lover of a woman, with notes relating her poems to... |
Intertextuality and Influence | Germaine de Staël | Sarah Harriet Burney
, like her famous sister, was troubled at GS
's unconventionality. She wrote that she yawned over De l'Allemagneand yet, here and there, was electrified by a flash of sublimity. Do... |
Intertextuality and Influence | Sybille Bedford | The third rejected novel was the story of a young man working at a tedious business job in London who loves art and travel and the good life, who falls in with a powerful and... |
Intertextuality and Influence | Felicia Hemans | The volume takes its epigraphs and historical starting-points from a wide range of sources, including major male Romantics—Wordsworth
, Byron
, Coleridge
, Goethe
, Schiller
—and lesser-known contemporaries including women—Elizabeth Ogilvy Benger |
Friends, Associates | Matilda Betham-Edwards | MBE
set a great deal of store by meeting men distinguished as authors or in other fields, as a spur to literary achievement of her own. She was given to boasting of her acquaintance with... |
Friends, Associates | Maria Riddell |
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