McEvoy, Anne, and Isobel Grundy. Conversation about Eavan Boland with Isobel Grundy. 23 Sept. 1999.
Virgil
Standard Name: Virgil
Connections
Connections Sort descending | Author name | Excerpt |
---|---|---|
Intertextuality and Influence | Ann Eliza Bleecker | She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death... |
Intertextuality and Influence | Mrs Martin | Indeed, as in MM
's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator... |
Intertextuality and Influence | Anne Francis | |
Intertextuality and Influence | Seamus Heaney | The title refers to, and applies to poems about, family relationships (often those spanning generations), literary relatedness over still larger spans of time, and links between the human and other parts of the creation. In... |
Intertextuality and Influence | Eavan Boland | Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland) Boland, Eavan. Outside History. Norton, 1990. 78-9 |
Intertextuality and Influence | Henrietta Rouviere Mosse | The widely varied quotations heading the chapters include some in Latin (Virgil
, Cicero
, Lucretius
, Horace
) and some in French (Rousseau
, Voltaire
, Marmontel
, and Manon Roland
). The English writers quoted include Mary Robinson
. McLeod, Deborah. The Minerva Press. University of Alberta, 1997. |
Intertextuality and Influence | Mary Herberts | Further disconnected tales accumulate, one contrasting two priests, Father Coeurdroit (or Goodheart), who serves the poor rather than the Church, and Father Predatore, whose name is self-explanatory. The flow is finally interrupted by Proteus placing... |
Intertextuality and Influence | Mary Scott | The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil
only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd .... |
Literary responses | Anne Francis | Critic Jacqueline M. Labbe
has discussed the first poem in this volume, Saham Gardens (at Saham Toney in Norfolk). She approved AF
's claiming the garden for specifically female power and delighting in her... |
Literary responses | Arabella Shore | Oscar Wilde
offered slightly faint praise. AS
, he wrote, had tried to guide modern readers through Dante's great poem as Virgil
guided Dante through the afterworld, and her modest literary guide-book was unlike many... |
Literary Setting | Lady Charlotte Bury | Opening in Lyons, the story moves through a whole list of places personally known to LCB
: England (where Bertha goes to be a governess after her husband deserts her), Scotland, Switzerland... |
Occupation | Frances Arabella Rowden | FAR
was clearly a key element, perhaps the key element, in the success of the Hans Place school. She taught the general curriculum there for nearly twenty-five years, from its founding until 1818, and she... |
Occupation | R. D. Blackmore | He published several volumes of poetry and translated works by Theocritus
and Virgil
. He found the occupation of novelist extremely profitable, and used most of his revenue from writing to fund his horticultural endeavours... |
Publishing | Penelope Lively | PL
's more recent work for children includes almost every imaginable kind of fiction. Some of her titles are futuristic, like Judy and the Martian, 1992, and A Martian Comes to Stay, 1995.... |
Textual Features | Lucy Hutchinson | In the later cantos the biblical narrative is handled less didactically, more dramatically and psychologically. Some of the digressions, personifications, and descriptions suggest Virgil
ian epic. Greer, Germaine. “Horror like Thunder”. London Review of Books, 21 June 2001, pp. 22-4. 24 |
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