Virgil

Standard Name: Virgil

Connections

Connections Sort descending Author name Excerpt
Intertextuality and Influence Ann Eliza Bleecker
She used the writing of the pastoral to build a relationship with Tomhanick, Americanizing the topographical tradition to create a suitable backdrop for the life of a poet. Her work includes meditations on death...
Intertextuality and Influence Mrs Martin
Indeed, as in MM 's previous novels, the narrative technique contributes largely to the reader's enjoyment. The narrator addresses the reader as dear Madam, then (without modifying this address) invites her to call the narrator...
Intertextuality and Influence Anne Francis
AF writes in the style of mid-century poets Gray and especially Collins , whose names she specifically invokes and whose words she echoes, along with classics of the past like Petrarch . She records an...
Intertextuality and Influence Seamus Heaney
The title refers to, and applies to poems about, family relationships (often those spanning generations), literary relatedness over still larger spans of time, and links between the human and other parts of the creation. In...
Intertextuality and Influence Eavan Boland
Here she retains her focus on history and on women's lives. The relation between the two is paradoxical. Mise Eire (meaning I am Ireland)
McEvoy, Anne, and Isobel Grundy. Conversation about Eavan Boland with Isobel Grundy. 23 Sept. 1999.
opens: I won't go back to it.
Boland, Eavan. Outside History. Norton, 1990.
78-9
Yet in...
Intertextuality and Influence Henrietta Rouviere Mosse
The widely varied quotations heading the chapters include some in Latin (Virgil , Cicero , Lucretius , Horace ) and some in French (Rousseau , Voltaire , Marmontel , and Manon Roland ). The English writers quoted include Mary Robinson .
McLeod, Deborah. The Minerva Press. University of Alberta, 1997.
Intertextuality and Influence Mary Herberts
Further disconnected tales accumulate, one contrasting two priests, Father Coeurdroit (or Goodheart), who serves the poor rather than the Church, and Father Predatore, whose name is self-explanatory. The flow is finally interrupted by Proteus placing...
Intertextuality and Influence Mary Scott
The poem, appropriately, is written in heroic couplets. Its opening boldly echoes Virgil only to distance itself from the project of the Aeneid: Arms and the men for deeds of arms renown'd ....
Literary responses Anne Francis
Critic Jacqueline M. Labbe has discussed the first poem in this volume, Saham Gardens (at Saham Toney in Norfolk). She approved AF 's claiming the garden for specifically female power and delighting in her...
Literary responses Arabella Shore
Oscar Wilde offered slightly faint praise. AS , he wrote, had tried to guide modern readers through Dante's great poem as Virgil guided Dante through the afterworld, and her modest literary guide-book was unlike many...
Literary Setting Lady Charlotte Bury
Opening in Lyons, the story moves through a whole list of places personally known to LCB : England (where Bertha goes to be a governess after her husband deserts her), Scotland, Switzerland...
Occupation Frances Arabella Rowden
FAR was clearly a key element, perhaps the key element, in the success of the Hans Place school. She taught the general curriculum there for nearly twenty-five years, from its founding until 1818, and she...
Occupation R. D. Blackmore
He published several volumes of poetry and translated works by Theocritus and Virgil . He found the occupation of novelist extremely profitable, and used most of his revenue from writing to fund his horticultural endeavours...
Publishing Penelope Lively
PL 's more recent work for children includes almost every imaginable kind of fiction. Some of her titles are futuristic, like Judy and the Martian, 1992, and A Martian Comes to Stay, 1995....
Textual Features Lucy Hutchinson
In the later cantos the biblical narrative is handled less didactically, more dramatically and psychologically. Some of the digressions, personifications, and descriptions suggest Virgil ian epic.
Greer, Germaine. “Horror like Thunder”. London Review of Books, 21 June 2001, pp. 22-4.
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