Charlotte Brontë
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Standard Name: Brontë, Charlotte
Birth Name: Charlotte Brontë
Married Name: Mrs Arthur Bell Nicholls
Pseudonym: Currer Bell
Used Form: Charlotte Bronte
CB
's five novels, with their passionate explorations of the dilemmas facing nineteenth-century middle-class English women, have made her perhaps the most loved, imitated, resisted, and hotly debated novelist of the Victorian period.
Connections
Connections Sort ascending | Author name | Excerpt |
---|---|---|
Textual Features | Mary Taylor | In essence, Miss Miles presents and evaluates four case studies of young middle-class women struggling to earn and enjoy a living. Sarah's Aunt Jane details the obstacles facing working women: There's no decent way fit... |
Textual Features | Adrienne Rich | AR
's delineation of a lesbian continuum . . . of woman-identified experience Rich, Adrienne. Blood, Bread, and Poetry. Norton. 51 |
Textual Features | Jane Austen | The plot of this novel is a version of a romance archetype: poor but deserving girl confounds all expectations by marrying up. Elizabeth Bennet is the quintessence of the witty and resourceful heroine who had... |
Textual Features | Violet Hunt | Through this novel, VH
reconfigures the conventional governess narrative through the character, perceptions, and experiences of her heroine, Amy Steevens. Hunt, Violet. White Rose of Weary Leaf. W. Heinemann. 9 |
Textual Features | Dorothy Richardson | Carol Watts
notes the influence of two writers in particular on this volume. As she suggests, Miriam's personal and creative journey begins with a departure, as does Lucy Snowe's in Charlotte Brontë
's Villette... |
Textual Features | Ruby M. Ayres | Dark Gentleman carries an unascribed epigraph from Caroline Norton
: Until I truly loved—I was alone. Ayres, Ruby M. Dark Gentleman. Hodder and Stoughton. title-page |
Residence | Anne Lister | |
Reception | Vita Sackville-West | The enthusiastic review by J. C. Squire
was not entirely welcome to VSW
, since she regarded Squire as a silly old ass and all that. Glendinning, Victoria. Vita. Penguin. 167 |
Reception | George Sand | Many other British writers were strongly influenced by GS
: Geraldine Jewsbury
, Matilda Hays
, Anne Ogle
, Eliza Lynn Linton
, Mathilde Blind
, and, most notably, Emily
and Charlotte Brontë
and George Eliot |
Reception | Elizabeth Gaskell | Announcement of the second edition of EG
's The Life of Charlotte Brontë produced a threat from Lady Scott
's solicitors of a libel suit unless the publishers
withdrew all mention of their client and publicly apologized. Uglow, Jennifer S. Elizabeth Gaskell: A Habit of Stories. Faber and Faber. 426-7 |
Reception | Anne Marsh | The Oxford Dictionary of National Biography notes AM
's very high contemporary reputation. It cites the London Weekly Chronicle and Margaret Oliphant
each hailing her, in her heyday, as a leader among women novelists (though... |
Reception | Jean Plaidy | In 1991, JP
said of Mistress of Mellyn: This was the sort of book that I loved to write, because I had read so much of the BrontësCharlotte BrontëAnne Brontë
, over and over again, and... |
Reception | Charlotte Maria Tucker | CMT
, whose works sold very well, was regarded as a major female author during the mid-Victorian period. She was incensed when in 1882 some one wrote a sketch of her life, and requested her... |
Reception | Emily Brontë | Not until after a larger selection of poems, heavily edited by Charlotte
, was included along with the biographical preface in the 1850 edition of Wuthering Heights, did EB
's poetry begin to receive... |
Reception | Anne Brontë | An anonymous reviewer of Agnes Grey and Wuthering Heights in The Spectator for 18 December 1847 commented that the work of all three Charlotte BrontëEmily BrontëBrontë
s suffered from injudicious selection of the theme and matter. Allott, Miriam, editor. The Brontës. Routledge and Kegan Paul. 218 |
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