Garnett, Richard et al. “Introduction”. The Ruba’yat of Omar Khayam, edited by Richard Garnett, translated by. Jessie Ellen Cadell, John Lane, p. v - xxx.
xxviii
Connections | Author name Sort descending | Excerpt |
---|---|---|
Literary responses | Jessie Ellen Cadell | Garnett
judged JEC
's work to be excellent in its dignity, tenderness, [and] epigrammatic brevity, Garnett, Richard et al. “Introduction”. The Ruba’yat of Omar Khayam, edited by Richard Garnett, translated by. Jessie Ellen Cadell, John Lane, p. v - xxx. xxviii |
Textual Production | Ellen Mary Clerke | Thanks to her travels and studies, EMC
was fluent in several languages. Her translations, especially those from Italian, were frequently praised. In 1898 some of her translations were selected by Richard Garnett
to be included... |
Dedications | Ellen Mary Clerke | Some of this material had appeared previously in periodicals. Clerke, Ellen Mary. Fable and Song in Italy. Grant Richards. xi Clerke, Ellen Mary. Fable and Song in Italy. Grant Richards. prelims |
Leisure and Society | May Crommelin | MC
was a member of the Albemarle Club
. Who Was Who in Literature, 1906-1934. Gale Research. vol. 1 |
Family and Intimate relationships | Constance Garnett | CG
's sister Clementina frequently studied at the British Museum
and there became acquainted with Richard Garnett
, superintendent of the Reading Room. She introduced Constance to Garnett's son Edward
, who was a reader... |
Cultural formation | Isabella Neil Harwood | Not much is known about INH
's early life or her life beyond her writing, except that she was born to Scottish and English parents of the professional class, who were Unitarians
. As Richard Garnett |
Travel | Vernon Lee | VL
was at this time a guest of Mary Robinson
and her family. She combined her connections with theirs in order to meet a number of major cultural figures: Sir Leslie Stephen
, Robert Browning |
Publishing | Anne Manning | Later editions assert AM
's authorship in the form that now became standard for her, as by the author of Mary Powell. Like its predecessor, this book went through several editions, and appeared with... |
Intertextuality and Influence | L. T. Meade | She received advice and encouragement with the actual writing, and help in choosing a title from Richard Garnett
(Keeper of Printed Books at the British Museum
). This time she knew that if a publisher... |
Textual Production | Evelyn Sharp | The piece was published the same year. ES
used stories by Richard Garnett
and Nathaniel Hawthorne
as sources. She had been working on her lyrics since June 1927, when she sent Vaughan Williams the fruits... |
Publishing | Percy Bysshe Shelley | |
Textual Production | May Sinclair | At this time MS
entertained many schemes which she did not carry through. She began a play, A Debt of Honour—A Tragedy in Three Acts. Raitt, Suzanne. May Sinclair: A Modern Victorian. Clarendon Press. 45n7 |
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