Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books.
99-100
Connections | Author name Sort ascending | Excerpt |
---|---|---|
Education | Harriette Wilson | HW
's story of her education is one of tyranny and resistance. Her worst beating from her father was incurred for obstinacy. Her elder sister Jane (called Diana in her memoirs) was supposed to teach... |
Education | Dorothy Whipple | As a small child DW
loved the Bible. She had a child's bible with illustrations, and was fascinated by stories of Christ's miracles (though a blind man took it badly when she proposed spitting... |
Intertextuality and Influence | Anna Jane Vardill | Many of AJV
's poems reflect her learning. She incorporated lines of Greek in An Arctic Islander in London (October 1818), and based La Morte d'Arthur (European Magazine 79 (1821): 553-5, with annotations), on... |
Textual Features | Tabitha Tenney | Choice of women writers is fairly generous, with excerpts from Hester Mulso Chapone
, John Aikin
and Anna Letitia Barbauld
(Evenings at Home), Susanna Haswell Rowson
, Elizabeth Carter
, Hester Thrale
,... |
Occupation | Sydney Owenson, Lady Morgan | Sydney Owenson
took up a governess job with Margaret Featherstone
or Featherstonehaugh of Bracklin Castle, Westmeath. Literary critic James Newcomer
, who chooses the second version of the employers' family name, mistakenly says this... |
Textual Features | Elizabeth Strutt | The book had coloured illustrations. ES
adopts here a relaxed, informal tone. She pays more attention than formerly to scenery (though she insists that only truly personal responses are interesting), but also to the humdrum... |
Textual Features | Harriet Smythies | In a critical preface HS
reveals her gender though not her name. She opens by invoking the author of Rienzi (either, Mary Russell Mitford
or Edward Bulwer Lytton
). The two groups of lovers and... |
Intertextuality and Influence | Eleanor Sleath | The chapter headings quote a range of canonical or contemporary writers, including Shakespeare
, Milton
, Pope
, Thomson
, Goldsmith
, William Mason
, John Langhorne
, Burns
, Erasmus Darwin
, Edward Young |
Textual Production | Anna Seward | AS
penned a poem she called Eyam, reminiscent of Goldsmith
's The Deserted Village, about a visit back to her birthplace. Wordsworth, Jonathan. The Bright Work Grows: Women Writers of the Romantic Age. Woodstock Books. 99-100 |
Theme or Topic Treated in Text | Sarah, Lady Pennington | She advises about relations with servants, about prompt payment of bills, and other aspects of running a complicated household. She says there will always be vacant Hours to fill up with reading, Sarah, Lady Pennington,. An Unfortunate Mother’s Advice to her Absent Daughters. W. Bristow and C. Ethrington. 38 |
Literary Setting | Regina Maria Roche | The heroine suffers under not one but two bad mother-figures, neither of whom is her birth mother. It opens with Greville, a country curate whose spirit has been wounded by the vice and deceit of... |
Friends, Associates | Hester Lynch Piozzi | Other Streatham habitueés were Sir Joshua Reynolds
, Arthur Murphy
, Edmund Burke
, Oliver Goldsmith
, Charles Burney
, and David Garrick
. Clifford, James L. Hester Lynch Piozzi (Mrs Thrale). Clarendon Press. 157 |
Literary responses | Sarah Wentworth Morton | Julie Ellison
, who traces in Ouâbi the influence of male British poets like Thomson
and Goldsmith
, and their sentimental, topographical, masculinist traditions, Ellison, Julie. “Race and Sensibility in the Early Republic: Ann Eliza Bleecker and Sarah Wentworth Morton”. Subjects and Citizens, edited by Michael Moon and Cathy N. Davidson, Duke University Press, pp. 57-86. 60 |
Publishing | Anne Marsh | Harriet Martineau
was amazed when AM
first read her one of these tales, The Admiral's Daughter, and felt that their hostess later that evening (Sarah Wedgwood
) must have been almost equally amazed... |
Intertextuality and Influence | Anna Maria Mackenzie | A title-page quotation from John MiltonParadise Lost puts together, with an only an ellipsis between them, the persuasive powers of the fallen angel Belial (who could make the worse appear / The better reason) and... |